1970s Prints and Multiples

Niki de Saint Phalle I Rather Like You A Lot You Fool, 1970 Silkscreen on wove paper Signed and numbered 74//75 in graphite pencil on the front Frame included Signed and numbered 74...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Judy - All Star Variety - Garland. Signed and numbered 19/150 in pencil, lower margin. Etching and aqu...

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 111/150 in pencil, lower margin. Etching with aquatint, 13.75” x 9.75”. Framed 22.25...

Darryl Hughto The Wind Cries Mary, 1979 Silkscreen on wove paper 42 1/2 × 30 inches Pencil signed and numbered 73/160 on the front Published by Larry B. Wright Art Productions, NYC U...

Gemini is a screen print on grey paper realized by Sergio Barletta in 1973. 68 x 49 cm. Good conditions! Sergio Barletta (1934) is an Italian cartoonist and illustrator, who has...

SALE ONE WEEK ONLY Title: Figures Portfolio: 1978 Surrealist Medium: Lithograph on Arches 88 paper Edition: 38 Sheet Size: 31 7/16" x 23 1/2" Image Size: 23 1/2" x 15 1/4" Signature: Hand signed in pencil Reference: Corlett 156 Printed by Gemini G.E.L. printers out of Los Angeles. Roy Fox Lichtenstein was an American pop artist. During the 1960s through the 90’s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Most of Lichtenstein's best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965. Lichtenstein's Still Life paintings, sculptures and drawings, which span from 1972 through the early 1980s, cover a variety of motifs and themes, including the most traditional such as fruit, flowers, and vases. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Wham!, and Drowning Girl Look Mickey proved to be his most influential works. His most expensive piece is Masterpiece which was sold for $165 million in January 2017. Lichtenstein received both his Bachelors and Masters at Ohio State University, Columbus, Ohio where he taught for ten years. In 1967, he moved back to upstate New York and began teaching again. It was at this time that he adopted the Abstract Expressionist style, being a late convert to this style of painting. Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into is abstract works. In 1960, he started teaching at Rutgers University where he was heavily influenced by Allan Kaprow, who was also a teacher at the university. This environment helped reignite his interest in Proto-pop imagery. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. This phase would continue to 1965, and included the use of advertising imagery suggesting consumerism and homemaking. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey (1961), National Gallery of Art, Washington, D. C.) This piece came from a challenge from one of his sons, who pointed to a Mickey Mouse comic book and said; "I bet you can't paint as good as that, eh, Dad?" In the same year he produced six other works with recognizable characters from gum wrappers and cartoons. It was at this time that Lichtenstein began to find fame not just in America but worldwide. He moved back to New York to be at the center of the art scene in 1964 to concentrate on his painting. Lichtenstein used oil and Magna (early acrylic) paint in his best known works, such as Drowning Girl (1963), which was appropriated from the lead story in DC Comics’ Secret Hearts No. 83, drawn by Tony Abruzzo. (Drowning Girl now hangs in the Museum of Modern Art, New York.) Drowning Girl also features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction. Of his own work Lichtenstein would say that the Abstract Expressionists "put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine just don't come out looking calligraphic, like Pollock’s or Kline’s. Rather than attempt to reproduce his subjects, Lichtenstein's work tackled the way in which the mass media portrays them. He would never take himself too seriously, however, saying: "I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art.” When Lichtenstein's work was first exhibited, many art critics of the time challenged its originality. His work was harshly criticized as vulgar and empty. The title of a Life magazine article in 1964 asked, "Is He the Worst Artist in the U.S.?" Lichtenstein responded to such claims by offering responses such as the following: "The closer my work is to the original, the more threatening and critical the content. However, my work is entirely transformed in that my purpose and perception are entirely different. I think my paintings are critically transformed, but it would be difficult to prove it by any rational line of argument.” In 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector's Pop Art bedroom suite at the Palace Hotel in St. Moritz. In the late 1970s and during the 1980s, Lichtenstein received major commissions for works in public places: the sculptures Lamp (1978) in St. Mary's, Georgia; Mermaid (1979) in Miami Beach; the 26 feet tall Brushstrokes in Flight (1984, moved in 1998) at John Glenn Columbus International Airport; the five-storey high Mural with Blue Brushstroke (1984–85) at the Equitable Center, New York and El Cap de Barcelona (1992) in Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural in Times Square subway station. In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third installment in the BMW Art Car Project. The DreamWorks Records logo was his last completed project. "I'm not in the business of doing anything like that (a corporate logo) and don't intend to do it again," allows Lichtenstein. "But I know Mo Ostin and David Geffen and it seemed interesting. In 1996 the The National Gallery of Art in Washington, D.C. became the largest single repository of the artist's work when Lichtenstein donated 154 prints and 2 books. The Art Institute of Chicago has several important works by Lichtenstein in its permanent collection, including Brushstroke with Spatter (1966) and Mirror No. 3 (Six Panels) (1971). The personal holdings of Lichtenstein's widow, Dorothy Lichtenstein, and of the Roy Lichtenstein Foundation number in the hundreds. In Europe, the Museum Ludwig in Cologne has one of the most comprehensive Lichtenstein holdings with Takka Takka (1962), Nurse (1964), Compositions I (1964), besides the Frankfurt Museum fur Modern Kunst with We Rose Up slowly (1964), and Yellow and Green Brushstrokes...

Paper Size: 30 x 18.5 inches ( 76.2 x 46.99 cm ) Image Size: 20 x 15 inches ( 50.8 x 38.1 cm ) Framed: No Condition: A: Mint Additional Details: Referenced: Rodrigo, Vol I, #19...

Dali’s Inferno by Salvador Dali, Spanish (1904–1989) Portfolio: Dali's Inferno Date: 1978 Lithograph on Arches, signed and numbered in pencil Edition of 242/250 Image Size: 23 x 17 i...

Artist: Balthasar Balthus Medium: Color Lithographic Poster, 1973 Dimensions: 30.5 x 20.3 in, 77.5 x 51.6 cm Classic Poster Paper - Condition A+ This lithographic poster was print at the Atelier Mourlot in Paris in 1973 to promote an exhibition of Balthus's works at the Musée Cantini - Marseille for the summer months of July, August and September that year. Balthus's style is primarily classical. His work shows numerous influences, and although his technique and compositions were inspired by pre-Renaissance painters, there are also influences by contemporary surrealists like de Chirico. Balthus was one of the few living artists...

Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...

David Hockney (b.1937) Post for Olympische Spiele München, 1972 (Baggott 34) Printed by Matthieu, Zurich, published by Edition Olympia 1972 G...

Claes Oldenburg Figure & Phallus II, 1975 Etching on Wookey Hole hand-made paper 25 × 20 inches Edition of 60 Hand signed, dated and numbered from the limited edition of 60 on the re...

Window is a contemporary artwork realized by Leo Guida in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin: 2/3 Artist's proof. Original title: Fines...

Hand signed and numbered by the artist. Artwork is in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Edition of 175. All...

Serigraph on paper. Hand signed and numbered by the artist. Image size 39.75 x 25.75 inches. Frame size approx 50 x 35 inches. From the main edition of 250. Additional images avai...

THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...

With flat planes of rich, lovely color, Alex Katz’s landscapes and portraits evoke the smooth aesthetics of advertising billboards and film. The prolific, renowned international arti...

TECHNICAL INFORMATION: Salvador Dali Ivanhoe - Rowena 1978 Lithograph 29 1/2 x 21 1/2 in. Edition of 250 Pencil signed and numbered; certified authentic by Frank Hunter of the Sal...

Original Lithograph V is a really beautiful color lithograph on paper, realized in 1974 by Joan Miro for his catalog "Mirò Lithographe". This artwork is from a series composed by an...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe III Year: 1977 Edit...

An original Joan Miro lithograph on BFK Rives with signature in the plate (printing). Printed and published by Arte Adrien Maeght, Paris. Nicely framed. Artist: Joan Miro, Spanish...

Alexander Calder Lithographic cover c. 1971 from Derrière le miroir: Lithographic cover in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of u...

Patti Smith Devotions to Arthur Rimbaud 1973: A rare early Patti Smith print featuring her poetry and artwork; constructed by Smith as a declaration of her admiration & love for Arth...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Anthropometry)" Year: 1973 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edi...

Paper Size: 25 x 33.5 inches ( 63.5 x 85.09 cm ) Image Size: 19.5 x 30.5 inches ( 49.53 x 77.47 cm ) Framed: No Condition: A: Mint Additional Details: Limited edition five colo...

The Greek American artist, Theodoros Stamos, was born in 1922 in New York City into a family of Greek immigrants. He was a member of The Irascibles group which consisted of the first...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 16) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

1960s Joan Miró vinyl album art: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 19...

Photo lithograph and etching with collage mounted on board from the suite Memories of Surrealism. Hand signed and numbered by Salvador Dali. Sheet size 29.75 x 21.25 inches. Image ...

Apocalypse is an artwork realized by Charles Lapicque   in 1974. Original colored lithograph. Good conditions. Printed by Mourlot , France. This lithograph was realized  by the ar...

At the window is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left ma...

Night meetings is a contemporary artwork realized by the artist Dipas in the 1970s. Mixed colored screen print. Hand signed on the lower right margin. Numbered on the lower left m...

Green and blue tonal architectural landscape of a cathedral. The work is signed, titled, and dated by the artist. It is framed in a gold frame with a white matte. Paul Sprohge is a H...

'The Fight' by Celestino Piatti The 30 x 45 inch poster was created by Swiss artist Celestino Piatti in 1971 to advertise the exclusive viewing in Harlem of the first Ali/Frazier fig...

Sku: CB1505 Artist: Alex Katz Title: American Dance Festival Year: 1976 Signed: No Medium: Offset Lithograph Paper Size: 39 x 30.5 inches ( 99.06 x 77.47 cm ) Image Size: 39 x 30.5 i...

Joan Miró vinyl album art, 1979: Raimon and Joan Miró were close friends that first collaborated on the 1966 album Cançons de la roda del temps. In 1979, Miró designed a cover for th...

Artist: Gloria Vanderbilt, American (1924 - ) Title: Autumn Year: circa 1970 Medium: Silkscreen on Arches Paper, Signed and numbered in Pencil Edition: 250 Size: 31 in. x 24 in. (78....

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 51/100.

Mortar and Pestle with Funnel Mezzotint on BFK Rives paper, c. 1973 Signed and editioned in pencil by the artist Edition: 150 (41/150) Condition: Mint, never framed or matted Image: ...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 20/150.

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 79/150.

A green and gray composition that features a more dimensional rendition of Albers’ famous “Homage to the Square” series. The exterior ring of dark green flanks a window of gray befor...

Paper Size: 25 x 32 inches ( 63.5 x 81.28 cm ) Image Size: 22.5 x 32.5 inches ( 57.15 x 82.55 cm ) Framed: No Condition: A: Mint Additional Details: Translated as "The Frog and...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 87/100.

A classic David Hockney portrait, this lithograph depicts the artist's friend Brooke Hopper. Brooke Hopper, one of the Hollywood elite, is the daughter of the producer Leland Hayward...

Study for two communicating signals is an contemporary artwork realized by Mario Persico in 1970s.  Mixed colored lithograph.  Title on the lower margin. Hand signed by the artist...

Josef Albers Variant FI-F17-II, 1972 Screenprint on Mowhalk Superfine Bristol paper 15 × 20 in 38.1 × 50.8 cm Edition 980/1000

Josef Albers Variant FI-F17-I, 1972 Screenprint on Mowhalk Superfine Bristol paper 15 × 20 in 38.1 × 50.8 cm Edition 980/1000

Larry Zox Niagara Series I - 1973 Print - Linocut Paper Size 25½'' x 35'' inches Edition: Signed in pencil and marked 2/175 Unframed Larry Zox is one of the principal representativ...

Original etching and lavis in black ink on Arches watermarked crème laid paper by Paul Gauguin. Titled: “La Femme aux Figues” (The Woman with Figs). This impression is from the 3rd s...

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

Saul Steinberg Lithograph Derrière le Miroir: Lithograph in colors c.1970. 11 x 14 inches. Very good overall vintage condition with vivid colors. Unsigned from an edition of unknown...

Abstract lithograph by Hans Burkhardt. Image is 7 3/4" x 6" and sheet size is 21" x 14 1/4". The edition is 3/5. Marked with both the artist's signature and date (H. Burkhardt 1975 ...

Watermelon is a mixed colored lithograph by the Sicilian artist Renato Guttuso in 1982 The artwork is from XXeme Siècle Paris/New York; Printer Graphis Arte Livorno/Roma. Referenc...