Singapore Coffee Table

Kenneth Cobonpue is a multi-award winning furniture designer and manufacturer from Cebu, Philippines. His passage to design began in 1987 while studying industrial design at Pratt Institute in New York.

While completing his studies, Cobonpue apprenticed for a leather and wood workshop near Florence, Italy. He went on to study furniture marketing and production at the Export-Akademie Baden-Württemberg in Reutlingen, Germany, under a private and state scholarship program, and subsequently worked in Bielefeld and Munich.

Cobonpue returned home to Cebu in 1996 to manage Interior Crafts of the Islands, Inc., a furniture design and manufacturing company founded by his mother, Betty Cobonpue, in 1972. Discovering that modern design could have a new face using natural fibers and materials, Cobonpue created pieces of functional art, offering an alternative to the Western definition of modern design. Today, the KENNETHCOBONPUE brand has become known globally for its unique designs and extensive roster of clientele, which includes Hollywood celebrities and royalty.

With his masterful way of integrating nature, traditional craft and innovative technologies in his work, designer and creative director Cobonpue has earned international awards and recognition for his creative, organic and expressive pieces. Working closely with some of the world’s leading designers — from household names to emerging talents — Cobonpue has been pushing the envelope for design in the Philippines and sharing his vision with a global audience.

Awards to Cobonpue’s credit include five Japan Good Design Awards, the grand prize at the Singapore International Design Competition, the DFA Design for Asia Award from the Hong Kong Design Centre, the American Society of Interior Design Top Pick selection and the French Coup de Coeur award. Several of Cobonpue’s designs were selected for several editions of the International Design Yearbook published in London and New York. Phaidon’s book, & Fork, underscores Cobonpue’s position as a leader of a new movement incorporating new technologies in crafts. In 2007, TIME magazine called him “rattan’s first virtuoso.” Cobonpue was named the Designer of the Year in the first edition of Maison&Objet Asia held in March 2014 in Singapore.

Cobonpue reveals new work each year in the design shows from Milan to New York, and he speaks regularly about Southeast Asian design all over the world. He has also appeared in European television and in countless international magazines and newspapers around the world. Various Cobonpue designs have also appeared in full-length feature films and television, such as Oceans 13 and CSI.

Find a collection of Kenneth Cobonpue furniture today on 1stDibs.

(Biography provided by Galerie Philia)

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

As a practical focal point in your living area, antique and vintage coffee tables and cocktail tables are an invaluable addition to any interior.

Low tables that were initially used as tea tables or coffee tables have been around since at least the mid- to late-1800s. Early coffee tables surfaced in Victorian-era England, likely influenced by the use of tea tables in Japanese tea gardens. In the United States, furniture makers worked to introduce low, long tables into their offerings as the popularity of coffee and “coffee breaks” took hold during the late 19th century and early 20th century.

It didn’t take long for coffee tables and cocktail tables to become a design staple and for consumers to recognize their role in entertaining no matter what beverages were being served. Originally, these tables were as simple as they are practical — as high as your sofa and made primarily of wood. In recent years, however, metal, glass and plastics have become popular in coffee tables and cocktail tables, and design hasn’t been restricted to the conventional low profile, either.

Visionary craftspeople such as Paul Evans introduced bold, geometric designs that challenge the traditional idea of what a coffee table can be. The elongated rectangles and wide boxy forms of Evans’s desirable Cityscape coffee table, for example, will meet your needs but undoubtedly prove imposing in your living space.

If you’re shopping for an older coffee table to bring into your home — be it an antique Georgian-style coffee table made of mahogany or walnut with decorative inlays or a classic square mid-century modern piece comprised of rosewood designed by the likes of Ettore Sottsass — there are a few things you should keep in mind.

Both the table itself and what you put on it should align with the overall design of the room, not just by what you think looks fashionable in isolation. According to interior designer Tamara Eaton, the material of your vintage coffee table is something you need to consider. “With a glass coffee table, you also have to think about the surface underneath, like the rug or floor,” she says. “With wood and stone tables, you think about what’s on top.”

Find the perfect centerpiece for any room, no matter what your personal furniture style on 1stDibs — shop Art Deco coffee tables, travertine coffee tables and other antique and vintage coffee tables and cocktail tables today.