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(After) Anthony Van DyckAnthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie circa 1654
circa 1654
About the Item
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people at the time. The plate has been marked in the lower left of the plate "Ant. van Dyck pinxcit" and in the lower right of the plate "Robertus van Voerst sculpsit." Beneath the engraved portrait is the inscription: ERNESTO PRINCIPI ET COMITI MANSFELDI?, MARCHIONI CASTELLI-NOVI ET BVTIGLIRI?, BARONI AB HELDRVNGEN GENERALI ETC.
- Creator:(After) Anthony Van Dyck (1599 - 1641, Dutch)
- Creation Year:circa 1654
- Dimensions:Height: 10.52 in (26.7 cm)Width: 7.76 in (19.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greven, DE
- Reference Number:1stDibs: LU155029194832
(After) Anthony Van Dyck
Sir Anthony van Dyck (22 March 1599 – 9 December 1641) was a Flemish Baroque artist who became the leading court painter for Charles I of England. Sir Anthony Van Dyck was born in the Netherlands and painted from an early age becoming a successful independent painter in his late teens, and a master in the Antwerp Guild in 1618. He painted in the studio of Peter Paul Rubens who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders and travelled to Italy, where he stayed until 1627, mostly in Genoa. He spent five years in Flanders after his return from Italy, and was court painter for the archduchess Isabella, Habsburg Governor of Flanders. In 1632 he returned to London to become the main court painter to Charles I of England.
After Holbein, van Dyck and his contemporary Diego Valezquez were the first painters of pre-eminent to work mainly as court portraitists, revolutionising the genre. Van Dyck is best known for his portraits of the royals and aristocracy, most notably Charles I, and his family and associates. Van Dyck widely influenced English portrait painting for the next 150 years. His portrait style changed considerably between the different countries he worked in, culminating in the relaxed elegance of his last English period. His influence extends into the modern period. During his lifetime, Charles I granted him a knighthood, and after his death Van Dyck was buried in St Paul’s Cathedral, an indication of his high standing at the time of his death.
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