Ceren Gurkan Table Lamps

MÁCULA table lamp was designed for the Mol collection by Mexican artist Isabel Moncada. Mácula, the organic and asymmetrical shape provides a simple yet charming presence. The warm...

Fantastical Blown Glass and Cast Bronze Thorned Table Lamp entitled 'Illumination Machine' by Brecht Wright Gander, a Rhode Island-born, New Jersey-based a...

They say inspiration comes on like a lightbulb going off in your head. Idea strips away design, leaving the essence of light; a three-dimensional “bulb” and a brass-finish screw base...

Asea is a wall piece Ceren Gürkan created while we dream in colors we borrow from the sea. Meaning 'seawards', Asea features wavy textures handcrafted one by one and met with the lig...

Designed by Studio Chora, Biomorphic 2 Series, 2023. Biomorphic: ‘bios' meaning life and 'morphe' meaning form. The Biomorphic series of organic light sculptures are one-of-a-kin...

Icon piece of Spanish design by Fase from 1980s. Model "Bambina". This table lamp is made during the 1980s in Madrid by “Fase”. The name of the manufacturer "Fase" is stamped on th...

Asea is a wall piece Ceren Gürkan created while we dream in colors we borrow from the sea. Meaning 'seawards', Asea features wavy textures handcrafted one by one and met with the lig...

Postmodern table lamp by Los Angeles lighting designer Ron Rezek, c.1980s. The lamp features a black enameled metal frame and removable black shad...

Asea is a wall piece Ceren Gürkan created while we dream in colors we borrow from the sea. Meaning 'seawards', Asea features wavy textures handcrafted one by one and met with the lig...

Beautiful table or desk lamp Designed by H.T. Huang in ca. the 1980s Taiwan. The light source is integrated within the beak wich is adjustable. The piece ...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...

An amazing colorful postmodern Missoni table or side lamp from the 1980s, designed by Massimo Valloto, executed by Ceramiche Viba, Bassano, Italy. This light has a conical unusual ce...