Items Similar to The Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetry
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Jim DineThe Old Professor (Oo La La) Jim Dine lithograph and Ron Padgett poetry1970
1970
About the Item
Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett's poem: “The old professor tapped his finger against his forehead. “I want you to consider the proposition that there is supernatural activity going on in the intellectual space between any two words. Example: two words. It is as though… as if each word, with its richness of connotation and suggestion, multiplied by our unconscious notions (true and false alike), were two sides of a chasm within which the echoes and ricochets approach and then surpass infinity.”
At the center of the composition, Dine has partially bisected the expanse of flat orange and frenetic brushstrokes, conceptualizing each color field as a word: and while the text describes the spiritual chasm between two words, a whimsical bee floats easily over the pair. Written with the neat penmanship of a school lesson, floating atop an exuberant burst of color, Ron Padgett’s verse is pleasantly at odds with its own profundity.
**Comes with a bonus: the title page of the portfolio signed by both Jim Dine and Ron Padgett!
Paper 15 x 27.5 in / 43.2 x 70 cm
Lithograph on handmade Hodgkinson wove paper; the full sheet, watermarked with the signatures of Jim Dine and Ron Padgett and initials of the publisher Petersburg Press. Signed by Jim Dine lower left; signed by Ron Padgett and numbered 75/75 lower right. From the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett and published by Petersburg Press, London.
The late 1960s and early 70s saw Dine’s interest in literary pursuits grow: he illustrated and published a book of his own poetry entitled Welcome Home Lovebirds (Trigram Press, 1969), and he provided drawings and photographs for the publications of Padgett and other New York School poets: Ron Padgett’s translation of Apollinaire’s "Le Poète Assassiné” (Holt, Rinehart, and Winston, 1968), Ron Padgett and Tom Clark’s Bun (Angel Hair, 1968), and Fragment, by Ted Berrigan (Cape Goliard Press, London 1969). Cape Golliard also published a stylish monograph in 1970 reproducing photographs and drawings titled "The Adventures of Mr and Mrs Jim and Ron".
In 1966, police raided a Jim Dine exhibition in London at the Robert Fraser Gallery. Fraser was charged under the Obscene Publications act and Dine was found to be indecent. After a meteoric rise to artistic prominence in New York, Dine had tired of the city’s intense art scene, and this incident was the final straw. He moved with his family to London in 1967 and began producing work at Petersburg Press, where he would become a longtime collaborator. As a student, Dine had cited the great American poets, Ron Padgett, Robert Creeley and Ted Berrigan, of the New York School as early inspirations, and in London, he eagerly took the opportunity to work with Padgett at Petersburg Press.
Catalogue reference: Jim Dine Prints: 1970-1977. Exhibition Catalogue. Williams College: Williamstown, 1977: pp 50-51, no. 25.
- Creator:Jim Dine (1935, American)
- Creation Year:1970
- Dimensions:Height: 17 in (43.18 cm)Width: 27.5 in (69.85 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This print is not pre-owned and has been stored in the archives of the publisher since its publication.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU121127810222
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
Find Jim Dine prints and other art on 1stDibs.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1968
1stDibs seller since 2019
295 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- So I lean back (Oo La La) Jim Dine lithograph and Ron Padgett poetry pink birdBy Jim DineLocated in New York, NYA sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lea...Category
1970s Pop Art Figurative Prints
MaterialsLithograph
- Dressed Lobster by Patrick Caulfield red British pop art still lifeBy Patrick CaulfieldLocated in New York, NYPatrick Caulfield's cheeky, Pop Art take on a seaside favorite, dressed lobster, abstracted in graphic black strokes atop a field of red decorated with tiny sprigs. Signed by the art...Category
1970s Pop Art Animal Prints
MaterialsScreen
- Vintage David Hockney poster Six Fairy Tales from the Brothers GrimmBy David HockneyLocated in New York, NYThis charming vintage poster commemorated the publication of David Hockney's Six Fairy Tales from the Brothers Grimm. The poster advertises a miniature ...Category
1970s Modern Animal Prints
MaterialsLithograph, Offset
- Dog: realist expressive black and white portrait drawing of pet dog in the sunBy Michele ZalopanyLocated in New York, NYThis tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...Category
1980s Contemporary Animal Prints
MaterialsLithograph
- Crab, Plaice and PrawnsBy Colin SelfLocated in New York, NYA contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his d...Category
Early 2000s Expressionist Animal Prints
MaterialsDrypoint
- Cat with Red Claws and a BirdBy Colin SelfLocated in New York, NYOnce a peer of David Hockney and Peter Blake during school, Colin Self is an important contemporary British printmaker whose innovative etching techniques and novel use of found mate...Category
Early 2000s Animal Prints
MaterialsDrypoint
You May Also Like
- Ben Shahn McCarthy PeaceBy Ben ShahnLocated in NEW YORK, NYBen Shahn McCarthy Peace poster, 1968. When Eugene McCarthy ran for U.S. president in 1968 against incumbent Lyndon Johnson, his candidacy was based on ...Category
1960s Pop Art Animal Prints
MaterialsLithograph
- Bird's Eye ViewBy Ronnie CutroneLocated in Missouri, MORonnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...Category
Late 20th Century Pop Art Figurative Prints
MaterialsLithograph
- Keith Haring 1990 memorial (Keith Haring baby)By (after) Keith HaringLocated in NEW YORK, NYKeith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...Category
1980s Pop Art Animal Prints
MaterialsLithograph, Screen
- UntitledBy Keith HaringLocated in New York, NYCreated by Keith Haring as an original lithograph, Untitled, 1987 is hand-signed, dated and numbered, measuring 29 ½ x 35 3/8 in (75 x 90 cm), unframed. From the edition of 170, it ...Category
20th Century Pop Art Animal Prints
MaterialsLithograph
- Rare Original 1980s Keith Haring Vinyl Record Art (Keith Haring Hiroshima)By Keith HaringLocated in NEW YORK, NYKeith Haring Hiroshima 1988: Rare 1988 7” Japanese vinyl record featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art and unique vintage Keith Haring collectible. Rare and not to be passed upon. *1st Pressing 1988 (not a re-issue) Medium: Off-Set Lithograph on vinyl record cover and labels. Dimensions: 7 x 7 inches. Plate signed on lower right & dated 1988 by Haring Light signs of handling; otherwise good to very overall vintage condition. Includes the original record (very good condition). Haring off-set illustrations appearing throughout the exterior and interior covers and record labels. _ Keith Haring Album Art: a brief history: Whether collaborating with Grace Jones, Andy Warhol, and Jean-Michel Basquiat, regularly frequenting clubs like Paradise Garage alongside close friend Larry Levan, or sketching DJ robots, New York artist and activist Keith Haring’s work was deeply entwined with the music world lending his vision to sounds by everyone from David Bowie to Run DMC. Looking for something cool to complement this work? Please feel free to browse additional items like this from Jean Michel Basquiat, Andy Warhol, Damien Hirst, Keith Haring & more on our 1stDibs gallery page. Related Categories Keith Haring prints. Keith Haring figurative. East Village art. Street art. 80s graffiti. Pop Art. Keith Haring animals.Category
1980s Pop Art Figurative Prints
MaterialsOffset, Lithograph
- How it all Began from the "After Noon" Portfolio, Lithograph by Richard LindnerBy Richard LindnerLocated in Long Island City, NYArtist: Richard Lindner, German/American (1901 - 1978) Title: How it all Began from the "After Noon" Portfolio Year: 1969 Medium: Lithograph on Arches, signed and numbered in pencil ...Category
1960s Pop Art Animal Prints
MaterialsLithograph
