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Chuck Close
Untitled from Doctors of the World Portfolio, hand signed & numbered Pop realism

2001

About the Item

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints: Process and Collaboration by Terrie Sultan and Richard Shiff (2014); Chuck Close Prints: Process and Collaboration by Terrie Sultan and Richard Shiff (2003); Chuck Close: Editions - a Catalogue Raisonne and Exhibition - Butler Institute of Art (1989) More about Chuck Close: Chuck Close is known for his innovative conceptual portraiture, depicting his subjects, which are transposed from photographs, into visual data organized by gridded compositions. Throughout his childhood and adolescence, Close used art as a means of navigating a learning disability. He continued to develop his artistic skills through private art lessons, drawing and painting from live models. As a student at the University of Washington (BA, 1962), and then at Yale (BFA 1963; MFA 1964), he began to emulate the styles of Arshile Gorky and Willem de Kooning, considering himself a third-wave Abstract Expressionist and as he explored this vocabulary he pivoted from biomorphism to figuration. After studying at the Akademie der Bildenden Künste in Vienna (1964) on a Fulbright grant, Close returned to the United States in 1965. He taught painting at the University of Massachusetts, Amherst, where he received his first solo exhibition in 1967. Seeking to break from the gestural style that had characterised his student work, Close shifted toward Pop-inflected figuration before embracing the tools of commercial art and illustration. Basing his paintings on photographic imagery, Close reduced his palette to black and white, culminating in his large-scale painting Big Nude (1967). His 1967 solo exhibition featured paintings of male nudes, proving controversial and ultimately resulted in a landmark court case that sought to extend freedom of speech to the visual arts. -Courtesy of PACE Gallery
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