Items Similar to Land Fall, by John Gibson (screen print of stacked colorful spheres)
Want more images or videos?
Request additional images or videos from the seller
1 of 7
John Gibson (b. 1958)Land Fall, by John Gibson (screen print of stacked colorful spheres)2005
2005
About the Item
This print has a deep blue background and brightly colored red and orange billiards balls.
John Gibson has been painting delicate still-life arrangements of balls since the 1990s. This focused body of work originated from his desire to successfully depict 3-dimensionality within the constraints of a 2-dimensional surface. Playing around with patterned surfaces and the careful organization of his subject matter, Gibson builds a subtle complexity within his compositions. In this way Gibson’s work is similar to that of Italian painter Giorgio Morandi, whose still-life of earthenware objects served as a constant influence.
Within Gibson’s paint handling there is an evident physicality, making clear a sense of precision and geometry that reflects an architectural quality. This quality is further illustrated by the strong use of light and shadow to create depth within the pictorial plane.
John Gibson received his undergraduate degree from the Rhode Island School of Design, after which he attended Yale University to receive his MFA.
SELECTED PUBLIC COLLECTIONS
Ackland Museum Chapel Hill, NC
Metropolitan Museum of Art, New York, NY
Museum of Fine Arts, Boston, MA
Museum at the Rhode Island School of Design, Providence, RI
Smith College Museum of Art, Northampton, MA
University of Massachusetts, Amherst, MA
- Creator:John Gibson (b. 1958) (1958, American)
- Creation Year:2005
- Dimensions:Height: 37 in (93.98 cm)Width: 34 in (86.36 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU3309231442
John Gibson (b. 1958)
John Gibson has been painting delicate still-life arrangements of balls since the 1990s. This focused body of work originated from his desire to depict 3-dimensionality within the constraints of a 2-dimensional surface successfully. Playing around with patterned surfaces and carefully organizing his subject matter, Gibson builds a subtle complexity within his compositions. In this way, Gibson’s work is similar to that of Italian painter Giorgio Morandi, whose still-life of earthenware objects served as a constant influence. Within Gibson’s paint handling, there is an evident physicality, making clear a sense of precision and geometry that reflects an architectural quality. This quality is further illustrated by the strong use of light and shadow to create depth within the pictorial plane. John Gibson received his undergraduate degree from the Rhode Island School of Design, after which he attended Yale University to receive his MFA.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1962
1stDibs seller since 2013
52 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Lincoln Center Globe by Donald Baechler (image of children around the globe)By Donald BaechlerLocated in New York, NYThis edition was printed in approximately 40 colors on Lanaquarelle paper with a deckled edge. The print is signed, numbered and dated, 2011 by the artist. The print comes directly f...Category
2010s Pop Art More Prints
MaterialsScreen
- Check Fest print by Kenny Scarf, 1999 (blue and yellow pop surrealism)By Kenny ScharfLocated in New York, NYThis print is signed and numbered in pencil from the edition of 108. There were also 18 Artist Proofs. The edition was printed at Brand X Editions, NYC and published by Lincoln Cente...Category
1990s Pop Art More Prints
MaterialsScreen
- Jefferson Memorial, 2021 by Carrie Mae Weems (black and white print)By Carrie Mae WeemsLocated in New York, NYThis archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Note: The image of the framed print is for reference purposes only. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...Category
2010s Contemporary More Prints
MaterialsScreen
- Immature Artist, by Matthew Brannon (gourmet cheese delights)By Matthew BrannonLocated in New York, NYThis signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...Category
2010s Contemporary More Prints
MaterialsScreen
- Four Hands and a Baseball Bat, 2015 Print by John BaldessariBy John BaldessariLocated in New York, NYThis is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...Category
2010s Conceptual More Prints
MaterialsArchival Pigment
- MANON BUILDING FACADEBy Abelardo MorellLocated in New York, NYOne photograph on rag paper, 2006, signed in pencil, dated 2005, from the edition of 54, sheet: 704 by 856 mm, 27 3/4 by 33 5/8 inches. Printed by Chad Kleitsch, New York, published ...Category
Early 2000s Contemporary More Prints
MaterialsPhotographic Paper
You May Also Like
- Art, from American Signs portfolioBy Robert CottinghamLocated in New York, NYROBERT COTTINGHAM Art, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and...Category
Early 2000s Photorealist Abstract Prints
MaterialsScreen
- Hi Fi, from American Signs portfolioBy Robert CottinghamLocated in New York, NYROBERT COTTINGHAM HI FI, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' a...Category
Early 2000s Photorealist More Prints
MaterialsScreen
- Drinks, from American Signs portfolioBy Robert CottinghamLocated in New York, NYROBERT COTTINGHAM Drinks, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009...Category
Early 2000s Photorealist More Prints
MaterialsScreen
- Star, from American Signs PortfolioBy Robert CottinghamLocated in New York, NYROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...Category
Early 2000s Photorealist More Prints
MaterialsScreen
- ReflectionBy Ching Jang YaoLocated in Hollywood, FLArtist: Ching Jang Yao Title: Reflection Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 28" x 23 1/2" Frame: This piece is sold UNFRAMED Conditio...Category
Late 20th Century Photorealist More Prints
MaterialsScreen
- Chicken ChopsBy John BaederLocated in Hollywood, FLArtist: John Baeder Title: Chicken Chops Medium: Screenprint Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 30" Note: This piece is sold UNFRAMED Cond...Category
Late 20th Century Photorealist More Prints
MaterialsScreen
Recently Viewed
View AllMore Ways To Browse
Blue Sphere
Italian Painted Screens
Stack Of 3 Art
Naomi Limont
Nikki Maloof
Otto Kuhler On Sale
Picasso Bullring
Poster Cosulich
Puccini Opera Poster
Pullman Porters
Puppen Vintage
Robert Herrmann
Rosa Centifolia
Roy Lichtenstein Sweet Dreams
Seiko Ap
Sharon Hayes
Shepard Fairey Fatal Woman
Shepard Fairey Flavor Flav