Items Similar to Chelsea Old Church, London
Want more images or videos?
Request additional images or videos from the seller
1 of 5
William Walcot R. E. Hon. R. I. B. A.Chelsea Old Church, London1924
1924
About the Item
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole in 1898.
In 1907, Walcot settled in London where he was employed as a draughtsman by the South-African-born architect, Eustace Frere. In 1933, Walcot designed one London building, 61 St. James Street, but his main architectural activity was that of a freelance draughtsman. He produced drawings and etchings for architects to show their clients and to exhibit at the Royal Academy summer exhibitions.
Throughout the 1920s and 1930s, Walcot was the most celebrated architectural draughtsman in England, enhancing the scale and drama of the buildings he depicted with his mastery of techniques including watercolor and gouache.
- Creator:William Walcot R. E. Hon. R. I. B. A. (1874 - 1943, British)
- Creation Year:1924
- Dimensions:Height: 5.38 in (13.67 cm)Width: 8 in (20.32 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU335210331882
William Walcot R. E. Hon. R. I. B. A.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole in 1898. In 1907, Walcot settled in London where he was employed as a draughtsman by the South-African-born architect, Eustace Frere. In 1933, Walcot designed one London building, 61 St. James Street, but his main architectural activity was that of a freelance draughtsman. He produced drawings and etchings for architects to show their clients and to exhibit at the Royal Academy summer exhibitions. Throughout the 1920s and 1930s, Walcot was the most celebrated architectural draughtsman in England, enhancing the scale and drama of the buildings he depicted with his mastery of techniques including watercolor and gouache.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1977
1stDibs seller since 2016
700 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
- ShippingRetrieving quote...Ships From: Storrs, CT
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- The First Wooden Temple of JupiterBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTThe First Wooden Temple of Jupiter or Restoration of one of the first Temples of Jupiter Capitolinus, Rome.Dickins 47. 5 1/8 x 7 1/8 (sheet 9 3/16 x 11 5...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- San Marco [Venice].By William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTWilliam Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Charing Cross - The Statue of Charles I.By William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTCharing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Storrs, CTLudgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the MBy Félix Hilaire BuhotLocated in Storrs, CTLa petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...Category
1870s Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
You May Also Like
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Middletown, NYEtching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Salvador Dali - The Beloved Feeds Among the Lilies - Signed AquatintBy Salvador DalíLocated in Collonge Bellerive, Geneve, CHSALVADOR DALI (1904-1989) THE BELOVED FEEDS AMONG THE LILIES, 1971 Board for the series "The Song of Songs hymns" Aquatint and dry point on wove paper...Category
1970s Surrealist Figurative Prints
MaterialsDrypoint, Aquatint
- Donald Baechler Potted Plant 2005 (Donald Baechler Prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler, Potted Plant, 2005 A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Aquatint and drypoint on ...Category
Early 2000s Pop Art Figurative Prints
MaterialsDrypoint, Aquatint
- French Village - Original Etching and Drypoint by Eugène Corneau - 1930sBy Eugene CorneauLocated in Roma, ITFrench Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...Category
1930s Modern Figurative Prints
MaterialsEtching, Drypoint
- Untitled - Original Etching and Drypoint by Eugène Corneau - 1930sBy Eugene CorneauLocated in Roma, ITUntitled is an original artwork realized by Eugène Corneau in the first years of the 1930s. Etching and drypoint on paper. Monogram of the artist on the lower left. Excellent conditi...Category
1930s Modern Figurative Prints
MaterialsEtching, Drypoint
- Landscape - Etching by J. F. Raffaelli - Late 19th CenturyBy Jean-Francois RaffaelliLocated in Roma, ITEtching and drypoint. Hand signed. Very good condition.Category
Late 19th Century Modern Figurative Prints
MaterialsDrypoint, Etching