Elizabeth Quandt

Elizabeth Quandt 'Aries II' Limited Edition, Signed Etching of Ram's Head

1978

Elizabeth Quandt (1922 - 1994) Aries I, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 5in x 11in: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Elizabeth Quandt (1922 - 1994) Aries IV: Ram in a Thicket, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 5 1/4in H x 5in L: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Elizabeth Quandt (1922 - 1994) Aries III, 1978 Etching on Arches paper Singed and dated in pencil, lower right Edition IX/L (9/50) With artist's embossed stamp to lower center Image 11 1/2in H x 6 1/2in Lin x 11in: Sheet 22 1/4in H x 18in L. Unframed. The ram's skull pictured was found entwined in a stand of trees in Mendocino by the artist's grandchild, Timothy Brien Mailliard. The first 25 prints in this edition of 50 are identified by Roman numerals and comprise the portfolio suite...

Takashi Murakami (b. 1962) Flowers Blooming in the Isle of the Dead, 2022 Offset lithograph in colors on smooth wove paper 28 inches (71.1 cm) diameter (sheet) Ed. 102/300 Signed and...

Donald Sultan (American, b. 1951) "Fish (From Fruit and Flowers Portfolio)" 1990 Screenprint in colors on Arches 88 paper Pencil initialed, titled, and dated left of image Edition 61...

The sparkling diamond dust background provides the perfect backdrop effect to Pope's luscious lips. Sara Pope (b.1973) Decadence (Pink), 2017 Archival Inkje...

Medium: Etching Year: 2019 Image Size: 10 x 8.25 inches Edition of 20, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated from Loyola High S...

shakespeare by Helen Fay [2016] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number total edition number 75 Image size: H:27 cm x W:48 cm Complete Size o...

Rare Jonas Wood print! etching 2014 paper size- 15.75 x 13.75 frame size- 18.75 x 16.75 x 1.5" signed and dated SP2 *two small pinholes in the upper ...

What’s That? by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:45 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Print, hand made and hand printed by the artist. A gentoo penguin, standing wings out, her attention just grabbed by something. The light is just catching her soft chest feathers. The etching captures the tactile softness of the feathers. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

Strolling by Helen Fay [2012] Limited Edition Etching , hand printed on Hanemulle etching paper Edition number edition size 75 Image size: H:21 cm x W:18 cm Complete Size of Unframed Work: H:35 cm x W:30 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Original Etching, hand made and hand printed. A king penguin going for a wander. Penguins are the perfect subjects for my work. The graphic qualities and character of penguins make watching and drawing them an absolute joy. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

Charlie Davies Winter winds, Agapanthus and Delicate Cowparsley Triptych [2021] Original botanical etching Soft ground etching on paper Image Size: 35 cm x...