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Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.

We find relaxation and solace in our bedrooms, which are often the most cherished rooms of a home. Your antique, new or vintage bed and bed frame are integral to this oasis of personal comfort.

Beds and bed frames have long been an important part of the sanctuary that is the bedroom. For the upper class in countries such as England, the massive, costly beds of the 16th and 17th centuries were decorative and of the poster variety. Some were characterized by large painted wooden headboards, often made of oak, that featured ornate carvings and richly colored curtains affixed to each of the two or four posts — think of today’s sumptuous upholstered headboards as a distant cousin to these luxurious furnishings. The heavy fabric curtains were drawn across a fringed canopy to close out the sunlight that might’ve warmed your grandiose and opulent bedchambers. This feature could also offer privacy as desired, because, as we all know, a bedroom is for more than just sleeping. 

Coiled springs didn’t make their way into mattresses until the 1800s, which likely made for a far more comfortable night’s sleep for many. Bed frames of cast iron and brass were introduced during the mid- to late-19th century. Later, the 20th century brought with it marvelous innovations for slumberland, among them daybeds from the likes of George Nelson and Ludwig Mies van der Rohe and Lilly Reich as well as convertible sofa beds.

Today, you will find a range of beds geared toward your individual personality and preferred style of decor. When shopping for a bed and bed frame, keep in mind that you’ve got options. Sizes range from twin to California king. At 76 inches wide and 80 inches long, a king-size bed is roughly 16 inches wider than a queen-size mattress, and your bed frame will likely add two to five inches to each side. (The California king bed is 84 inches long.)

From dramatic bedroom designs to uncomplicated, minimalist approaches, the bedroom has evolved into the haven that it should be: a peaceful place of respite, where we begin and end every day. Take the time to create your very own oasis — you deserve it. Rest easy with an expansive collection of antique, new and vintage beds and bed frames available on 1stDibs.