Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Salvador Dalí­
Nude with Guitar (Poèmes Secrets d'Apollinaire), 1967

1967

About the Item

Nude with Guitar – signed and dated ‘Dalí 67’ lower right and framed in an ornate, gold-tone frame. On japon, unnumbered from the 1967 edition of 235 portfolios. Originally published as Poèmes Secrets d'Apollinaire, the etchings in this portfolio by Salvador Dalí pay tribute to Apollinaire’s 'Secret Poems.' The complete portfolio consisted of ten full-page etchings and eight additional etchings (vignettes) that incorporated poems by Apollinaire. Each etching was individually and meticulously hand-colored as well as reworked in drypoint. Salvador Dalí's deep affinity for literature made it unsurprising that he found himself captivated by Guillaume Apollinaire's body of work. Apollinaire, hailed as one of the most prominent poets of the early 20th century, played a pivotal role in championing Cubism and laying the foundation for surrealism to flourish. His poetry, characterized by its originality, delved fearlessly into themes of love, desire, and sensuality. He explored explicit content that pushed boundaries - challenging the readers of his time with works considered ‘scandalous’ and ‘risqué.’ Apollinaire's 'Secret Poems' garnered considerable attention when unpublished erotic verses surfaced from his private papers after his death in 1918. These poems, due to their amorous nature and the social uproar they caused, were withheld from the public eye during Apollinaire’s lifetime. Dalí’s etchings for this portfolio certainly rank as some of his best work – beautifully drawn and evocative with extensive color work. Not all prints included in the portfolios of this edition were colored. Some were printed in just black and white, or in sanguine. This particular set’s color is still strong, 56 years after its original printing – not to be missed by collectors of Dalí’s etchings from the 60s.
  • Creator:
    Salvador Dalí­ (1904 - 1989, Spanish)
  • Creation Year:
    1967
  • Dimensions:
    Height: 25 in (63.5 cm)Width: 12 in (30.48 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Generally excellent condition - paper is slightly toning, minor foxing dot in lower left margin area.
  • Gallery Location:
    Greenwich, CT
  • Reference Number:
    Seller: ENDALP00ESC1stDibs: LU2664213755442
More From This SellerView All
  • Blanchefleur, 1972 (Le Decameron, Plate H)
    By Salvador Dalí­
    Located in Greenwich, CT
    Blanchefleur from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 Ara...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Drypoint, Etching

  • Nude at the Fountain (Poèmes Secrets d'Apollinaire), 1967
    By Salvador Dalí­
    Located in Greenwich, CT
    Nude at the Fountain– signed and dated ‘Dalí’ lower right and framed in an ornate, gold-tone frame. On japon, unnumbered from the 1967 edition of 235 portfolios. Originally publishe...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Engraving, Etching

  • Le Diable en Enfer, 1972 (Le Decameron, Plate C)
    By Salvador Dalí­
    Located in Greenwich, CT
    Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Drypoint, Etching

  • La Ressuscitée, 1972 (Le Decameron, Plate J)
    By Salvador Dalí­
    Located in Greenwich, CT
    La Ressuscitée from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 150 A...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Drypoint, Etching

  • Frontispiece (Poèmes Secrets d'Apollinaire), 1967
    By Salvador Dalí­
    Located in Greenwich, CT
    Frontispiece – 12.5 x 9.5" image size, signed and dated ‘Dalí 67’ lower right and framed in an ornate, gold-tone frame. Micheler-Löpsinger 196; Field 67-10 Plate A From the total edi...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Etching, Engraving

  • Le Jument de Compère Pierre, 1972 (Le Decameron, Plate I)
    By Salvador Dalí­
    Located in Greenwich, CT
    Le Jument de Compère Pierre from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edi...
    Category

    20th Century Surrealist Prints and Multiples

    Materials

    Etching, Drypoint

You May Also Like
  • HAMLET SUITE
    By Salvador Dalí­
    Located in Aventura, FL
    This rare 10 piece series from 1973 is Dali's interpretation of Shakespeare's drama Hamlet. Dali paid homage to Shakespeare in several other works but this suite is considered to be ...
    Category

    1970s Surrealist Figurative Prints

    Materials

    Lithograph, Engraving, Aquatint, Paper

  • Jorge Castillo - EROTIC COMPOSITION Etching on paper Spanish Surrealism
    By Jorge Castillo
    Located in Madrid, Madrid
    Jorge Castillo - COMPOSICIÓN ERÓTICA (Erotic Composition) Date of creation: 1977 Medium: Etching on paper Edition: 75 + 20 E.A. Size: 50 x 65,5 cm Condition: In perfect conditions an...
    Category

    1970s Surrealist Figurative Prints

    Materials

    Engraving, Etching

  • La Tombe du Père - Etching by Marc Chagall - 1923
    By Marc Chagall
    Located in Roma, IT
    La Tombe du Pére or The Father's Grave is a wonderful and rare dry-point, hand-signed in pencil on the lower right margin and hand-numbered on the lower left margin by Marc Chagall. ...
    Category

    1920s Surrealist Figurative Prints

    Materials

    Drypoint, Etching

  • Salvador Dali - Le Cerf from Le Bestiaire de la Fontaine - Signed Engraving
    By Salvador Dalí­
    Located in Collonge Bellerive, Geneve, CH
    SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...
    Category

    1970s Surrealist Figurative Prints

    Materials

    Drypoint, Aquatint

  • The Automobilist, from: My Life - Russian French Berlin Autobiography Surrealism
    By Marc Chagall
    Located in London, GB
    This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at t...
    Category

    1920s Surrealist Figurative Prints

    Materials

    Drypoint, Etching

  • 'Fantasia Americana - 1880' — Mid-Century American Surrealism
    By Lawrence Kupferman
    Located in Myrtle Beach, SC
    Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
    Category

    1940s Surrealist Figurative Prints

    Materials

    Drypoint, Etching

Recently Viewed

View All