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Sadao WatanabeJonah1959
1959
About the Item
SADAO WATANABE (Japanese 1913-1996)
JONAH, 1959
Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good condition. Publisher: self published. Color stencil on hand crumpled momigami paper.
A classic Old Testament tale by Watanabe. It depicts the crew drawing straws to see which of them had offended the gods and caused this terrible storm; and Jonah drew the short one, destined to be thrown into the sea
From "The Living Bible":
The Lord sent this message to Jonah, the son of Amittai:
“Go to the great city of Nineveh, and give them this announcement from the Lord: ‘I am going to destroy you, for your wickedness rises before me; it smells to highest heaven.’”
But Jonah was afraid to go and ran away from the Lord. He went down to the seacoast, to the port of Joppa, where he found a ship leaving for Tarshish. He bought a ticket, went on board, and climbed down into the dark hold of the ship to hide there from the Lord.
But as the ship was sailing along, suddenly the Lord flung a terrific wind over the sea, causing a great storm that threatened to send them to the bottom. 5 Fearing for their lives, the desperate sailors shouted to their gods for help and threw the cargo overboard to lighten the ship. And all this time Jonah was sound asleep down in the hold.
So the captain went down after him. “What do you mean,” he roared, “sleeping at a time like this? Get up and cry to your god, and see if he will have mercy on us and save us!”
Then the crew decided to draw straws to see which of them had offended the gods and caused this terrible storm; and Jonah drew the short one.
What have you done,” they asked, “to bring this awful storm upon us? Who are you? What is your work? What country are you from? What is your nationality?”
And he said, “I am a Jew;[a] I worship Jehovah, the God of heaven, who made the earth and sea.” Then he told them he was running away from the Lord.
The men were terribly frightened when they heard this. “Oh, why did you do it?” they shouted. 11 “What should we do to you to stop the storm?” For it was getting worse and worse.
Throw me out into the sea,” he said, “and it will become calm again. For I know this terrible storm has come because of me.
They tried harder to row the boat ashore, but couldn’t make it. The storm was too fierce to fight against. 14 Then they shouted out a prayer to Jehovah, Jonah’s God. “O Jehovah,” they pleaded, “don’t make us die for this man’s sin, and don’t hold us responsible for his death, for it is not our fault—you have sent this storm upon him for your own good reasons.
Then they picked up Jonah and threw him overboard into the raging sea—and the storm stopped!
The men stood there in awe before Jehovah, and they sacrificed to him and vowed to serve him.
Now the Lord had arranged for a great fish to swallow Jonah. And Jonah was inside the fish three days and three nights.
- Creator:Sadao Watanabe (1913 - 1998, Japanese)
- Creation Year:1959
- Dimensions:Height: 25.625 in (65.09 cm)Width: 22.625 in (57.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU41138606552
Sadao Watanabe
Sadao Watanabe, born in Tokyo in 1913, used the medium called kappazuri ("stencil printing"), a technique related to 'katazome' ("stencil dyeing"). 'Katazome' is said to have originated in Okinawa (the method there was called 'bingata'). The paper most widely used in Japan for stencil printing is called 'shibugami', made from several layers of 'kozo' paper laminated with persimmon tannin. The sheets are dried and smoke-cured to strengthen them and make them flexible and waterproof. Once the artist makes a drawing, it is fixed to the 'shibugami' with a thin adhesive. The basic pattern is then carved into a "key impression" stencil (the equivalent to the keyblock in woodblock printing) called the 'omogata'. If colors will also be used for the final design, separate stencils are sometimes cut for each color. If the stencil pattern has thin lines they can be reinforced with silk gauze, which still allow for uniform printing of colors. The first stage of the printing process involves the application and drying of a dye-resist paste to cover all the portions of the design to be left unprinted by the design. The patterns and colors can then be brushed over the stencil while affecting only those areas without resist paste. Typically the first colors printed are the lighter areas so that darker colors can be overprinted. After all the colors are printed and dried, the key impression stencil is finally used to print the key design over all the previous colors. The dye resist paste is then washed off (called 'mizumoto', "to wash by water") and the paper is dried on a wood board. Watanabe typically printed on a colored ground, so he would first apply a color to the paper. Watanabe, who was baptized a Christian in 1930, based his designs exclusively on Biblical subjects, though his Christian stories and figures are interpreted through a filter of traditional Japanese techniques and even some older Buddhist figure prints. The folk-art movement in Japan began in the 1930s as an attempt to keep alive various traditional arts, among them stencil printing. Watanabe was an early member of a small but important group of artists who dedicated themselves to learning and preserving these arts. Watanabe's emotioonally moving Biblical prints are have been popular throughout the world, and have been hung in the Vatican, the White House, in museums and in private collections.
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