Items Similar to Dutch Reformed Church, Kingsbridge Road (Bronx, New York)
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Charles MielatzDutch Reformed Church, Kingsbridge Road (Bronx, New York)1898
1898
About the Item
The Society of Iconophiles (New York, 1894–1936), 1898. Lithograph on grayish cream medium-stock wove paper, 7 9/16 x 10 7/8 inches (190 x 277 mm), full margins. With a "schutz marke" (trade mark) blind stamp in the lower left sheet corner. In very good condition with just an extremely minor area of light age tone across the lower sheet edge, recto, unobtrusive and well outside of image area.
[Society of Iconophiles, Series II, no. 9]
Richard Hoe Lawrence, Harris Dunscombe Colt, Isaac Newton Phelps Stokes History of the Society of Iconophiles of the city of New York, MDCCCXCV:MCMXXX, and catalogue of its publications, with historical and biographical notes, etc.. 1930, Series II, no. 9, p. 43, ill.
- Creator:Charles Mielatz (American, German)
- Creation Year:1898
- Dimensions:Height: 7.57 in (19.23 cm)Width: 10.875 in (27.63 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2022
30 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- Highbridge (Harlem River, New York City)Located in Middletown, NYLithograph on bluish green wove paper, 8 3/4 x 5 3/4 inches (223 x 146 mm), full margins. In very good condition with no visible defects. A dramatic 19th century view of the Harlem ...Category
Early 20th Century American Modern Landscape Prints
MaterialsLithograph
- Cat and BusybodyBy Benton Murdoch SpruanceLocated in Middletown, NYA 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- Les Belles et La Bête I: The RehearsalBy Peter MiltonLocated in Middletown, NYResist ground etching and engraving on Rives heavyweight buff paper, 20 x 36 inches (508 x 914 mm), full margins. Signed, titled, dated and numbered 103/160 in pencil, lower margin. Minor mat tone. A rich and finely printed impression of this complex and iconic work by Milton. Framed handsomely under Plexiglas with archival materials in a solid wood frame with silver finish. [Milton 98]. Milton states that in the evolution of his body of graphic work he found himself at point that necessitated the exertion of nerve in his subject matter. He found it imperative for growth to explore whether his compositions had previously been too polite, and through this process he experienced a great burst of artistic and psychic liberation. Milton refers to this awakening as a sort of adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. Les Belles et La Bête...Category
1970s American Modern Interior Prints
MaterialsEngraving, Archival Paper, Etching
- Rainy Day, ProvidenceLocated in Middletown, NYEtching with drypoint on Japan paper, 9 3/4 x 12 3/4 inches (245 x 322 mm), full margins, from an edition of approximately 50. Signed by the artist in pencil, lower center margin, t...Category
Early 20th Century American Modern Landscape Prints
MaterialsDrypoint, Handmade Paper, Etching
- The Lych Gate; Little Church Around the Corner - New YorkLocated in Middletown, NYEtching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...Category
Early 20th Century American Modern Landscape Prints
MaterialsLaid Paper, Etching
- Mornings with Judd (Second state)By Peter MiltonLocated in Middletown, NYLift ground and hard ground etching and engraving on Murillo white wove paper, 18 x 24 inches (455 x 608 mm), full margins. Signed, dated, titled and numbered 60/100 in pencil, lower margin. Printed and published by the artist. In very good condition with minor age tone and scattered light surface soiling on the verso. Framed handsomely in an original Kulicke welded aluminum frame with the embossed maker's mark. [Milton 61]. Milton revisited this image in 1974 during an experiment to explore collage and the process of contact printing a high resolution photo-transparency directly onto a copper plate. He printed a small detail transparency of Mornings with Judd onto the existing plate, alongside it's larger self, and broke through to a new photo-resist approach, which Milton described as "piquant and irresistible," in his essays appearing in Robert Flynn...Category
1970s American Modern Landscape Prints
MaterialsEngraving, Etching, Archival Paper
You May Also Like
- Lindsey Row, ChelseaBy James Abbott McNeill WhistlerLocated in Storrs, CTLindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...Category
Late 19th Century American Modern Landscape Prints
MaterialsLithograph
- Arc de Triomphe in Snow (Napoleon's Triumphal Arch)By Ellison HooverLocated in Storrs, CTArc de Triomphe in Snow (Napoleon's Triumphal Arch). c. 1930. Lithograph printed in grey ink. 11 1/4 x 9 7/16 (sheet 16 x 12). A tonal impression printe...Category
1930s American Modern Landscape Prints
MaterialsLithograph
- From the Weather Bureau. New York, New York.By Stow WengenrothLocated in Storrs, CT"From the Weather Bureau. February 1940. Lithograph printed in black and cream. Stuckey catalog 106. state i. Two stone printing. 10 1/8 x 17 (sheet 16 x 21 5/8). Edition 40 in this ...Category
1940s American Modern Landscape Prints
MaterialsLithograph
- Victoria ClubBy James Abbott McNeill WhistlerLocated in Storrs, CTVictoria Club. 1879 and 1887. Lithograph. Way catalog 11 state ii; Levy catalog 22; Tedeschi, Stratis and Spink catalog number 15 state ii. 8 x 5 3/8 (sheet 16 5/8 x 12 1/16). A ri...Category
Late 19th Century American Modern Figurative Prints
MaterialsLithograph
- Monoprint Monotype American Modernist Gregory Amenoff Abstract ExpressionistBy Gregory AmenoffLocated in Surfside, FLGregory Amenoff (Contemporary American abstract painter, b. 1948), Monotype Monoprint (1990) Hand signed in pencil lower right plate: 16 x 16 inches frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing Provenance: Corporate Collection of Bank BNP Paribas Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques. He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro, Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy. In 2011 he received the John Solomon Guggenheim Fellowship. Museum Collections Albright-Knox Art Gallery; Buffalo, NY Art Institute of Chicago; IL Baltimore Museum of Art; Brooklyn Museum of Art; Brooklyn, NY Butler Institute of American Art; Youngstown, OH Cleveland Museum of Art; Cleveland, OH Currier Gallery of Art; Manchester, NH Frances and Sidney Lewis Foundation; Richmond, VA Hood Museum of Art; Hanover, NH Honolulu Academy of Art; Honolulu, HW Kemper Museum of Contemporary Art; Kansas City, MO Maier Museum of Art; Lynchburg, VA Metropolitan Museum of Art; New York, NY Milwaukee Museum of Art; Milwaukee, WI Minneapolis Institute of Art; MN Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA Museum of Fine Arts; Boston, MA Museum of Modern Art; New York, NY National Museum of American Art; Washington, DC Neuberger Museum, State University of New York at Purchase; NY New York Public Library, Spencer Collection...Category
1980s American Modern Abstract Prints
MaterialsLithograph, Monoprint, Monotype
- Sandscapes #4 Florida Artist Abstract Modernist Signed PrintBy Kathy StarkLocated in Surfside, FLFine piece of Florida abstract Landscape art. With a French Art Deco feel to it.Category
1990s American Modern Abstract Prints
MaterialsLithograph