Jim Dine Rainbow Quilt Heart Pop Art Vintage Offset Lithograph Poster Jim Dine, Maeght1983
1983
About the Item
- Creator:Jim Dine (1935, American)
- Creation Year:1983
- Dimensions:Height: 31.25 in (79.38 cm)Width: 21 in (53.34 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:never framed. minor wear commensurate with age. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38214259522
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
Find Jim Dine prints and other art on 1stDibs.
- ShippingRetrieving quote...Ships From: Surfside, FL
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Canadian Post Modern Pop Art Lithograph Vintage Poster Memphis Galerie MaeghtBy Jean-Paul RiopelleLocated in Surfside, FLVintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Pa...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Offset
- 1960's Pop Art Silkscreen Print 108$ Bill Inflation Hand Signed and NumberedBy Oyvind FahlstromLocated in Surfside, FLÖyvind Axel Christian Fahlström (1928–1976) was a Swedish Multimedia artist. Fahlström was born in Sao Paulo, Brazil, In July 1939 he was sent to Stockholm to visit some distant relatives and after World War II he started to study and later on to work as a writer, critic and journalist. From 1960 until 1976 he was married to the Swedish Pop Art painter Barbro Östlihn. In 1953 Fahlström had his first solo exhibition, showing the drawing Opera, a room-sized felt-pen drawing. Also in 1953 he wrote Hätila ragulpr på fåtskliaben, a manifesto for concrete poetry, published in Swedish the following year and in English translation (by Mary Ellen Solt, in her anthology "Concrete Poetry. A world view") in 1968. In 1956 Fahlström moved to Paris and lived there for three years before he moved to Front Street studio, New York City. In New York he worked with different artists and explored his role as an artist further. In 1962 he participated in the New Realists exhibition at the Sidney Janis Gallery, in New York City. His work was included in the 1964 Venice Biennale and he had a solo exhibition at Cordier & Ekstrom Inc., New York. In 1965 he joined the Sidney Janis Gallery. In 1966 his work Performance of Kisses Sweeter Than Wine was included in 9 Evenings: Theatre and Engineering, organized by Experiments in Art and Technology at the 26th Street Armory, New York. The same year his painting in oil on photo...Category
1970s Pop Art Figurative Prints
MaterialsLithograph, Screen
- 1980's Large Silkscreen Chinese Characters Serigraph Pop Art Print ChinaBy Chryssa Vardea-MavromichaliLocated in Surfside, FLChryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...Category
1980s Pop Art Abstract Prints
MaterialsScreen
- Small Beasts (Dog) Aquatint Etching Jim Dine Pop Art PrintBy Jim DineLocated in Surfside, FLJim Dine (American, b. 1935) Etching depicting a dog or wolf Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet size This is not numbered. from a limited edition of 30 (plus proofs). Drypoints with aquatint and spit-bite Printed by Julia D'Amario Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...Category
1990s Pop Art More Prints
MaterialsDrypoint, Etching
- Small Pinocchio Aquatint Etching Jim Dine Pop Art PrintBy Jim DineLocated in Surfside, FLJim Dine (American, b. 1935) Etching depicting Pinocchio Published by Enitharmon Press for Whitman College, London 1999 Hand signed in pencil lower right. Measures 9" x 7" sheet size This is not numbered. from a limited edition of 30 (plus proofs). Drypoints with aquatint and spit-bite Printed by Julia D'Amario Jim Dine (born June 16, 1935) is an American pop artist. He is sometimes considered to be a part of the Neo-Dada movement.He was born in Cincinnati, Ohio. In 1953, he attended evening classes at The Art Academy of Cincinnati taught by the influential instructor, Paul Chidlaw...Category
1990s Pop Art More Prints
MaterialsEtching, Drypoint
- Surrealist Abstract Hebrew Aleph Pop Art Silkscreen Judaica Jewish SerigraphBy Jozsef JakovitsLocated in Surfside, FLAbstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...Category
1980s Pop Art Abstract Prints
MaterialsArchival Paper, Screen
- Takashi Murakami 'Superflat' exhibition poster (vintage Takashi Murakami)By Takashi MurakamiLocated in NEW YORK, NYTakashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...Category
21st Century and Contemporary Pop Art Abstract Prints
MaterialsLithograph, Offset
- As I Opened Fire Poster, TriptychBy (after) Roy LichtensteinLocated in New York, NYSet of 3 color offset lithographs. The last panel is signed in pencil. Printed by Drukkerij Luii & Co., Amsterdam. Published by the Stedelijk Museum, Amsterdam. This is a reproductio...Category
1960s Pop Art Abstract Prints
MaterialsColor, Lithograph, Offset
- Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum)By Roy LichtensteinLocated in New York, NYRoy Lichtenstein Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark 12 x 9 inches Un...Category
1990s Pop Art Abstract Prints
MaterialsLithograph, Offset
- Keith Haring: Into 1984/Tony Shafrazi GalleryBy Keith HaringLocated in New York, NYColor offset lithograph. Signed and dated in felt-tip pen and pink ink, lower right. Published by Tony Shafrazi Gallery, New York.Category
1980s Pop Art Abstract Prints
MaterialsColor, Lithograph, Offset
- Limited Ed. St. Louis Art museum poster Hand Signed & dated by Roy LichtensteinBy Roy LichtensteinLocated in New York, NYRoy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, Hand signed and dated in ink on th...Category
1980s Pop Art Abstract Prints
MaterialsInk, Lithograph, Offset, Pencil, Graphite
- As I Opened Fire, Roy LichtensteinBy (after) Roy LichtensteinLocated in New York, NYThis offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring 25 x 20 ½ in. (63.5 x 52 cm.) each and 25 x 62 in. ...Category
21st Century and Contemporary Pop Art More Prints
MaterialsLithograph, Offset