Airborne Ottomans and Poufs

A pair of ottomans in white fiberglass shell accommodating a fabric-covered cushion with grey « Alpaga » wool from Bisson-Bruneel. Tubular chromed metal base forming two semi-circles...

'Djinn' easy chair and ottoman by Olivier Mourgue for Airborne International, France, 1964-1965. Made of a tubular steel frame with rubber singles, foam and woolen fabric. The set is after fully renovation with the original specifications with use of the highest quality foam and rubber. It is again upholstered in a luxurious woolen "plush" fabric from Belgium. The chair stands on stainless steel slides to protect the chair and fabric. In excellent condition. Both are original pieces from the 1960s. This set is the same as the red chairs used in the movie "2001: A Space Odyssey" by Stanley Kubrick. Those pieces are a part of Center de Pompidou and the New York's MoMA collection. This epic set of modernism from the Mid-20th Century is as beautiful as it is comfortable and will surely become a delightful piece of furniture in your home. Condition: This “Djinn” set is in perfect condition, after fully renovation process, has new stripes, foam and was reupholstered in luxurious woolen fabric from Belgium. Chair dimensions: Width 70 cm / 27.56 in. Depth 76.2 cm / 30 in. Height Seat Height 67 cm / 26.37 in. 39.37 cm / 15.5 in. Ottoman dimensions: Width 72 cm / 28.34 in. Depth 58 / 22.83 in. Height 40 cm / 15.74 in. About the Designer: Olivier Mourgue (French, born 1939) is a French artist and industrial designer. Best known for his design of the Djinn line of furniture, Mourgue's aesthetic is characterized by brightly colored jersey fabric stretched over structural steel frames that are filled with polyether foam, creating a unified, futuristic, alien-like modular form. Born in Paris, France in 1939, he began his career with an innovative design for a chaise lounge in 1964, after which he expanded his original furniture line to include loveseats, stools, and anthropomorphic chairs. Despite also producing paintings and drawings, his career was ultimately dedicated to industrial design, and provided a quintessential aesthetic of 1960s Modernist furniture...