Items Similar to Hardback monograph: George Segal (signed and inscribed by sculptor George Segal)
Want more images or videos?
Request additional images or videos from the seller
1 of 18
George SegalHardback monograph: George Segal (signed and inscribed by sculptor George Segal)1989
1989
About the Item
George Segal (signed and inscribed by George Segal), 1989
Hardback monograph with dust jacket (signed, dated and inscribed for Tera by George Segal)
Warmly signed, dated 3/27/1998 and inscribed for Tera by George Segal on the title page
12 × 8 1/2 × 1 inches
Provenance:
Signed for the previous owner on the occasion of the exhibition: GEORGE SEGAL: A
RETROSPECTIVE: SCULPTURES, PAINTINGS, DRAWINGS FEB 19–MAY 17, 1998 at the Smithsonian Institution
This lavishly illustrated 1989 hardback monograph with dust jacket was written by the renowned art historian Sam Hunter. It is warmly signed, dated 3/27/1998 and inscribed to Tera by George Segal on the title page.
Inscription reads:
For Tera
with warmest regards
George Segal
3/27/98
Provenance: Signed for the previous owner on the occasion of the exhibition: GEORGE SEGAL: A RETROSPECTIVE: SCULPTURES, PAINTINGS, DRAWINGS FEB 19–MAY 17, 1998 at the Smithsonian Institution
Book information:
Publisher: Ediciones Poligrafa, S.A, 1989
English; Hardback; 128 pages with 132 color illustrations
Publisher's blurb:
The one hundred and thirty-two illustrations in this volume convey the impact of Segal's works and chart his course as one of America's most influential sculptors. Segal gained fame in the day of Pop with his true-to-life plaster figures of lower-and middle-class Americans engaged in everyday activities. In pieces like The Red Light and Walk, Don't Walk, his glum waitresses, bored gas-station attendants and aimless pedestrians trapped in utilitarian environments have been mirrors held up to the face of postwar American life with its aridity and loneliness. The political undercurrent in Segal's works emerges forcefully in his Kent State: Abraham and Isaac and Gay Liberation. As the book makes clear, Segal has employed his groundbreaking techniques to explore more intimate themes as well. Embracing Couple and Nude on Redwood Chaise are tender celebrations of erotic love; Girl Drying Her Knee reveals a surprisingly classical grace and purity of line. These and many other works pictured attest to the many dimensions of an artist who has been called "a poet of the mundane."
More about George Segal:
George Segal was born in the Bronx, New York, on November 26, 1924. He studied science at Stuyvesant High School and then spent one year at the Cooper Union, both in New York. While still a student, he worked briefly as a commercial illustrator. After his older brother was drafted into the army in 1940, Segal left New York to work on his father's newly acquired chicken farm in South Brunswick, New Jersey. During this time he took night classes at the nearby Rutgers University, New Brunswick, where he would return much later to earn his MFA in 1963.
In 1946 Segal married Helen Steinberg and soon began commuting to classes at Pratt Institute, Brooklyn, New York. In 1948, inspired by Abstract Expressionist paintings, he transferred to New York University (NYU). Among his teachers were William Baziotes and Tony Smith, and his fellow students included Alfred Leslie and Larry Rivers. After completing his BA in Art Education from NYU in 1949, Segal built and operated his own chicken farm in South Brunswick, New Jersey, for several years with his wife. Allan Kaprow had also been a student at NYU with Segal, but the two did not meet until 1953 when Kaprow was teaching at Rutgers and living close to Segal. Segal's farm became the site for Kaprow's first Happening in 1958, a Robert Frank film in 1960, and over time, the artist's own 6,000-square-foot studio.
Through his relationship to Kaprow, Segal was introduced to the New York avant-garde scene surrounding John Cage and Merce Cunningham, as well as awarded a membership to the Hansa Gallery, where in 1956, for his debut solo show, he exhibited brightly colored, figurative abstract paintings. In 1958 Segal completed his first sculptures using wood two-by-fours, chicken wire, burlap, and plaster, and positioned the three works in front of a series of large canvases. Segal's placement of life-size figures in an environment, a trope for which he became best known, was further developed in July 1961, when he was asked to write about newly developed gauze and plaster Johnson & Johnson bandages as a potential new art material. He was given boxes of the medical material, which he took home and had his wife plaster around him while he sat in a chair. The results led him to continue using different versions of the material to make full-body plaster casts directly from the figures of his family, friends, colleagues, and patrons. These figures were then placed on the ground in relationship to ready-made objects often taken from the urban landscape. While the surfaces of his sculptures were often left white, Segal also occasionally incorporated bright hues into his pieces.
In 1960 Segal began exhibiting with Green Gallery, New York, alongside young contemporary artists such as Donald Judd and Robert Morris. Two years later his work was included in New Realists, an exhibition that helped define Pop art, a movement with which Segal had previously been identified, at the Sidney Janis Gallery, New York. He became a member of that gallery in 1965 and had his first museum solo show at the Museum of Contemporary Art, Chicago (1968).
In 1969, after making pastel drawings of plaster body parts around his studio, Segal began a series of partial figure sculptures and wall reliefs. He produced his first bronze sculpture for an outdoor project in 1976. Other public commissions included memorials to the 1970 Kent State shootings, the Holocaust, and gay liberation. In the 1990s, Segal returned to painting and began a series of photo-sculptures using his own photographs. During the last years of his life, Segal made large charcoal portraits of his friends and family, and participated in a documentary film about his life's work. The film George Segal: American Still Life premiered in 2001, a year after his death in New Jersey.
Segal's work has been recognized in numerous museum solo exhibitions worldwide, including major retrospectives at the Walker Art Center, Minneapolis (1978), which traveled to the San Francisco Museum of Modern Art (1979) and the Whitney Museum of American Art, New York (1979); the Seibu Museum of Art, Tokyo (1982), which traveled to Takanawa Museum (now Sezon Museum of Modern Art), Karuizawa (1982), Toyama-kenritsu Kindai Bijutsukan (Museum of Modern Art), Toyama (1982), Kokuritsu Kokusai Bijutsukan (National Museum of Art), Osaka (1982–83), and Ohara Bijutsukan (Ohara Museum of Art), Kurashiki (1983) (all Japan); the Montreal Museum of Fine Arts (1997–98), which traveled to the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (1998), the Jewish Museum, New York (1998), and Miami Art Museum (1998–99); and Gosudarstvennyĭ Ėrmitazh (State Hermitage), Saint Petersburg, Russia (2002), which traveled the Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, New Jersey (2002). Among many other honors, Segal was awarded the Praemium Imperiale from the Japan Art Association (1998), followed by a National Medal of the Arts from the U.S. government (the NEA) (1999). He was also the recipient of numerous honorary doctorate degrees. The George and Helen Segal Foundation helped establish the George Segal Gallery at Montclair State University, New Jersey (2006), and a traveling exhibition featuring Segal's sculpture was organized by the Madison Museum of Contemporary Art, Wisconsin (2008).
- Courtesy of the Guggenheim
About Sam Hunter:
Sam Hunter was an American historian of modern art, born on January 5, 1923, and died on July 27, 2014, at the age of 91. He was an emeritus professor of art history at Princeton University, where he played a prominent role in his field for over 20 years as a professor, curator, museum director, editor, and critic. Hunter was also the founding director of the Rose Art Museum, where he built the museum's collection of modern and contemporary art. He authored over 50 books and three times that many essays, museum and gallery catalogues, and articles. Hunter worked in many capacities for Harry N. Abrams, Inc., including editor-in-chief, 1971-72. He curated and consulted for museum exhibitions at several institutions, including the Museum of Modern Art, New York, the Minneapolis Art Institute, and the Princeton Art Museum.
- Creator:George Segal (1924-2000, American)
- Creation Year:1989
- Dimensions:Height: 12 in (30.48 cm)Width: 8.5 in (21.59 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In good condition, with minor overall agewear and handling to the dust jacket esp. on the edge; inside pages and inscription are in excellent condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213526902
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2007
1stDibs seller since 2022
292 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 1 day of delivery.
More From This SellerView All
- Cornucopia (limited edition hardback monograph hand signed by Damien Hirst)By Damien HirstLocated in New York, NYDamien Hirst Cornucopia, 2010 Limited edition hardback monograph (hand signed by Damien Hirst) Hand signed in ink by Damien Hirst on the first front end page 12 1/2 × 9 3/4 × 3/4 inches This limited edition illustrated hardback monograph, with no dust jacket, exactly as issued, was published on the occasion of the artist's show at Musee Oceanographique de Monaco in April 2010, 'Cornucopia' celebrates Hirst's paintings and sculptures from 1994-2009." This book was gifted by Damien Hirst to a member of an American Rock & Roll band that Hirst befriended. Stated Limited Edition of 2000 (unnumbered) About the book: Publisher: Musée Océanographique de Monaco, 2010 Text: English / French. 160 pgs with color illustrations Limited Edition: 2000 (the regular edition is not signed; this was exceptionally hand signed by Hirst) About Damien Hirst: People are afraid of change, so you create a kind of belief for them through repetition. It’s like breathing. I’ve always been drawn to series and pairs. A unique thing is quite a frightening object. —Damien Hirst Since emerging onto the international art scene in the late 1980s, Damien Hirst has created installations, sculptures, paintings, and drawings that examine the complex relationships between art and beauty, religion and science, and life and death. From serialized paintings of multicolored spots to animal specimens...Category
2010s Pop Art More Art
MaterialsPaper, Ink, Mixed Media, Lithograph, Offset
- Monograph with unique drawings & inscriptions by Takashi Murakami, Jeff Koons +Located in New York, NYMakes a unique and memorable gift - a truly one of a kind piece of Pop Art history! Takashi Murakami, Jeff Koons, Richard Prince, Piotr Uklański, Ashley Bickerton, Gavin Turk, Maurizio Cattelan, Cosey Fanni Tutti, Sturtevant, Tracey Emin Pop Life Art in a Material World (hand signed, inscribed by all 10 artist, some with drawings) to former Tate Curator Sheena Wagstaff, 2009 Unique Ink drawings and signatures inside of softback book, all dedicated to renowned Tate Gallery curator Hand signed, inscribed and drawings by 10 artists 10 9/10 × 8 7/10 inches First -- yes, that Murakami Absolut ink drawing is absolutely unique - and that alone is worth the price of the whole lot. This one-of-a-kind historic Pop Art monograph ,was published by the Tate Gallery on the occasion of the exhibition Pop Life: Art in a Material World at Tate Modern, London, October 1, 2009 - January 17, 2010; Hamburger Kunsthalle, Hamburg, February 15 - May 9, 2010; The National Gallery of Canada, Ottawa, June 11 - September 19, 2010. (At the bottom is a detailed description of this historic survey, from the Tate Gallery press release): This softback catalogue bears unique, original drawings, signatures and ink inscriptions by these artists: Takashi Murakami, Tracey Emin, Jeff Koons, Sturtevant, Richard Prince, Piotr Uklanski, Ashley Bickerton, Gavin Turk, Maurizio Cattelan and Cosey Fanni Tutti. The following artists created drawings near or on the pages featuring their respective artworks: Jeff Koons -signed Antiquity drawing, done in ink Takashi Murakami - drew his own Absolut Vodka interpretation (unique signed ink drawing) on the same page as Andy Warhol and Keith Haring's Absolute Vodka designs Cosey Fanni Tutti - legs drawing The following artists wrote inscriptions: Jeff Koons: Thank you for the opportunity to show at the Tate! Great Show! Love Jeff Tracey Emin: For Sheena, with love, Tracey Emin XO Sturtevant: For Sheena, my favorite digital girl Piotr Uklanski: With best wishes Ashley Bickerton Provenance: This book of artists drawings was acquired from the collection of the world renowned curator Sheena Wagstaff who was Chief Curator of Tate Modern from 2001-2012. She then left the Tate and London to become the Leonard A Lauder...Category
Early 2000s Pop Art Figurative Prints
MaterialsPaper, Ink, Mixed Media, Lithograph, Offset
- Mel Ramos 50 Years of Pop Art Book (signed, dated and inscribed by Mel Ramos)By Mel RamosLocated in New York, NYMel Ramos 50 Years of Pop Art (Hand signed, dated and inscribed to Nadine by Mel Ramos), 2010 Softback monograph with dust jacket (hand signed, dated and inscribed by Mel Ramos) Hand...Category
2010s Pop Art Figurative Prints
MaterialsOffset, Paper, Ink, Mixed Media, Lithograph
- Angel Without You illustrated monograph (Hand signed by Tracey Emin)By Tracey EminLocated in New York, NYTracey Emin Angel Without You monograph (Hand signed by Tracey Emin), 2013 Hardback monograph with illustrated boards (hand signed by Tracey Emin) Boldly signed in blue ink by Tracey...Category
2010s Pop Art More Art
MaterialsPaper, Ink, Mixed Media, Lithograph, Offset
- Hardback Monograph: Alex Katz in Maine (hand signed and dated by Alex Katz)By Alex KatzLocated in New York, NYAlex Katz in Maine, 2005 Hardback monograph (hand signed and dated by Alex Katz) Boldly signed and dated 6.9.10 by Alex Katz on the first front end page 9 3/4 × 11 1/2 × 3/4 inches T...Category
Early 2000s Pop Art Figurative Prints
MaterialsInk, Offset, Lithograph, Mixed Media, Paper
- Lt Ed Tony Shafrazi exhibition catalogue (hand signed, dated by Donald Baechler)By Donald BaechlerLocated in New York, NYDonald Baechler Limited edition Tony Shafrazi exhibition catalogue (hand signed and dated by Donald Baechler), 1983 Softback monograph (hand signed and dated by Donald Baechler) Bold...Category
1980s Pop Art Figurative Prints
MaterialsInk, Offset, Lithograph, Mixed Media, Paper
You May Also Like
- Cow Going Abstract by Roy Lichtenstein (after)By Roy LichtensteinLocated in London, GBOffset lithograph printed in colours on wove paper 30 3/4 × 26 in 78.1 × 66 cmCategory
1980s Pop Art Figurative Prints
MaterialsLithograph
- King Mickey with Basquiat Crown #5 (Pop Art, Street Art, Disney)By Ben AllenLocated in Kansas City, MOBen Allen King Mickey with Basquiat Crown #5 3D-construction Year: 2021 Signed, numbered and titled by hand Edition: 50 Size: 21.5 × 21.5 on 23.8 × 23.9...Category
2010s Pop Art More Art
MaterialsArchival Paper, Digital Pigment
- Four Seasons (Illustrated Book, Pop Art, 3D Art, Urban Art, ~67% OFF LIST PRICE)By James RizziLocated in Kansas City, MOJames Rizzi Four Seasons (Illustrated Book, Pop Art, 3D Art, Urban Art, New York Artist, Contemporary Art) Handsigned and numbered illustrated book Year: 1988 Size: 12×11.6×0.6in Edition: 965 Signed, numbered by hand Publisher: John Szoke Graphics, Inc. - NYC, USA Printed by: Arnoldo Mondadori Editori, Italy COA provided Ref.: 924802-1932 *the "Four Seasons: Spring" print is missing and not included Tags: James Rizzi, Pop art, 3D art, Urban art, New York artist, Contemporary art, Colorful art, Whimsical art, Cityscape art, Silkscreen prints, 20th-century artist, Three-dimensional paintings, Graphic art, American artist, Happy Rizzi House, 3D constructions, Animated art, Street art, Manhattan art, Graphic artist, International artist, Iconic pop artist, Playful art, Pop culture art, Childlike art...Category
1980s Pop Art Figurative Prints
MaterialsPaper
- Great American brown nude cut out Tom Wesselmann Pop Art Figurative Print BoardBy Tom WesselmannLocated in Zug, CHTOM WESSELMANN (1931-2004) Great American brown nude cut out 1971 Color serigraph on museum board 40 x 50 cm 15.75 x 19.69 inches Number 27 of 100Category
Late 20th Century Pop Art Figurative Prints
MaterialsBoard
- Queen by BATIK Oversize Signed limited edition - Pop Art -Queen Elizabeth IIBy BATIKLocated in London, GBQueen ! Oversize Signed limited edition - Pop Art - HRH The Queen Elizabeth II by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches ...Category
2010s Pop Art Figurative Prints
MaterialsColor, Archival Pigment
- Pink Marilyn - Signed limited edition Pop Art - Marilyn MonroeBy BATIKLocated in London, GBPink Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 20 x 24" ...Category
2010s Pop Art Figurative Prints
MaterialsColor, Archival Pigment
