James Allen

The Bridge

c. 1936-7

Trout Fishing on the Gunnison (Colorado) Lithograph, 1941 Signed and dated '42 in pencil lower right Annotated lower left: "40 Prints-The Gunnison River, Colorado-For Anne & Jack" Ed...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

The Columns of Herakles Lithograph in Grey printed Zerkall-Vellum paper, 1960 Signed in pencil by the artist 'O. Zadkine' at the lower right corner (see photo) Numbered in pencil 102...

Signed, titled and numbered in pencil Edition: 26 Note: Very rare Reference: Not in Passerson

Bloques (Road Block) Color lithograph, 1905 Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo) Edition: 100, first edition (33/100) Published by Edmund Sagot, Paris Printed by Atelier Chaix, Paris Deluxe edition with artist's signature and penciled edition, as well as Sagot blindstamp There is an unlimited edition with title and publisher, printer text below the image. (state ii/II) Condition: Excellent, never matted or framed Image size: 13 x 19 5/8 inches Sheet size: 18 x 24 3/4 inches Provenance: Edmund Sagot (1857-1917) publisher Sagot Heirs Georges Meunier (1869-1934) Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life. Regarding the publisher Edmund Sagot (1857-1917) Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation. Edmond Sagot is the first contemporary art dealer...

Backyard II Lithograph, 1972 Signed lower right Signed lower right Annotated: Printer's Proof Reference: Karl Lunde 58 An impression is in the collection of the Art Institute of Chic...

Bernard Buffet French Riviera : Saint Tropez Village, 1977 Original lithograph (Mourlot workshop) Unsigned On vellum 76 x 65 cm (c. 30 x 26 in) Authenticated with the blind stamp o...

Fernand Léger Montparnasse, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25...

Denis-Paul NOYER Mercedes 710 - Cabourg Grand Hotel Original lithograph, c. 1980 Handsigned in pencil Numbered / 115 copies On Arches vellum 75 x 105 cm (c. 30 x 42 in) INFORMATION : Cabourg Grand Hotel is a well known 5* hotel / palace located in Normandy. Marcel Proust...

Fernand Léger The roofs, 1959 Original lithograph (Atelier Mourlot) Signed with the artist's stamp Limited to 180 copies (Here numbered 160) On Arches vellum 66 x 50.5 cm (c. 25.9 ...

TREE ROOTS II is an original hand drawn, limited edition lithograph printed using traditional hand lithography techniques on archival Arches paper 100% acid free. TREE ROOTS II is a very fine impression depicting highly detailed forest landscape of surreal trees with roots intertwined among a network of pipelines creating an intriguing interconnected jungle. TREE ROOTS II is expressed using airbrush drawing to shade and define the pipeline structures and fine pen drawing for creating the tiny leaves for the puffy clusters of foliage crowns. TREE ROOTS II is an imaginative, thought provoking science-fi landscape comprised of earthy colors in shades of green, yellow, brown, light mulberry red, and black. Print size - 21 x 29 inches unframed, excellent condition, signed in pencil by Hanna Kay...

SIBERIAN TIGERS by the British wildlife artist Sydney Taylor, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. SIBERIAN TIGERS is a contemporary wildlife portrait depicting a pair of Siberian tigers taking a cool drink from a snow covered riverbank. Printed in shades of blue, gray, light orange, brown, and touches of black with white accents emphasizing the icy landscape. This lithograph is a hand crafted original print, not a commercially mass produced poster or digital reproduction, quality is superb! Year published 1983 Edition size -200 Print size - 21.5" x 29.5", unframed, excellent condition, pencil signed by Sydney Taylor The Siberian tiger (Panthera tigris...