Cody Houston

Clear Mountain Morning Moose Montana Wildlife Cody Houston Western Art Bronze

1977

Posthumous C.M. Russell (1864-1926) Bronze on wood plaque Foundry: Cottonwood 8" x 11" x 7" Edition #59/100 Charles Marion Russell (1864–1926) masterfu...

Itching for Spring by John Potter Bison Oil Painting on Canvas 10" x 8" 14" x 16" (framed) Landscape and wildlife artist John Potter was raised in ...

Sunlit Winter Shores by David Mayer Oil on Canvas, 20" x 30", 22" x 32" (framed in a dark floater frame) The fine art of David W. Mayer captures the beauty...

Lake McDonald, Glacier National Park Plein Air Study by Morgan Cawdrey, an 8" x 10" Mountain Landscape Oil on Canvas, 10" x 12" framed. Morgan Cawdrey, raised in the relative wilder...

Beloved Valley by Nancy Dunlop Cawdrey Dye on Silk 18" x 23" 31" x 36" (framed) Nancy Dunlop Cawdrey lives in a world of color. And she likes to paint that way as well. Growing up quite literally around the world, Cawdrey found early inspiration in patterns and colors from places she has lived as a child and teenager, ranging anywhere from Syria to Germany. Studying studio art in Paris for two years as a college student, Nancy became attuned to Old Master techniques and found her voice through painting. After living for some years abroad in England and Europe with her husband Steve, eventually they found themselves returning to the United States and settling down in Montana. Nancy discovered the medium of silk painting also on her travels, this time, in Hawaii. The propensity for vibrancy in the dyes and the looseness of the technique, close to the techniques of watercolor, captured Nancy. While a fairly novel medium, combining the subject matter of the west and the ancient art of silk painting, she has created a portfolio and style of painting that is wholly unique to her studio. In Northwestern Montana, glacial streams seep from the craggy peaks of Glacier, spiraling through great wide plains of Eastern Montana and the Dakotas, and eventually spill out into both the Pacific Ocean and the Missouri...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...

Very Rare! Ex Nihilo, working model, is the intermediate scale model for the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Ex Nihilo Figure 3 is a full scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the The Creation Sculptures at Washington National Cathedral...

From the estate of the Artist Charles Cary Rumsey The Artist, Charles Rumsey, was a child prodigy sent to Paris as a young boy to study sculpture. He later was a world class sports...

Edition of 21 Jane DeDecker, American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her t...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...