Agustin Cruz Prudencio Art

Guillaume Couffignal (French b. 1964) Theatre, 2014. Bronze. 19 7/8 x 13 1/2 x 7 1/4 inches. Signed on the base: Couffignal. Beautiful texture and patina. Guillaume Couffignal is a French Postwar & Contemporary self taught, outsider artist who was born in 1964. He works in bronze casting complex, fantastic, architecture models, abstract theater and boat models that look like relics from the past. He learned the art of lost wax casting with a traditional African foundry in Koudougou, Burkina Faso in Africa when he was 23, blessed to find his way so young. He felt the deep alchemy of the process combining the elements of Nature to produce a concept that did not previously exist in our world. He saw the potential of this earth magic. It forces chance and pushes the limits of bronze because each sculpture can never be exactly reproduced. Like the use of clay, this art has a deep connection with the primitive elements of Nature. There is the wind and the sky and the earth and the fire. There are ashes and dust. Here exists a collaboration with the spirit of the Illusionist, an artist in all his unpredictability. But it is not an art of chance. The Illusionist / artist masters the elements of accident and surprise. He is a magician who controls the secrets of his process. In the case of Couffignal, this has to do with the three-dimensional collage of carefully chosen fragments and shapes and with its earth-like textures, carefully perfected over many years of experimentation. Its textures make the materials lie. They have an irregular patina of wear and bad weather. They make bronze itself secondary with this creamy pigmentation of the earth burnt by the sun. The texture then becomes a painting. Couffignal sets the scene for the pure drama of the void. He fills it with memories and voices. This decor is visually minimal, but this very minimalism points to the importance of his other intentions. Its boats are "soul boats" caught between two universes. Its architectural pieces evoke ruins and nevertheless attest to their own existence. Although this process is ancient, and in this case learned from the African tradition, the true testimony of the power of Guillaume Couffignal is that not a single element of his work derives from something existing. As a true iconoclast, he has taken up a traditional language, learned this language, and starting from this language has created a poetry completely unique and unique to him. Randal Morris, 2013. His work is from the tradition of outsider art, art brut, folk art, naïve art, visionary art and intuitive art with a sophisticated subject matter. A kind of symbiosis of jean Dubuffet and Daniel Arsham. Sculptures as forgotten images of a world where the trace always precedes presence. As in the art of raku, ancestral Japanese pottery where the cooking accident and the patina of use - wabi and sabi - testify to an intimate cosmogonic geography. Omnipresent memory of the color and the smell of the earth - mud, noble material which in Africa is used to erect huts, houses, palaces and mosques. Historically and up to the margins of the caravan route, on the borders of the great Arabic Muslim...

Untitled Figure with X on Chest by Charlie Willeto, Navajo Folk Art, wood, paint Vintage

A Swedish allmoge folk art painted little box with a combination lock most probably from the region of Dalarna in central Sweden. Hand carved and origi...

18th century Swedish Folk Art Wooden cheese board from, Northern Sweden A tray with lovely patina. It has owner marks SOS on the side of the board. A large farmers Cheese board o...

A beautiful and complex folk art mosaic bottle. Clear glass milk bottle that is covered in countless fragments, broken porcelain, jewelry, Bakelite, g...

A rosy-cheeked wooden cupid to bring love into your life. This is a unique, hand-carved, hand-painted wooden cupid with a wire suspension and removable wooden bow...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...

Miriam Sommerburg (American female artist, born Germany, Hamburg, 1900–1980 New York) Modernist Wood Carved Sculpture, Carving depictin...

A very personal piece from this artist. Human figures are carved in this horse sculpture, one of which is in the back of the horse neck and opens its back ...

This owl is made from oak. The peace and power that both emanate from this monumental eagle owl is probably hidden in the actual format (lifelike) and the deep-set eye sockets. Beaut...

Handmade folk art vintage tea spoons. Featuring beautiful motifs inspired by the indigenous worldview and spirituality, these vintage folk art spoons embody Latin America’s rich cultural heritage. The engraving details on the tea spoons are superb, showcasing intricate patterns and designs that are characteristic of Bolivian folklore art. By seamlessly merging beauty, practicality, and history, these engraved...

American sculptor Joseph Martinek was born in Chicago in 1915. He was a second generation apprentice to Auguste Rodin. He studied sculpture at the State Industrial School of Art, Pra...