Miller Opie

"Whispering Dervish", wood, white oak, feather, hemlock, brown, red, sculpture

2019

Leslie Zelamsky's "Point of Departure 7" is a 30.5 x 31.5 x 15 inch wood sculpture that was inspired by circa 1942 abandoned ammunition storage bunkers...

Leslie Zelamsky's "Point of Departure 8" is a 55.75 x 25 x 25 inch sculpture that is constructed with pine, cedar and paint. The piece consists of two ...

Miller Opie’s “Silent Whirlabout” is a gestural 16 x 5.75 x 5.75 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It is the fourth piece in he...

Miller Opie’s “Whirled Laurel” is a gestural 14 x 16 x 6 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden grain. It ...

Miller Opie’s “Twisting Reverie” is a gestural 23 x 5.75 x 5.75 inch Mountain Laurel wood sculpture with found feather details embedded into the wooden gra...

Miller Opie’s “Swishing Larkspur” is a gestural 27 x 6 x 6 inch White Oak wood sculpture with found feather details embedded into the wooden grain. It is t...

Chilean artist Pilar Ovalle's sculpture "Barca Pez," or "Fish Boat," is crafted with driftwood collected from lake shores in Chile combined with dimensional Alerce, a native Chilean wood. It can be suspended as shown or a custom bracket (not included) can be designed based on the site to make it into an exciting wall sculpture. In Ovalle’s imagination, boats embody animal forms, reinforcing the imaginative versus physical nature of the boat as a representation of travel. Ovalle says of her work, "As I work directly with Nature, combining wood already ‘worked’ by wind, water and time, with ‘elaborated’ - sawn - wood, I do this with a critical scope, dealing with ecology and progress, with emotion and poetry somehow set against rationality and technology, or setting ‘wisdom’ against mere information." This sculpture is suspended from two wires, but could also be wall hung with a custom bracket (not included). We would be happy to assist with the design of this custom bracket. Ovalle traveled to Southern Chile to study with boat builders and learn the traditional skills of the trade, which is evident in the graceful curve of the hulls she has built with traditional joinery and wood "stitches" and without the use of nails. Born in Santiago, Chile, Pilar Ovalle began her studies in 1989 at the Instituto de Arte Contemporáneo de Santiago. She studied with the Instituto through the early '90s, during which time she also won Third Prize at the XV Concurso de Arte Joven (Young Art Contest) and received grants from Fondart (National Fund for the Arts) for her projects “Sculpture with Shattered Wood” and “Curved Wood Sculpture...

Walnut

Mahogany

This large fun, colourful interactive sculpture is a fully functioning swing designed by the Japanese born artist Natsuki Takauji. Now living in New Yo...

Outdoor or Indoor Sculpture " Longhorn ” is a striking piece of Art resembling a Longhorn skull made from a burnout mold by David Marshall in 2013, sand cast in aluminium in our fou...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...