Beth Lipman

WILD MADDER (plate)

2021

LES LEVINE Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 signed and dated in pen by the artist, numbered in...

Edition of 245 published by Buchholz + Schipper Koln

black glass sculpture on a wood table depicting a scale and a gazing ball. Price includes travel and installation by the artist. work is currently in an ex...

Lipman's work explores aspects of material culture through still lives, site-specific installations, and photographs. Her hand-sculpted glass compositions are portraits of individual...

Lipman's work explores aspects of material culture through still lives, site-specific installations, and photographs. Her hand-sculpted glass compositions are portraits of individual...

ADRIANA MARMOREK LUSH, 2020 porcelain, blown glass 9.84 x 16.93 x 10.24 in. 25 x 43 x 26 cm. flower

#murano #glass Barry Wolfryd (1952) Barry Wolfryd, born in Los Angeles and a naturalized Mexican, has spent most of his artistic career in Mexico, where he has lived for the past 35 ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end in itself. But often the images ...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

glass treasury, volume IX no. 13, smoky gray with a wooden lid Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect ...

glass treasury, volume IX no.11&12, smoky gray Drago is a sculptural glassware that explores the concept of a treasury — the power of a container object to reflect the value of pe...