Auguste Rodin

Dante & Virgilus - Etching, (Ed. Goupil, 1897)

1897

ARTIST: after Auguste RODIN TITLE : Icarus and Phaeton MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" ...

E. Dinet Jeux de fillettes a Laghouat Original litograph Platesigned 1897/98 Printed on paper Vélin Size 31 x 40 cm (c. 12 x 16") INFORMATION : Published by 'Estampe Moderne, Par...

Maurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...

Maurice DENIS (1870 - 1943) Nymph of Eurydice Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 40 x 24,5 cm (c. 15,7 x 9,6 inch) I...

Maurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47...

Salvador DALI Much Ado About Shakespeare : Henry III, 1968 Original etching in color Handsigned Justified EA On Japan paper 44.5 x 32 cm (c. 18 x 13 inch) ...

18th Century (c1740) etching/engraving , John II, Count of Hainaut Holland & Zeeland (1247-1304)

"Le Petit Cirque Prinder" is an original etching by Auguste Brouet. This piece depicts a variety of circus performers surrounded by small children. The artist signed the piece in the...

"Cormar Attacking a Spirit on the Waters" is an etching by eighteenth-century Scottish artist Alexander Runciman, signed on the lower edge of the etching, "ARunciman inv. & fecit," i...

Etching done after Francois Boucher's "The Toilette of Venus." He is a 18th century artist who worked with a lot of naturalistic mythology themes. The engraving is from a book page w...

Neoclassical landscape etching in the style of Joseph Vernet. The work includes a group of fishermen with nets and a boat set against an idealized backgr...

George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...