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Émile Gallé End Tables

French, 1846-1904

“Art for art’s sake” was a belief strongly espoused by the celebrated French designer and glassworker Émile Gallé. Through his ethereal glass vases, other vessels and lamps, which he adorned with botanical and religious motifs, Gallé advanced the Art Nouveau ideology and led the modern renaissance of French glass.

Gallé was the son of successful faience and furniture maker Charles Gallé but studied philosophy and botany before coming to glassmaking later in life. The young Gallé’s expertise in botany, however, would inform his design style and become his signature for generations to come.

After learning the art of glassmaking, Gallé went to work at his father’s factory in Nancy. He initially created clear glass objects but later began to experiment with layering deeply colored glass.

While glassmakers on Murano had applied layers of glass and color on decorative objects before Gallé had, he was ever-venturesome in his northeastern France, taking advantage of defects that materialized during his processes and etching in natural forms like insects such as dragonflies, marine life, the sun, vines, fruits and flowers modeled from local specimens.

Gallé is also credited with reviving cameo glass, a glassware style that originated in Rome. He used cabochons, which were applied raised-glass decorations colored with metallic oxides and made to resemble rich jeweling. Gallé's cameo glass vases and vessels were widely popular at the Paris Exhibition of 1878, cementing his position as a talented designer and pioneer.

During the late 19th century, Gallé led breakthroughs in mass production and employed hundreds of artisans in his workshop.

Botany and nature remained great sources of inspiration for the artist's glassmaking — just as they had for other Art Nouveau designers. From approximately 1890 to 1910, the movement’s talented designers produced furniture, glass and architecture in the form of — or adorned with — gently intertwining trees, flowers and vines. But Gallé had many interests, such as Eastern art and ceramics. The Japanese collection he visited at the Victoria and Albert Museum in London (then the South Kensington Museum) during the 1870s had made an impression too.

Breaking free from the rigid Victorian traditions, Gallé infused new life and spirit into the art and design of his time through exquisitely crafted glass vessels and pioneering new glassworking techniques.

Find a collection of Émile Gallé vases and other furniture and decorative objects on 1stDibs.

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Creator: Émile Gallé
Tavolino di servizio Emile Gallè, fine XIX secolo, Francia
By Émile Gallé
Located in SAN PIETRO MOSEZZO, NO
Tavolino di servizio di Emile Gallé Nancy (1846 – 1904) della seconda metà del XIX secolo. Il piano superiore sagomato è intarsiato, lastronato in legni di diverse essenze con motiv...
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Late 19th Century French Art Nouveau Antique Émile Gallé End Tables

Materials

Wood

RARE ANTIQUE ORIGINAL EMILE GALLE SPECIMEN WOOD SiGNED TABLE WOODLAND SCENE
By Émile Gallé
Located in GB
Royal House Antiques Royal House Antiques is delighted to offer for sale this exceptionally rare Emile Galle signed side table Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. If you are looking at this listing then the chance are you know who Galle is and are familiar with his work, if not please find below a brief history on the great man. The table depicts a lovely woodland scene with trees in the background and branches in the foreground In terms of the condition, it is sublime, it really is sublime Dimensions Height 51.5cm Width 43.5cm Depth 38.5cm Please note all measurements are taken at the widest point, if you would like any additional or specific measurements please ask. Gallé was the son of a faience and furniture manufacturer and studied philosophy, botany, and drawing in his youth. He later learned glassmaking at Meisenthal and came to work at his father's factory in Nancy following the Franco-Prussian War. His early work was executed using clear glass decorated with enamel, but he soon turned to an original style featuring heavy, opaque glass carved or etched with plant motifs, often in two or more colours as cameo glass. His friend and patron Robert de Montesquiou sent him to Bayreuth with a recommendation to Cosima Wagner, which led to a great enthusiasm for Parsifal. In 1875, he married Henriette Grimm (1848-1914). In 1877, he then assumed his father’s role as director of the Maison Gallé-Reinemer. In that same year, he was elected Secretary-General for the Société centrale d’horticulture de Nancy. His career took off after his work received praise at the Paris Exhibition of 1878. Within a decade of another successful showing at the Paris Exhibition of 1889, Gallé had reached international fame and his style, with its emphasis on naturalism and floral motifs, was at the forefront of the emerging Art Nouveau movement. He continued to incorporate experimental techniques into his work, such as metallic foils and air bubbles, and also revitalized the glass industry by establishing a workshop to mass-produce his, and other artists', designs. The factory would employ 300 workers and artisans at its height, including the notable glassmaker Eugène Rosseau, and remained in operation until 1936. Gallé wrote a book on art...
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19th Century European Victorian Antique Émile Gallé End Tables

Materials

Walnut

Very Rare Emile Galle Romantic Specimen Wood Table Un Peu Beaucoup Passionnement
By Émile Gallé
Located in GB
We are delighted to offer for sale this exceptionally rare Emile Galle signed occasional table with gold Giltwood Rams head base and sample wood floral ...
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19th Century French Neoclassical Antique Émile Gallé End Tables

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Emile Gallé end tables for sale on 1stDibs.

Emile Gallé end tables are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Emile Gallé end tables, although brown editions of this piece are particularly popular. Many of the original end tables by Emile Gallé were created in the Victorian style in europe during the 19th century. If you’re looking for additional options, many customers also consider end tables by and Maison Baguès. Prices for Emile Gallé end tables can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $4,210 and can go as high as $9,715, while a piece like these, on average, fetch $6,962.

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