Douglas Hofmann

Waiting in the Wings

John Lennon original artwork. Limited Edition 14/300. Certified by Estate of John Lennon and Hand Signed by Yoko Ono. This is a drawing John Le...

17" x 11" Unframed Limited Edition Lithograph of 12 Hand Signed by Raphael Soyer

Image Size: 26" x 21" Unframed Limited Edition Lithograph of 300 Hand Signed by Beryl Cook

28" x 24" Unframed Limited Edition Lithograph of 300 Hand Signed by Barry Oretsky 1994

9" x 15" Unframed Print on Paper Hand Signed by Martha Z. Sierra 1998

42" x 33" Framed Limited Edition Archival Pigment Print Numbered of 10 Designer: Mikael D Spring 2014 Hand Signed by Alexander Rocco

Yue Minjun, Lotus Pool Lithograph in color on wove paper “BFK Rives” Edition of 130 120 x 80 cm (47.2 x 31.4 in) Stamped Signature, numbered in Roman numerals In mint condition, as a...

Yue Minjun, Sheep Herd Lithograph Edition of 130 120 x 80 cm (47.2 x 31.5 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired...

Maurice de Vlaminck Original Lithograph Signed in the plate 1958 Title: House in Beauce Dimensions: 22 x 27 cm Reference: Catalogue raisonné Walterskirchen 275 Condition : Excellent Maurice de Vlaminck (1876 - 1958) Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

La Capeline de Paille d'Italie (The Italian Straw Hat). 1923. Lithograph. Duthuit 430. 17 3/4 x 15 3/4 (sheet 23 1/8 x 17 7/8). Trial proof, apart fr...

First edition, from the edition of 250 copies on Vélin d’Arches from a total edition of 270; large 4to (42.2 x 32 cm); artist’s signature stamp to limitation page, 150 lithographs after Giacometti, loose as issued in publisher's printed wrappers, glassine wrappers, cloth chemise and slipcase. Giacometti’s testament to art and modern life in his beloved Paris. For Tériade it would be a milestone, the last great publication he would see through the press. The two men [Tériade and Giacometti] had maintained a close friendship ever since the Surrealist Years. The one hundred and fifty lithographs are a profoundly interpenetrating view of Giacometti's experience of Paris. He selected the plates to be printed and determined the order of their relationship, numbering each one. The frontispiece shows a nude figure of a woman plunging forward, as though diving into space, and is immediately followed by a quantity of views of city streets, then of interiors familiar to the artist. We come upon views of his studio, of the cafes he frequented, of Annette's apartment in the rue Mazarine and Caroline's in the Avenue du Maine, strangers at cafe tables, passers by, parked automobiles, the towers of Saint-Suplice, bridges across the Seine, The Eiffel Tower. To accompany the hundred and fifty plates, a text of twenty pages was planned, but the artist never got further than a few rough drafts. True, he was a devotee of words, Paris sans fin, however, said too much to the eye to be in need of other symbols (James Lord...