Items Similar to Dreaming Girl - Original etching
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Louis IcartDreaming Girl - Original etching
About the Item
Louis Icart
Dreaming Girl
Original etching and stencil
Printed signature in the plate
On vellum 19 x 29 cm (c. 8 x 12 in)
Excellent condition
- Creator:Louis Icart (1888 - 1950, French)
- Dimensions:Height: 7.49 in (19 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU464314262412
Louis Icart
Louis Icart is considered to be a symbol of the Art Deco movement through his brilliant sketches and prints. Born in 1888 in Toulouse, France, his interest in art began at an early age. He was particularly drawn to fashion sketches and designs during the period when the fashion industry was undergoing a revolution from conservative 19th-century designs to the clingy simplicity of the early 20th century. Icart worked in major fashion studios where his L.I. initials on women’s clothing were highly regarded. While fighting in World War I, he continued to sketch on every available surface to ward off the anguish and agony of the war. He moved to Paris after the war to concentrate on painting and produced beautiful etchings. Icart’s prints were elaborate aquatints and drypoints done with great skill. They often portrayed women in sensual, erotic poses with an implication of direct sexuality. By the 1920s, the Art Deco movement had gained great popularity in Paris, France. Icart’s etchings and paintings, though largely influenced by Impressionists such as Claude Monet, were synonymous with the Art Deco era. His drawings also reflected the brilliance of Symbolists such as Gustave Moreau; however, Icart preferred not to be identified with artistic movements. His financial and artistic success came in the late 1920s. His work was featured in fashion publications and design studios in Europe and the United States. His immensely popular images, which were considered phenomenal by 1925, included "Laziness" and "Spilled Milk." Icart died on December 20, 1950, at his home in Montmartre, France.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2010
1stDibs seller since 2016
3,271 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Paris, France
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- The Messenger - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN The Messenger Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Priest in the Countryside - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN Priest in the Countryside Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Seductive Dancer - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN Seductive Dancer Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Mad Man on Stage - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN Mad Man on Stage Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Such a Tall Woman - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN Such a Tall Woman Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
- Roman in Antic Costume - Original etching - 1951By André DerainLocated in Paris, FRAndre DERAIN Roman in Antic Costume Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent conditionCategory
1950s Modern Figurative Prints
MaterialsEtching, Drypoint
You May Also Like
- Composition with Monkeys - Etching by Thomas Landseer - 19th CenturyBy Thomas LandseerLocated in Roma, ITComposition with Monkeys is an original artwork realized by Thomas Landseer (1795-1880) in the middle of the 19th century. Original etching. Good condition. Draughtsman and printmaker, chiefly of animal and satirical subjects. Eldest son of the engraver John George Landseer. Studied with his brothers Charles and Edwin under Benjamin Robert Haydon, alongside Thomas Bewick...Category
19th Century Modern Figurative Prints
MaterialsEtching
- Birth of Telefon, on a Bas-Relief - Original Etching by A. CampanellaBy Angelo CampanellaLocated in Roma, IT“Nascita di Telefo, Bassorilievo” (Birth of Telefo, Bas-relief) is a beautiful black and white burin and etching on paper, realized by the artist Angelo Campanella, after Bernardino Nocchi, as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Angelo Campanella incise Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. IX" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a beautiful piece of the Borghese's collection, a classical bas-rilief representing the birth of Telefo, a Greek hero and myth. In excellent conditions with some light signs of the time with some sporadic minor stains along the higher margins,this wonderful etching has preserved still today his beauty and his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Angelo Campanella (Rome, 1748 – 1815) Angelo Campanella was an Italian painter and engraver, learned his art under Giovanni Volpato. He engraved the statues of twelve apostles found in the church of St. John Lateran in Rome, and some of the plates for Gavin Hamilton's Schola Itálica including The Presentation in the Temple after Fra Bartolommeo...Category
1820s Modern Figurative Prints
MaterialsEtching
- Testa Quasi Colossale di Lucio Vero - Etching by P. FontanaBy Francesco CecchiniLocated in Roma, IT“Testa quasi colossale di Lucio Vero” (Almost colossal head of Lucio Vero) is a wonderful black and white etching on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini del./ Pietro Fontana inc. Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVI" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese's collection, the marble bust of the Roman Empero Lucio Vero, is in excellent conditions with a usual yellowing of the paper at the edges, some light signs of the time( some light thinning of paper along the margin do not affect the image) but with fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...Category
1820s Modern Figurative Prints
MaterialsEtching
- Bust of Septimius Severus - Original Etching by G.B. Leonetti After B. NocchiLocated in Roma, IT“Busto di Settimio Severo” (Bust of Settimio Severo) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Battista Leonetti , after Bernardino Nocchi...Category
1820s Modern Figurative Prints
MaterialsEtching
- Sculpture of Cupid Chained - Original Etching by F. Cecchini - 1821By Francesco CecchiniLocated in Roma, IT"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”. This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...Category
1820s Modern Figurative Prints
MaterialsEtching
- Fishing Man - Original Etching by H. Le Bourdelles - 1920sBy Hervé Le BourdellesLocated in Roma, ITFishing man is a beautiful black and white etching on ivory-colored paper, realized by the French artist Hervé Le Bourdelles. Hand-signed and numbered in p...Category
1920s Modern Figurative Prints
MaterialsEtching