Items Similar to Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Michel WogelmutFather Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches 1491
1491
About the Item
Father Stefan Fridolin, "Schatzbehalter" (Treasury of the True Riches of Salvation): The 30th Figure - Astrological Diagram with Scene of the Nativity
Woodcut, 1491
Unsigned, as issued
Published by Anton Koberger
Diagram has Zodiac signs on outer ring, planets in the lower registers, and Nativity in the center.
Condition: Very good for a 15h century woodcut, with the usual slight age stains
Sheet size: 11 1/2 x 8 1/4 inches
Wogelmut was the teacher of Albrecht Durer and employed young Durer in many project of the last decade of the 15th century.
Michel Wolgemut Biography
Wolgemut trained with his father Valentin Wolgemut (who died in 1469 or 1470) and is thought to have been an assistant to Hans Pleydenwurff in Nuremberg. He worked with Gabriel Malesskircher in Munich early in 1471, leaving the city after unsuccessfully suing Malesskircher's daughter for breach of contract, claiming she had broken off their engagement. He then returned to his late father's workshop in Nuremberg, which his mother had maintained since Valentin's death.
In 1472 he married Pleydenwurff's widow and took over his workshop;[3] her son Wilhelm Pleydenwurff worked as an assistant, and from 1491 a partner, to Wolgemut. Some consider Wilhelm a finer artist than Wolgemut, however he died in January 1494, when he was probably still in his thirties. Wilhelm's oeuvre remains unclear, though works in various media have been attributed to him.
Woodcuts
Michael Wolgemut, Danse Macabre, 1493
Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed and published by Germany's largest publisher, the Nuremberger Anton Koberger, who was also Dürer's godfather. The first is the Schatzbehalter der wahren Reichthumer des Heils (1491); the other is the Historia mundi, by Schedel (1493), usually known as the Nuremberg Chronicle, which is highly valued, not for the text, but for its remarkable collection of 1,809 spirited illustrations. Wolgemut and Wilhelm Pleydenwurff were first commissioned to provide the illustrations in 1487 and 1488, and a further contract of 29 December 1491 commissioned manuscript layouts of the text and illustrations. A further contact of 1492 stipulated that Koberger should provide a locked room for the blocks to be kept safely. A drawing by Wolgemut for the elaborate frontispiece, dated 1490, is in the British Museum. As with other books of the period, many of the woodcuts, showing towns, battles or kings were used more than once in the book, with the text labels merely changed. The book is large, with a double-page woodcut measuring about 342x500mm.
Courtesy of Wikipedia
- Creator:Michel Wogelmut (1434 - 1519, German)
- Creation Year:1491
- Dimensions:Height: 11.5 in (29.21 cm)Width: 8.25 in (20.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
713 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
More From This SellerView All
- El Vergponzoso (The Shamefaced One)By Francisco GoyaLocated in Fairlawn, OHEl Vergponzoso (The Shamefaced One) etching & aquatint, 1799 Unsigned (as are all Goya etchings) From: Los Caprichos, Plate 54 From the First Edition, pri...Category
1790s Old Masters Figurative Prints
MaterialsAquatint
- Marble relief of a trireme from the Temple of Fortuna, Praeneste, from VasiBy Giovanni Battista PiranesiLocated in Fairlawn, OHMarble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...Category
1770s Old Masters Figurative Prints
MaterialsEtching
- BacchanalBy Giovanni Andrea PodestàLocated in Fairlawn, OHBacchanal Etching, 1649 Inscribed in the square left: "Magnificentis/simo Principi/Paolo lorda/no. II Bracci/ani Duci/Aud. P.DDD/1640; Inscribed on right: Rome apud Franciscsum Saluu...Category
17th Century Old Masters Figurative Prints
MaterialsEtching
- Lingering Snow Mount YoshinoBy Utagawa KuniyoshiLocated in Fairlawn, OHLingering Snow Mount Yoshino (Shidzuka-gozen toiling through snow after her last farewell to Yoshitsune) Signed: Ichiyusai Kuniyoshi ga Censor seal: Tanaka Series: Kenjo hakkei ...Category
1840s Figurative Prints
MaterialsWoodcut
- On the Beach at Long Branch - The Children's HourBy Winslow HomerLocated in Fairlawn, OHOn the Beach at Long Branch - The Children's Hour Wood engraving, 1874 Published in "Harper's Weekly" August 15, 1874 (p. 672) Image size: 9 1/4 x 13 5/8 inches Provenance: Wunderlic...Category
1870s Hudson River School Figurative Prints
MaterialsWoodcut
- Blossom Time in TokyoBy Helen HydeLocated in Fairlawn, OHSigned by the artist in pencil on the image Reference: Tim Mason and Lynn Mason, Helen Hyde (Washington, D.C.: Smithsonian Institution Press, 1991), 115, reproduced in color p. 68.Category
1910s Figurative Prints
MaterialsWoodcut
You May Also Like
- BATHOS / Tail PIeceBy William HogarthLocated in Santa Monica, CAWILLIAM HOGRATH (1767- 1764) THE BATHOS / Tail Piece 1764 (Paulson 1989: 216 I/I Paulson 1965/70: 216 I/I) Engraving Plate 12 7/8 x 13 3/8, sheet 17 ¾ x 18 ¾ Designed & Engrav’d by Wm Hogarth at left and Published according to Act of Parliam’t March 3, 1764 at right. Good condition on thick laid paper Small bit of tape on the left & right sheet edges small stan lower sheet edge all on recto. This Hogarth’s last print is fascinating as it is prophacy about death. Various institutions have interesting commentaries - to wit: Chicago Art Institute: Hogarth created The Bathos toward the end of his life. It is considered one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife. The Angel of Death even collapses in exhaustion after having destroyed the world. In his hand is an execution decree and around him lies a mass of broken objects. Princeton: Hogarth’s last print, The Bathos,….. is filled with all manner of images denoting the end of life as we know it. Entry no. 216 in Ronald Paulson’s catalogue raisonne Hogarth’s Graphic Works, 3rd revised edition says “This print is the culmination of such pessimistic images . . . . [taking] his general composition, the configuration of objects, and some of the particular items, from Dürer’s engraving, Melancholia; but he also recalls Salvator Rosa’s Democritus in Meditation (which derives from Dürer’s print) with a scroll at the bottom of the etching: ‘Democritus the mocker of all things, confounded by the ending of All Things’ (Antal, p.168).” Newfields (Indianapolis Museum of Art): Hogarth intended this engraving to serve as the tailpiece to bound volumes of his collected engravings and, appropriately, it proved to be his last engraving. Father Time has died and his last will and testament has been witnessed by the three Fates. He is surrounded by a landscape of death, decay, and ruin. Hogarth aimed this print at dealers in “dark” Old Masters paintings who promoted the idea that ruins evoked sublime feelings in viewers—a sentiment, Hogarth wrote, that was reducing the world to ruin. British Caricature...Category
1760s Old Masters Figurative Prints
MaterialsWoodcut
- The Golden Calf - Nuremberg Chronicle, (528 Years Old)Located in Santa Monica, CANUREMBERG CHRONICLE, 1493 THE GOLDEN CALF (THE CALF OF GOD) 1493 Woodcut. from "Liber Chronicarum." Printed by Anton Koberger text by Hartmann Sc...Category
15th Century and Earlier Old Masters Figurative Prints
MaterialsWoodcut
- The Holy Family with Two Musical Angels"By Albrecht DürerLocated in San Francisco, CAOriginal woodcut printed in black ink on laid paper bearing the “Large Bear” watermark (Meder 89, typically seen in the earliest impressions of this woodcut). Dated in the block ...Category
Old Masters Figurative Prints
MaterialsWoodcut
- Matthew the EvangelistBy Georg LembergerLocated in Petworth, West SussexGeorg Lemberger (German, c. 1490 – 1540) Matthew the Evangelist Woodcut on paper 5.3/4 x 3.3/4in. (14.5 x 9.6 cm. ) Hollstein, 7. This is from the New German bible...Category
16th Century Old Masters Figurative Prints
MaterialsWoodcut
- Holy Family with Two Saints, after ParmigianinoBy Antonio Da TrentoLocated in Middletown, NYChiaroscuro woodcut on cream laid paper with a partial anchor in a circle watermark, printed from two blocks in black and olive-green, 10 3/4 x 8 3...Category
16th Century Old Masters Figurative Prints
MaterialsLaid Paper, Ink, Woodcut
- La Messe (The Mass), after CaravaggioLocated in Middletown, NYChiaroscuro woodcut with underlying engraving on cream laid paper, printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches (260 x 321 mm) (plate), full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins, especially in the area of the lower right corner, well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio...Category
Mid-18th Century Old Masters Figurative Prints
MaterialsEngraving, Laid Paper, Woodcut
