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Otto Blumel

ClassiCon Nymphenburg Coat Stand in Nickel-Plated Brass by Otto Blümel
Located in New York, NY
aesthetic eye. Otto Blümel‘s coat stand Nymphenburg is an archetypal classic of its genre: one can imagine
Category

21st Century and Contemporary German Modern Coat Racks and Stands

Materials

Brass

ClassiCon Nymphenburg Coat Stand in Black Nickel-Plated by Otto Blümel
Located in New York, NY
aesthetic eye. Otto Blümel‘s coat stand Nymphenburg is an archetypal classic of its genre: one can imagine
Category

21st Century and Contemporary German Modern Coat Racks and Stands

Materials

Brass

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Olive Cielo Stacking Chair by Sebastian Herkner
Olive Cielo Stacking Chair by Sebastian Herkner
H 30.71 in W 20.24 in D 22.05 in
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A Close Look at modern Furniture

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chaircrafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Finding the Right coat-racks-stands for You

Your guests might have to endure all kinds of harsh climes to get to your housewarming party, so let’s make sure their trusty overcoats and umbrellas have a home. Shop the antique and vintage coat racks and stands on 1stDibs today.

Coat racks, umbrella stands, wall-mounted hooks for outerwear — they’ve long served a practical purpose. In the days of travel by horse or foot, a guest might arrive on your doorstep bedraggled, windblown and often dripping with rain. While transportation has thankfully improved since then, a coat rack in the entryway or foyer of your home is still the beacon it was back then: It says, “Come in, where it’s dry and warm. Hang up your coat and stay a while.”

Coat stands are among history’s fairly rudimentary ideas, so it’s difficult to point to the original inventor of this eternally functional fixture, but Thomas Jefferson was said to have fashioned one of his own at Monticello. Jefferson, who would’ve made a great interior designer, placed a long wooden pole in his closet that was adorned with spokes from which his coats and other garments could be hung. The simplicity of Jefferson’s coat-tree is echoed in designs from the 18th and 19th centuries.

The timeless convenience of a wooden coat rack has endured. While there are striking Art Deco coat stands made of oak and walnut that would meet your mudroom needs well, some of the product designers behind what we now call mid-century modern coat stands turned to materials other than wood, working frequently with plastic and chrome to create unconventional alternatives. Simpler and pared-down coat stands of the mid-20th century were occasionally so interesting in form that they could pass as minimalist sculptures when not in use. Some designers, such as Jacques Adnet, helped to redefine what these classic furnishings could look like, integrating saddle leather and brass and sometimes even horseshoes for his wall hooks and racks.

Although a coat rack is undoubtedly a practical investment, we know that fun comes along with functionality. There is plenty to explore in the collection of antique, vintage and contemporary coat racks and stands on 1stDibs, so go ahead — hang up your coat and stay a while.