Pop Art Interior Prints

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by A Nussbaum, NY. HC edit...

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - DIPTYCH" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 15...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

TWO FLOATING is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 165, using traditional hand lithography techniques on archival Somerset paper, 100% acid free. TWO FLOATING is a dreamy, New Age style, upbeat abstract composition portraying a colorful, dandy man dressed in a blue striped jacket with yellow sleeves exiting from the left as a group of floating red, yellow, and light blue balloon shapes suspended in the air against a background of warm rosy pink; a white and yellow sphere resting on the ground. TWO FLOATING is an airy, transcendental, happy colored fantasy moment! Print size - 28 x 22 inches. unframed, very good condition, hand signed by Peter Max Image size - 23.5 x 19 inches Edition size - 165 Year published - 1980 Printer - JK Fine Art Editions Co. NY About the artist - German/American artist: b. 1937, Peter Max spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. Peter Max's family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. Peter Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Peter Max, recognised throughout the world and a well-known name in America, is famous for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful award winning art reached millions of people. Peter Max's paintings, drawings, sculpture and limited edition graphics have been exhibited in major museums throughout the world. American icons, especially the Statue of Liberty, appear repeatedly in his art repertoire. Returning to the public art scene in the ‘80s...

COMPOSITION RED is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed using traditional hand lithography techniques on archival printmaking pap...

If Series: Flower Garden Peter Max, German/American (1937) Date: 1981 Screenprint, signed and dedicated in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: ...

Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...

Artist: Guillaume Corneille (1923-2010) Title: Les Deux Amies Year: 1979 Medium: Lithograph on wove paper Edition: 37/250, plus proofs Size: 19.50 x 25.50 inches Condition: Good Insc...

Artist: Guillaume Corneille (1923-2010) Title: La Chambre En Luminance Year: 1979 Medium: Lithograph on wove paper Edition: 77/250, plus proofs Size: 19.50 x 25.50 inches Condition: ...

Hand signed on front; numbered on verso by the artist. From the 'A Tool Box' Portfolio. Printed by Christopher Prater; published by Editions Alecto. Artwork is in excellent condition...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Artist: Roy Lichtenstein Title: Oval Office Medium: Screenprint in colors on Rives BFK paper Year: 1992 Edition: 38/175 Frame Size: 42 3/4" x 52 1/4" Sheet Size: 35 5/8" x 47 1/2" Im...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Artist: Clayton Pond, American (1941 - ) Title: Column Study from Capital Ideas Portfolio Year: 1974 Medium: Serigraph on Museum Board, signed and numbered in pencil Edition: 150 Ima...

Morocco , 70x70cm, print on canvas

Ed Ruscha (American, born 1937) America Whistles (from America: The Third Century), 1975 Medium: Lithograph on wove paper Dimensions: 76.3 x 57 cm Edition of 200 + 25 AP + 25 HC: Han...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) L’ultima visita di Mao a Venezia, 2002 Medium: Portfolio containing 12 lithographs in color, on paper (in red cloth folder) Image...

Morocco , 70x70cm, print on canvas

Artist: Kenny Scharf Title: Kenny Scharf, Flintstones, Screenprint, unsigned Year: 1998 Medium: Screenprint, unsigned Edition: 150 Size: 35 x 44 in. (88.9 x 111.76 cm) Image Size: 3...

Artist: Kenny Scharf Title: Felix on a Pedestal Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 36 x 40 inches PaperSize: 39.5 x 43 in. (100.33 x 109.22 cm) Publisher: B...

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Morocco , 70x70cm, print on canvas

Roy Lichtenstein The Oval Office (hand signed, dated and inscribed by Roy Lichtenstein), 1992 Offset color lithograph (hand signed and inscribed to famous estate attorney) Edition of...

Still life with (thomas) Sully and (Andy) Warhol, (French actress Sarah Bernhardt (1844-1923)) Hand signed in pencil, dated 1994 bears gallery label from OK Harris Gallery in New Yor...

Ed Ruscha (American, born 1937) L.C., from Leo Castelli 90th Birthday, 1997 Medium: Screenprint in colors, on Somerset Velvet paper Dimensions: 94.2 x 68.8 cm (37 1/8 x 27 1/8 in) Ed...

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil

Barbara Kruger (1945, American) I Shop Therefore I Am, 1990 Medium: Photolithograph on paper shopping bag Edition size: 9000 Dimensions: 17 5/16 x 10 3/4 in (43.9 x 27.3 cm) Publishe...

Keith Haring, Dog, 1985 (Framed) 48 x 63cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pulp. Manufactured on a Fourdrini...

Keith Haring, Untitled, 1982 (Red dogs with pyramid) , (Framed) 42 x 42 cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood p...

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

Keith Haring, Untitled, 1982 (mermaid with dolphin) (Framed) 82 x 82cm Giclée print on matt 250gsm conservation digital paper made in Germany from acid and chlorine free wood pul...

Artist: Kenny Scharf Title: Sajippe Krakka Joujesh Year: 1998 Medium: Screenprint Edition: XXX /150 Image Size: 37 x 44 inches Size: 39 x 46 inches (93.98 x 111.76 cm) Publisher: Bru...

Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

John Baldessari (American, 1931-2020) Give me a B, give me an A …, 2009 Medium: 10-part leporello, digital pigment print, on photo rag paper Dimensions: 32 × 250 cm (12½ x 98½ in) Ed...

Yoshitomo Nara (1959, Japanese) Miss Spring, 2021 Medium: Digital pigment print on Takeo Deep PV Hakou paper, incl. artist's book Dimensions: 28 × 22 cm (11 × 8 7/10 in) Edition of 1...

Interior with Chair from the Leo Castelli 90th Birthday Portfolio is a serigraph on paper, 27 x 20.5 inches image size, signed and dated 'rf Lichtenstein '97' lower right and numbere...

Sigmar Polke (German, 1941-2010) Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut (Parkett No. 30), 1980/91 Medium: Digital print on vinyl with acrylic lacquer, mounted o...

Keith Haring & Andy Warhol, Montreux Jazz Festival 1986 Screenprint in colours on half-matte coated 250 gr paper Printed by Albin Uldry Plate signed by Keith Hairng & Andy Warhol ...

JONAS WOOD Interiors, 2019 Offset lithograph in colors on wove paper Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...

Gudmundur Gudmundsson, aka Erró (Icelandic, b. 1932) Are you ready, 2016 Medium: Pigment print Dimensions: 115 x 111 cm Edition of 60 + 35 EA: Hand-signed and numbered Condition: Exc...

Sigmar Polke (German, 1941 – 2010) Bargeld Lacht, 2002 Medium: Colour offset and screenprint on cardboard Dimensions: 70 × 50 cm Edition of 70 + X: Hand-signed, numbered and dated Co...

Alex Katz (American, born 1927) Night (from Northern Landscapes), 1994 Medium: Woodcut in colors, on Japan paper Dimensions: 51 × 40.5 cm (20 1/10 × 15 9/10 in) Edition of 100: Hand-...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/...

Allen Jones (British, born 1937) Performance in Print, 2020 Medium: Fine-Art-Giclée-Print on Hahnemühle Agave 290gsm with Catalogue Raisonné of the Prints 1996–2020 – Volume II Dimen...

Allen Jones (English, b. 1937) Catwalk Fragment, 1998 Medium: Etching on paper Dimensions: 53.5 × 38 cm (21 1/10 × 15 in) Edition of 150: Hand-signed and numbered Condition: Excellent

Ed Ruscha (b. 1937) Sweet Taters, 2021 Medium: Fine bone china plate 10 7/10 in diameter 27.3 cm diameter Edition of 250: Printed signature and edition details on verso Condition: E...

Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...

David Hockney Paintings and Drawings for Parade - Metropolitan Museum (Hand Signed by David Hockney), 1981 Offset Lithograph. Hand signed by David Hockney...

Damien Hirst (British, born 1965) Beautiful, Tastefully Sensuous Explosion Painting (H12-2), 2023 Medium: Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...

A fine limited edition signed lithograph, 'Pot au Feu' by British artist Glynn Boyd Harte. The work is signed in pencil by the artist bottom right and numbered 12/125 (number 12 of 125) in pencil bottom left. Presented in a metal and wood frame under glass. A fantastic colourful and amusing view of a group of ingredients for a 'pot au feu' (a traditional French stew) as well as a box of candied (glacé) fruits and a map of Paris and its suburbs all presented on a bright pink checked table cloth. Boyd Harte always brought an enormous amount of humour to his paintings and compositions, there are wonderful details and 'jokes' hidden in the details. A really wonderful work ideal for a kitchen or anywhere else it can be seen and admired in detail. Glynn Boyd Harte 1948-2003 was an artist, illustrator, author, composer & pianist educated at St.Martin's School of Art and the Royal College of Art. "Glynn Boyd Harte was one of the most brilliant and influential illustrators and painters to emerge in the post pop world of London in the early 1970s" (The Guardian, London) Harte was born in Rochdale, his father Herbert worked as a commercial artist and later teaching. Harte always maintained that print was in his blood, his grandfather being a printer by trade and his earliest memory being a garden path made from lithograph stones. He was educated at Rochdale Grammar School, before progressing to the Rochdale School of Art. He later transferred to St Martin's School of Art, where tutor Fritz Wegner encouraged him to move from black and white to colour. He would later join the Royal College of Art in 1970 where his tutors were Brian Robb, Edward Bawden, Paul Hogarth...

Michael Godard 'TEXAS HOLD 'EM' Fine art limited edition giclee on canvas Limited Edition: 102/300 Signed & numbered by the artist 28" x 35" The artwork is in excellent condition

On deckle edged watermarked Arches French paper. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This is just for the one in the photo. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...