Joan Miró

1959 engraving by Joan Miró Composition bleu et rouge art publication XXe Siècle

1959

Wood engraving The Battle of Berlin was the last land battle of the Second World War in Europe. Launched on April 16, 1945 by the Soviets, it ended on May 2, 1945 with the surrender of...

The 1972 original engraving by Krishna Reddy, titled "Sitting Figure (Méditation)," is a profound exploration of form, texture, and emotion. Signed and dedicated by the artist, with ...

An exotic inspiration for this magnificent engraving where we find all the elements of the "Art Deco" style. Resulting from the artistic movements of the Belle Époque, Art Deco is p...

A beautiful poster celebrating the International Year of the Child 1979. The United Nations declared 1979 to be the "International Year of the Child", with the aim of raising collec...

Léonard Tsuguharu Foujita (1886-1968) "the most Japanese of the painters of Paris". Bowl cut and round glasses on his nose, he was one of the great actors of the Roaring Twenties (ea...

Magnificent poster made in 1930 to promote Vermouth, an emblematic drink of the Alps, which was commonly called, as early as 1900 in the cafés of France, "Le Chambéry": the Savoyard city then became the French capital of Vermouth. At that time, cooked wines were reputed to be fortifying, curative and preventive to eliminate factory dust. Thus, in the 19th century, many vermouth factories were created in Savoy, particularly in Chambéry. During the Roaring Twenties, the Maison Richard participated in the Art Nouveau wave of advertising posters. Famous poster artists contributed to the fame of the brands. Famous poster artists such as DOL and Edmond MAURUS worked with the Maison Richard. Alcohol - Advertising - France Voila! Richard Coeur de Lion...

Louis Moe (20 April 1857 Arendal Norway, - Copenhagen, Denmark 23 October 1945), Three Fauns and a Bear, mezzotint on paper, Inscribed, lower left: OP. 67 Louis Moe was a Norwegian painter, illustrator and writer who settled in Denmark. He is known for his many book illustrations, illustrated classical works, fairytales, children's books and books on mythology, and contributed to children's magazines and weekly magazines. He is represented in the National Gallery in Oslo, and the Danish Museum of Art & Design in Copenhagen and in Rasmus Meyers Samlinger in Bergen, and a Louis Moe Gallery has been established in Vrådal. He was decorated Knight of the Order of the Dannebrog in 1931. We have additional works, from this series, by Louis Moe available. All reframed and work beautifully together. Please inquire: One Bear Juggling Tamborine with Feet (DD1073) Two Satyrs Resting on a Fence, one with Pan Flute (DD1072) Fighting Bear...

Charming vintage Aquatint/etching titled "In the Forest" from the Paris Etching Society by French artist Pierre Maulin (France, late 19th-early 20th Cent...

Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...

Salvador Dali (Spain, 1904-1989) 'Jinete apocalíptico', 1974 dry point, etching on paper 22.3 x 30.4 in. (56.5 x 77 cm.) Edition of 175 Unframed ID: DAL2001-016 Hand-signed by author ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Oscar Patterson (Cuba, ) 'Untitled', 1970 lithograph on paper Canson 320 g. 30 x 18.8 in. (76 x 47.5 cm.) Edition of 6 ID: PAT-301 Hand-signed by author

Portfolio of eleven prints. Photoengraving and aquatint on Twinrocker handmade 400 gsm paper. Sheet: 17.25 x 14 in. Image: 12 x 9 in. Edition 12/30. Order of prints: Ada, Ahn, Alba, ...