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Jacques CallotLa Vie de la Vierge - Etching By Jacques Callot - 16331633
1633
About the Item
La Vie de la Vierge is an original Etching realized by Jacques Callot in 1633. Frontispiece of the series of thirteen prints. P.a. of first edition. Dedicated to the Abbot Maugis, Chaplain of Maria de' Medici. Passpartout included (37.5x55 cm)
Good condition .
Jacques Callot (1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine (an independent state on the north-eastern border of France, southwestern border of Germany and overlapping the southern Netherlands). He is an important person in the development of the old master print. He made more than 1,400 etchings that chronicled the life of his period, featuring soldiers, clowns, drunkards, Gypsies, beggars, as well as court life. He also etched many religious and military images, and many prints featured extensive landscapes in their background.
- Creator:Jacques Callot (1592 - 1635, French)
- Creation Year:1633
- Dimensions:Height: 2.96 in (7.5 cm)Width: 1.97 in (5 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:1630-1639
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Jacques Callot
Jacques Callot, at the age of 12 years old, he runs away in Italy with gypsies. Callot returned for the third time to Italy together with an embassy of Duke Henry II to the Holy See. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614 Callot left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. Callot’s career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France in the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict social injustice into the 19th and 20th Centuries.
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