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Aharon Bezalel Israeli Modernist Sculpture 2 Parts Minimalist Aluminum or Steel
By Aharon Bezalel
Located in Surfside, FL
A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture.
polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together.
Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources.
Aharon Bezalel works and resides in Jerusalem, he taught art for many years.
“I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense.
Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...
Category
1970s Minimalist Aharon Bezalel Furniture
Materials
Metal
Surrealist Bronze Man & Woman By Aharon Bezalel
By Aharon Bezalel
Located in Toledo, OH
This surrealist bronze is a figure of a male and female intertwined and stands at 24" tall. The bronze has a beautiful brown and green patina. The sculpture is made in two pieces, as...
Category
1980s Vintage Aharon Bezalel Furniture
Materials
Bronze
Mid Century Modernist Car Sculpture in Brass on Marble Base by Aharon Bezalel
By Aharon Bezalel
Located in New York, NY
This unique and beautifully formed Modernist Car Sculpture in Brass on Marble Base is by the artist Aharon Bezalel, originating from Israel created in 1977. The sculpture is composed of multiple interlocking components, each serving as an individual point of intrigue while supporting one another as a finished sculpture. The body of the abstracted automobile appears skeletal and organic, curving dynamically, each component beautifully proportioned to house figures seated at various points both within interior and exterior spaces along the sculpture. Six figures total, the largest sitting up front with one leg extending, nearly scraping along the marble base as though to slow down this surreal vehicle, the other pulled closer to the body. Two additional figures sit behind, knees pulled close to chest, with three even smaller figures huddled together, concealed from the elements by the top sculptural component. The figures inside are visible from a variety of angles through cleverly planned openings that serve as the vehicle's windows. Signed on the rear of the sculpture, AB 77, edition 12/25 and resting on a rectangular white marble base. This brilliant piece will style beautifully in a wide array of interiors and settings, and is sure to draw the eye of sophisticated collectors appreciating the best of the 20th Century...
Category
1970s Israeli Modern Vintage Aharon Bezalel Furniture
Materials
Marble, Brass
Figural Bronze by Aharon Bezalel
By Aharon Bezalel
Located in Dallas, TX
Striking figural bronze by Israeli sculptor Aharon Bezalel (1925 - 2012). Abstract family grouping of 5 made up of 7 cast bronze pieces coming together to make this formal portrait d...
Category
1980s Israeli Vintage Aharon Bezalel Furniture
Materials
Bronze
Rare Aharon Bezalel Israeli Gilt Modernist Bronze Sculpture Suite
By Aharon Bezalel
Located in Surfside, FL
The width dimensions are variable. the tallest height is 11.5 inches. Family group. A suite of three bronze sculptures.
Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources.
Aharon Bezalel works and resides in Jerusalem, he taught art for many years.
“I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense.
Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others.
The graphic arts collection contains drawings and graphic works by Pissaro, Modigliani, Pascin, Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo, Yehiel Shemi, Aharon Bezalel and Igael Tumarkin.
Many Jewish sculptors from all parts of the world, beginning with Antokolski, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; Zorach, Gross and Harkavy from the United States; and most of the outstanding sculptors of Israel : Ben-Zvi, Lishansky, Ziffer, Lehmann, Feigin, Sternschuss, Palombo ( who executed the iron gate...
Category
1970s Expressionist Aharon Bezalel Furniture
Materials
Bronze
Large Aharon Bezalel Israeli Modernist Bronze Brutalist Puzzle Sculpture Figures
By Aharon Bezalel
Located in Surfside, FL
Aharon Bezalel (Afghani-Israeli, 1925-2012)
Family Grouping
Hand signed in with initials in English
Figures fit together like puzzle pieces in solid cast bronze with original patina.
Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...
Category
Mid-20th Century Expressionist Aharon Bezalel Furniture
Materials
Bronze
Large Aharon Bezalel Israeli Modernist Bronze Brutalist Puzzle Sculpture Figures
By Aharon Bezalel
Located in Surfside, FL
Aharon Bezalel (Afghani-Israeli, 1925-2012)
1984
Edition 4/9
Family Grouping
Hand signed in Hebrew with initials and in English
Movable figures that fit together like puzzle pieces in solid cast bronze with original patina on a lucite bench base.
23 X 19 X 6 base is 24 X 6 X 6
Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordecai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. His work bears a similarity to Berrocal as well as affinities to Henry Moore, Lynne Chadwick and Kenneth Armitage. Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...
Category
Mid-20th Century Expressionist Aharon Bezalel Furniture
Materials
Bronze
Two Figures (Art Brut Bronze Sculpture)
By Aharon Bezalel
Located in Surfside, FL
Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources.
Aharon Bezalel works and resides in Jerusalem, he taught art for many years.
“I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense.
Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman...
Category
1960s Expressionist Aharon Bezalel Furniture
Materials
Bronze
Aharon Bezalel Cast Bronze, Modernist, Brutalist, c 1969
By Aharon Bezalel
Located in Buffalo, NY
Aharon Bezalel Cast Bronze, modernist, brutalist. c 1969, Wonderful form and artistry.
Category
1660s Brutalist Antique Aharon Bezalel Furniture
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Aharon Bezalel Cast Bronze Sculpture
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Located in Los Angeles, CA
Cast bronze sculpture by Aharon Bezalel, 1967, Israel.
Aharon was born in Afghanistan and lived in Jerusalem where he created his works of art...
Category
1960s American Mid-Century Modern Vintage Aharon Bezalel Furniture
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Aharon Bezalel Solid Brass Sculpture
By Aharon Bezalel
Located in Los Angeles, CA
This is a rare and great example of Aharon Bezalels beautiful and evocative work. Aharon Bezalel lived and worked in Jerusalem.
He studied carving and sculpture with the artists Ma...
Category
1970s Israeli Brutalist Vintage Aharon Bezalel Furniture
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Aluminum Sculpture by Aharon Bezalel
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The two abstracted figures in this cast aluminium piece by Israeli sculptor Aharon Bezalel b.1926 are very evocative. One seated, one standing, both stripped of their individual iden...
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1970s Israeli Mid-Century Modern Vintage Aharon Bezalel Furniture
Materials
Aluminum
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Aharon Bezalel (born Afghanistan 1926) Born in Herat, Afghanistan in 1926 and immigrated to Israel at an early age. His father, Reuven Bezalel, was a rabbi and kabbalist. As a youth Aharon studied gold and silver casting as well as applied arts and worked in these fields as a silversmith and judaica craftsman, and was a student of the sculptor Zev Ben-Zvi at the Bezalel Academy for Art & Design where he also studied with Isidor Ascheim and Mordechai Ardon. There he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. He also studied miniature carving with the artists Martin and Helga Rost applying himself at their workshop. Aharon Bezalel worked and resided in Jerusalem, he taught art for many years. His sculptures - works of wood, bronze, aluminum, Plexiglas - were shown at his studio in Ein Kerem. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
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Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources.
Aharon Bezalel works and resides in Jerusalem, he taught art for many years.
“I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.”
(Aharon Bezalel, excerpt from an interview with David Gerstein)
“The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome[…] the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together.
The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense.
Two poles of unity, potentially alone, exist in A. Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in A. Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously.
(Gideon Ofrat)
EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...
Category
1960s Expressionist Aharon Bezalel Furniture
Materials
Bronze
Aharon Bezalel furniture for sale on 1stDibs.
Aharon Bezalel furniture are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Aharon Bezalel furniture, although gold editions of this piece are particularly popular. Many of the original furniture by Aharon Bezalel were created in the mid-century modern style in west asia during the 20th century. If you’re looking for additional options, many customers also consider furniture by Lapid, David Palombo, and Hattakitkosol Somchai. Prices for Aharon Bezalel furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $1,800 and can go as high as $6,800, while a piece like these, on average, fetch $3,475.