Roy Carter

Nimbus Colulmbus

2007

Neil Wood (.1963) is a professional sculptor and fine artist . He has many years experience lecturing in fine art and sculpture at institutions in the UK. He has worked in various settings; in education, as artist in residence and visiting lecturer, alongside his practice producing sculpture for exhibition and public commissions. He employs a Modernist methodology to explore the human condition in the 21st century. He continues to use the figure as a vehicle to explore formal material qualities and visual language as a means of expressing, often complex, ideas about the world we inhabit and the nature of human experience and relationships. Recent work explores social and political injustices inflicted on the underprivileged and displaced worldwide. These constructed steel sculptures, finished with an electrostatic powder coating are continuation of the Displaced series. They attempt to express physical representations of the conceptual burdens or challenges that are part of the human condition and experience. Displaced is a body of work, comprising sculptures, relief panels and works on paper. It aims to explore a general theme of inequality imposed by circumstances. I’m attempting to convey an emotional response to various humanitarian challenges of the twenty-first century, albeit by employing a mid-twentieth century aesthetic and sculptural tradition. The works focus on individual relationships, families...

ROBINSON, Geoffrey (b.1945) One Yellow Apple 50.8 x 60.8 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in...

ROBINSON, Geoffrey (b.1945) A May Wedding 40.6 x 30.3 cm c.2000 Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in ad...

ROBINSON, Geoffrey (b.1945) Geoffrey Robinson Black Sea 1996 21.0 x 29.7 cm Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in advert...

ROBINSON, Geoffrey (b.1945) Outer Reaches XVI 1998 29.5 x 42.0 cm Oil on board, Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in ...

ROBINSON, Geoffrey (b.1945) Geoffrey Robinson Nowhere to Go 1997 21.0 x 29.7 cm Unframed Geoffrey Robinson trained at Bournemouth College of Art in the 1960’s, before a career in ad...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

This large fun, colourful interactive sculpture is a fully functioning swing designed by the Japanese born artist Natsuki Takauji. Now living in New Yo...

Pohlman and Knowles began their collaboration in 1992. They use a variety of materials in their rich assemblages, including hot-sculpted glass, various metal works, found objects and beads, achieving a fine sense of formal balance. Three notable research field trips...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...