Walter GropiusGemaltes Ornament. (Etruscan Vase Design), 1870
1870
About the Item
- Creator:Walter Gropius (1883 - 1969, German)
- Creation Year:1870
- Dimensions:Height: 23.25 in (59.06 cm)Width: 29 in (73.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Clean, crisp image. Beautiful original colors. Framed to museum specifications using archival matting, backing, and hinging. Glazed with ultra-violet filtering Plexiglas.
- Gallery Location:Florham Park, NJ
- Reference Number:
Walter Gropius
As the founder of the Bauhaus — the German art and design school that was one of the chief crucibles of modernism — Walter Gropius had a central and enduring impact on the architecture and design of the 20th century and beyond. Along with fellow Bauhaus principals such as Ludwig Mies van der Rohe and Marcel Breuer, Gropius championed a philosophy of design focused on simplicity, efficiency and the inherent beauty of steel, glass and other industrial materials.
Born in Berlin, Gropius followed in his architect father’s footsteps and after completing his studies was employed by the brilliant proto-modernist designer Peter Behrens. Gropius’s early architectural work demonstrated many of the aspects that define the modernist aesthetic: ribbon windows, an emphasis on light and minimal decoration. Gropius became known primarily as a great organizer, writer and teacher. After military service in World War I, he developed concepts of what are now called the applied arts — a marriage of creative imagination with practical skill and technology. These notions drove Gropius’s founding of the Bauhaus in 1919. The school would welcome many of the great creators of the 20th century, including Paul Klee, Laszlo Moholy-Nagy and Josef Albers. After the independent-minded college fell afoul of the Nazi regime in the 1930s, Gropius immigrated to the United States, and finished out his years on the Harvard faculty.
Gropius produced far fewer furniture designs than his fellows on the Bauhaus faculty, but what he did make has a purity of form and spirit. As you will see from the works offered on 1stDibs, Walter Gropius never compromised his vision of design that encompassed beauty, creativity and the highest level of technical skill.
- ShippingRetrieving quote...Ships From: Florham Park, NJ
- Return PolicyA return for this item may be initiated within 1 day of delivery.
- Vicinity of FlemingtonBy Julius BienLocated in Florham Park, NJJULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 17 maps. 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
- CrocusBy Walter CraneLocated in Florham Park, NJFLORA’S FEAST A Masque of Flowers Walter Crane, Illustrator Cassell & Co., Publisher Color Lithograph London, 1889 Born in Liverpool, 15 August 1845, Walter Crane first studied art in his father Thomas’ studio. After both moving to London and losing his father, Crane obtained an apprenticeship as William Linton’s engraving shop. This position exposed the young Crane to political reform which would become a major influence on his future work. As in illustrator, Crane became part of an influential group of political and religious radical movements. A supporter of the Liberal Party, Crane was outspoken in his support of the Communard’s attempt to overthrow the French government in 1871. It is seemingly ironic that at this time that Crane’s reputation as an illustrator of children’s books began to blossom. Within a decade Crane would join his life-long friend William Morris’s Arts and Crafts...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
- Monmouth ShoreBy Julius BienLocated in Florham Park, NJJULIUS BIEN (1826-1909) Bien Atlas of New Jersey. Geological Survey of New Jersey. Chromolithography. New York, 1883 - 1889 34” x 25” Paper Size. A lithographer and map engraver, Bien arrived in the United States in 1849. Born in Naumburg, Germany, he was schooled at the Academy of Fine Arts in Kassel and at the Stadel Art Institute in Frankfurt am Main. He participated in the political upheavals of 1848 and was forced to leave his country after the movement was crushed becoming one of the many talented German "forty-eighters" to begin life anew in America. From a tiny print shop in New York City, Bien built a hugely successful business. He received numerous awards for the maps he engraved for the Pacific Railroad surveys, for several decennial census reports and for many US Geological Survey atlases and military field maps. He was also the first president of the National Lithographers' Association. Geological atlases were elemental in the development of states in both population and commerce. Here is where Bien shines with comprehensive understanding of science and his unparelled technique in printing. Among the most collectible of historic maps, these surveys provided landmark research in building a nation. Bien's second magnum opus was his chromolithographic edition of John James Audubon's The Birds of America. Through the new medium of chromolithography Bien was commissioned both to reproduce the quality of Havell's aquatints and to capture the subtlety of Audubon's colors. The ambitious project was never completed. Some historians blame the Civil War while other suggest financial cheating, but probably it was the death of Audubon that terminated Bien's work. For more than forty years following the Audubon folio...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
- SalmonBy Jules GouffeLocated in Florham Park, NJJules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...Category
Mid-19th Century Academic Prints and Multiples
MaterialsLithograph
- Supreme de Volaille -- Cotelettes d' AgneauBy Jules GouffeLocated in Florham Park, NJJules Gouffe (1807-1877) Le Livre de Cusine Librairie Hachette et Cie Paris, 1867 Chromolithographs At the age of 16, Jules Gouffe found his calling as a student of the famous...Category
Mid-19th Century Academic Still-life Prints
MaterialsLithograph
- Gemaltes Ornament. (Etruscan Vase Design),Located in Florham Park, NJARCHIV FUR ORNAMENTALE KUNST. M. Gropius, L. Lohde, P. Lehfeldt. Chromolithograph. Berlin, 1870. 13” x 19” Unframed. A fine German work by, the illustrations are of classical and neo-classical decorative designs. The acanthus leaf, Greco-Roman busts, mythical animals and ornamental relief show the preferred style of architectural ornament over the centuries and from country to country. A trick of the lithographer was to use the occasional solid ground to give better dimension to the plate. Measuring 19” x 13”, many designs include a scale to show actual size. Only two of the 72 illustrations were printed in full color, another pair in sepia tones, and six in burnt orange and black to show typical Etruscan designs. Several have toned backgrounds. It has been the fashion to apply hand coloring to black and white engravings and lithographs for centuries. The superb condition can be attributed to the individual paper guards placed between each plate. Many of the pieces illustrated are in museums; i.e. a Greek painted portrait medallion is preserved in the Classical Museum...Category
Late 19th Century Academic Prints and Multiples
MaterialsLithograph
- Original Leipziger Messe International Leipzig Trade Fair vintage posterLocated in Spokane, WAOriginal German vintage poster: International Leipzig Trade Fair Leipziger Messe in NYC. Beginning Feb. 28th, 1937. Held in New York City. Th...Category
1930s Academic Figurative Prints
MaterialsLithograph
- 'Le Louvre et La Seine, ' by Phillipe Benoist, Four-color LithographBy Philippe BenoistLocated in Oklahoma City, OKThis is a beautiful four-color lithograph of the Louvre by the Seine by Philippe Benoist. It is double-matted in light blue with a gold tone wooden frame. Phillip Benoist was a p...Category
19th Century Academic Landscape Prints
MaterialsLithograph
- Portrait of a Model - Original lithographBy Maurice DenisLocated in Paris, FRMaurice DENIS (1870 - 1943) Portrait of a Model, Study for the Bacchanale, 1918 Original lithograph enhanced in pastel On light cream tinted vellum 35 x 26 cm (c. 13,7 x 10,2 inch) ...Category
Early 20th Century Academic Figurative Prints
MaterialsLithograph
- Nymph of Eurydice - Original lithographBy Maurice DenisLocated in Paris, FRMaurice DENIS (1870 - 1943) Nymph of Eurydice Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 40 x 24,5 cm (c. 15,7 x 9,6 inch) I...Category
Early 20th Century Academic Figurative Prints
MaterialsLithograph
- Mary Magdalene - Original lithographBy Maurice DenisLocated in Paris, FRMaurice DENIS (1870 - 1943) Mary Magdalene Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 32,5 x 47...Category
Early 20th Century Academic Figurative Prints
MaterialsLithograph
- Balmoral - Signed Lithograph, Royal Art, Royal Homes, Balmoral Castle, BritishBy Charles (Prince of Wales)Located in Knowle Lane, CranleighBalmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation. Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed. “…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...Category
1990s Academic Landscape Prints
MaterialsLithograph