Klee, Dying Light, Prints of Paul Klee (after)

1947

Etching on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Français...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Etching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Original Limited Edition Etching on vellum paper. Inscription: Unsigned and unnumbered. Edition: 2,000. Good condition. Notes: From the folio, Prints of Paul Klee, 1947. Published by...

Signed and dated on plate. Eighth state of 8 (final state), after different works with drypoint, with margins.  Published in 1878/79 on Japan paper in "The Portfolio". Matting includ...

The pretty boats is an artwork realized  by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Etching on cardboard. The artist wants to define a well-balanced composition, th...

Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil. Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition." Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...

Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...

William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...

The River By Meadow is an original etching artwork on creamy-colored paper realized by French artist Amadée Feau (1872-1952) in 1921. Signed on the plate on the lower right and date...