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Claude WeisbuchOriginal Lithograph Horse Anatomy Leonardo Davinci Nude Male Figure Sepia Signed1978
1978
About the Item
"Homage a Leonardo d'Vinci (Leonardo drawing, 3 Figures, Horse from De La Bataille Vol. I)" is an original color lithograph signed by Claude Weisbuch. A group of figures stand to the left of the work. The furthest left is a figure with musculature showing. Beside him is a fully dressed soldier, they both look away from the viewer. The man in the center stands is scholarly wear holding a book he is writing in. A man on a horse runs away towards the left. Sketchings are found near the bottom left corner, and writing is all over the piece.
Art: 17 x 23.25 in
Frame: 27.63 x 33.88 in
Paintings - Drawings - Lithographs "Some important things to look for in evaluating an artist for such a position of honour are: an inventiveness of style, a prolific output, and a consistency of quality--Claude Weisbuch has all three. His style is unique with a color range that is rich and warm in tone, certainly equal to that of Rembrandt. The fluidity of line and creation of motion is even more vigorous than in the work of Daumier or Toulouse Lautrec. His creativeness in composition is awesome and seems to have infinite possibilities of variation and vision." - David Barnett Born: February 8, 1927 in Thionville, France Education: L' Ecole des Beaux-Arts de Nancy (School of Fine Arts in Nancy, France) Exhibitions: Herve Odermatt Gallery Paris, France Escole de Paris Paris, France David Barnett Gallery Milwaukee, Wisconsin Nancy, France Strasbourg, Austria Berlin, Germany Tokyo, Japan Brussels, Belgium Toronto, Canada United States London, England Illustrated Books: "Le Chevalier de la Charette", "L'eloge de la Folie" and "Le Prince", to name only a few Claude Weisbuch was born on February 8th, 1927 in Thionville, France. His art includes drawing, painting and lithographs. Inventive and unique with his style he uses color range that is warm and rich in tone, certainly equal to that of Rembrandt. The fluidity of line and creation of motion is even more vigorous that in the work of Daumier or Toulouse Lautrec. His creativeness in composition is awesome and seems to have infinite possibilities of variation and vision. Exhibitions Herve Odermatt Gallery Paris, France Escole de Paris Paris, France David Barnett Gallery Milwaukee,Wisconsin Education Ecole des Beaux-Arts de Nancy Nancy, France
- Creator:Claude Weisbuch (1927, French)
- Creation Year:1978
- Dimensions:Height: 27.63 in (70.19 cm)Width: 33.88 in (86.06 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:
Claude Weisbuch
Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nancy, France. As a painter, engraver, and exceptional lithographer, Claude Weisbuch has painted active motifs, such as musicians, horses, and characters. Dominating in his work, by the relief and the velvety line which characterizes drypoint, his etchings are the strongest representations of his figures, intensely lively after the 1960s. Using dark tones which express his sharp sense, Claude Weisbuch ceaselessly captures life's dynamics, as the pictorial, musical and literary expressions that are essentially human. Whether it is the impassioned violinist, the mercurial actor, or the sitter shrouded with silent intensity, they have all been rendered with Weisbuch's love for drama. The brushstrokes are sweeping and bold while the paint is fluid. His pictures, full of movement, give one the impression of time-lapsed motion and display an expression of passionate humanity tinged with a unique energy. Weisbuch has been quoted as saying “I like the sketch, the uncompleted, the painting filled with mystery,”. "Some important things to look for in evaluating an artist for such a position of honour are: an inventiveness of style, a prolific output, and a consistency of quality--Claude Weisbuch has all three. His style is unique with a color range that is rich and warm in tone, certainly equal to that of Rembrandt. The fluidity of line and creation of motion is even more vigorous than in the work of Daumier or Toulouse Lautrec. His creativeness in composition is awesome and seems to have infinite possibilities of variation and vision." - David Barnett
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