Items Similar to Snow on the Aspetuck.
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Kerr EbySnow on the Aspetuck. 1927
1927
About the Item
Snow on the Aspetuck. 1927. Etching. Giardina catalog 109 state iii. Image: 6 1/16 x 10 7/8 (sheet 9 x 13 3/4). Trial proof, apart from the edition of 90. A rich impression with plate tone printed on cream-laid paper. Signed and annotated 'trial proof' and 'imp' (imprimit) in pencil, indicating a proof printed Eby
Kerr Eby is one of the great 20th-century printmakers, heralded for his use of negative space and plate tone. His plates usually held a combination of drypoint and etched lines, resulting in an interplay of strong lines and delicate details. His landscapes are just as telling of his talents and skilled hand. They speak to his ability to edit, as he would enlist only one or two lines to do the work of many- letting the almost unmarked plate convey a sense of vast open space with great depth and dimension. His prints continue to inspire artists to this day, and also serve as a rich historical account of the 20th century.
- Creator:Kerr Eby (1890 - 1946, American)
- Creation Year:1927
- Dimensions:Height: 6.07 in (15.42 cm)Width: 10.88 in (27.64 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335211543022
Kerr Eby
Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. Returning to that country when he was three, Eby grew up studying art, which his parents encouraged, as his mother came from a family of prominent artists. Harold Kerr Eby was born to Canadian Methodist missionaries in Tokyo, Japan, on October 19, 1889. At the age of three his family moved to Vancouver, B.C. and by the time he was twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge. He worked as a 'printer's devil' on the Bracebridge paper, and at fifteen he took his savings and moved to New York with the dream of becoming an artist After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League.. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, life became desperate for the young artist. Starving and feeling defeated, he left in the spring for home in Canada and was employed by a surveying party in Northern Ontario. While in this northern wilderness, Eby regained his dream of becoming an artist, and in his spare time he started to draw his surroundings. By fall he had saved enough money to return to New York. He attended night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed a number of influential friendships with major artists such as John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through study and practice, Eby refined both his drawing and printing techniques. Eby was an Associate of the National Academy NA (1930); National Academy of Design (1934); Society of American Etchers; Chicago Society of Etchers; Philadelphia Society of Etchers; National Institute of Arts and Letters. Kerr Eby's work can be found in these collections of the Library of Congress, The Fine Arts Museums of San Francisco, Harvard Art Museums, New York Public Library, Navy Art Collection.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
700 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- September 13, 1918. St. Mihiel [The Great Black Cloud].By Kerr EbyLocated in Storrs, CTSeptember 13, 1918. St. Mihiel [The Great Black Cloud]. 1934. Etching, aquatint and sandpaper ground. Giardina catalog 182 state iv. 10 3/8 x 16 (sheet 13 1/8 x 18 1/4). Edition 100. Illustrated: Prints vol. VI, no. 2, 1935, page 85; Print Collector's Quarterly 26 (1939): 82; Fine Prints of the Year, 1935; Eby. War. Provenance: Frederick Keppel & Co. A rich, beautifully wiped impression on cream-colored wove paper. Signed and annotated 'imp' and 'Edition 100' in pencil, indicating a proof printed by the artist. This is Eby's most famous etching...Category
Early 20th Century American Modern Landscape Prints
MaterialsMixed Media, Etching, Aquatint
- Bailey's Beach, Newport, Rhode Island.By Clifford Isaac AddamsLocated in Storrs, CTBailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- Bailey's Beach, Newport, Rhode Island.By Clifford Isaac AddamsLocated in Storrs, CTBailey's Beach (Newport, Rhode Island). 1933. Etching. Hausberg 126 state v/vi. Edition 75. 6 x 7 7/8 (sheet 9 3/8 x 12 3/8). Printed with extensive plate tone with plate tone on 'Va...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- Old Colony Statehouse, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTOld Colony Statehouse, Newport, Rhode Island. c. 1931-1933. Etching. Hausberg 187. iii. 7 7/8 x 6 (sheet 12 1/2 x 9 1/4). Printed on the full sheet of cream wove paper with deckle ed...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching
- Caprice, or House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching. Hausberg catalog 138 state ii. 5 15/16 x 8 (sheet 7 7/8 x 9 5/8). A rich impression ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
You May Also Like
- 'Brooklyn Bridge' — 1920s view of an iconic New York City landmarkBy Luigi KasimirLocated in Myrtle Beach, SCLuigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...Category
1920s American Modern Landscape Prints
MaterialsEtching, Aquatint
- Chartres, The MagnificentBy John Taylor ArmsLocated in Middletown, NYEtching on handmade cream laid paper, 3 1/2 x 4 1/4 inches (890 x 108 mm), full margins. Signed, dated and inscribed "III" in pencil, lower margin. Edition of 150, third state (of th...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
- Guardians of the Spire; Amiens Cathedral Number 2By John Taylor ArmsLocated in Middletown, NYGuardians of the Spire; Amiens Cathedral Number 2 New York: 1937. Etching and drypoint on watermarked F.J. Head cream-colored, antique laid paper, 6 3/4 ...Category
Mid-20th Century American Modern Figurative Prints
MaterialsEtching, Drypoint
- Porta del Paradiso, VeneziaBy John Taylor ArmsLocated in Middletown, NYEtching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
- La Bella VeneziaBy John Taylor ArmsLocated in Middletown, NY(New York: John Taylor Arms, 1930) Etching on antique cream laid paper with a fancy "G" watermark, 7 1/8 x 16 1/2 inches (182 x 442 mm), full margins. Signed, dated and inscribed "Ed. 70" in pencil, lower margin. From a total edirion of 81 plus 5 trial proofs. Printed by Henry E. Carling. Number 18 from the Italian Series. A superb impression of this scarce print, with all of the subtleties and details of the reflections in the water printing clearly. [Fletcher 232] [Illustrated: Page 192, Arms, Dorothy Noyes, "Hilltowns and Cities of Northern Italy"]. Along with his constant companion and wife, Dorothy Noyes, Arms spent decades exploring and documenting gothic structures throughout Europe. Noyes, an accomplished travel writer, had gifted Arms an etching set...Category
1930s American Modern Landscape Prints
MaterialsEtching
- CoutancesBy John Taylor ArmsLocated in Middletown, NYEtching on thin, bluish-green cream laid paper, 9 1/4 x 4 3/4 inches (233 x 120 mm), full margins. Signed and dated in pencil, lower margin. First and only state. Printed by Frederi...Category
Early 20th Century American Modern Landscape Prints
MaterialsEtching, Laid Paper
Recently Viewed
View AllMore Ways To Browse
Kerr Eby
Paris Loafer
Yugoslavia Glass
A Drury
Egypt And Nubia
Retro National Park Posters
Vintage American Flag Fabric
After Claude Lorrain
Utrillo Lithographs
16th Century Colored Engraving
Carl Alexander
English Lucas Art
Piranesi Veduta
Thomas Hart Benton Original
Claude Etching Lorrain
Loggan Print Of Eton College
Piranesi Views Of Rome
Antique Currier Ives Prints