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"Mom in Love" 19th Century Academic Realistic French Oil Painting on Canvas
By Emile Munier
Located in Jacksonville, FL
Émile Munier, a French academic artist born in 1840, was renowned for his exquisite depictions of children and domestic scenes during the late 19th century. "Mom in Love," a masterpi...
Category
19th Century Realist Emile Munier
Materials
Oil
Exceptional French Oil on Canvas, "Feeding the Doves", Signed by E. Munier
By Emile Munier
Located in New York, NY
An exceptional French oil on canvas, "Feeding the Doves", Signed and Dated by E. Munier, 1890. Émile Munier is one of the most sought after and most talented French artists of the 18...
Category
1890s French Belle Époque Antique Emile Munier
Materials
Canvas, Giltwood
After Émile Munier '1810-Circa 1895' 'Fischend Amor' ‘K.P.M.’ Porcelain
By Emile Munier
Located in West Palm Beach, FL
After Émile Munier (1810-circa 1895)
'Fischend Amor'
A Berlin (K.P.M.) Porcelain plaque, circa 1880
painted with cupid and another putto using his bow to fish his quiver of arrows...
Category
1880s Antique Emile Munier
Materials
Porcelain
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"Interior of Alcazar of Seville", Early 20th Century oil on canvas by F. Liger
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Grandpa and Naughty Boy Danish Master Genre Scene 19th century Signed Framed
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Located in Stockholm, SE
Signed lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed.
Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment.
Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...
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Vintage Drawing Depicting a Courtroom Scene After the Original by Honoré Daumier
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A Young Woman With Her Dog by Victor Ravet
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In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty.
She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion.
The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings.
Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era.
With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...
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A Jolly Time -- German Genre Tavern Painting, 1918
Located in Soquel, CA
Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is.
Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town).
After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin.
Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century.
Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out.
At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born.
1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832.
Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude).
Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...
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1910s Realist Emile Munier
Materials
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"The Florence Sisters", 19th Century Oil on Canvas, Spanish Artist José Villegas
Located in Madrid, ES
JOSÉ VILLEGAS Y CORDERO
Spanish 1844 - 1921
"The Florence Sisters"
signed "Villegas" (lower left)
oil on canvas
33-1/2 X 40-1/2 inches (84.5 X 102.5 cm.)
PROVENANCE
Private Collector, Seville, Spain
José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918.
Biography
He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano.
In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny.
He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique.
Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco.
At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...
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Late 19th Century Realist Emile Munier
Materials
Canvas, Oil
"Ballet Lessons", 20th Century Oil on Canvas by Sebastián Llobet Ribas, Spanish
Located in Madrid, ES
SEBASTIÁN LLOBET RIBAS
Spanish, 1887 - 1975
signed "Llobet Ribas" (lower right)
signed again "Llobet Ribas" (on the reverse)
oil on canvas
32 x 25-3/4 inches (80.5 x 65 cm.)
unframed
PROVENANCE
Private Collector, Barcelona
Painter and draftsman of the twentieth century, born in Barcelona in 1887. He attended the Fine Arts Schools and was a disciple of Vicente Climent. He participated in the Self-Portraits Exhibition held in 1907, in the Drawing Exhibition in the Sala Parés in 1910, in several of the Spring and International Exhibition, and in the National Exhibition of 1942 and 1944 in Barcelona and in 1950 in Madrid. In the 1951 Exhibition of the Circulo de Bellas Artes de Palma de Mallorca, he obtained a medal for the set of drawings...
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1930s Realist Emile Munier
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Early 19th Century Original Framed Land Indenture, England, 1810
Located in Lambertville, NJ
A large hand written land indenture document England, 1810, framed. The beautifully hand written document mounted on board with a red velvet border and ...
Category
1810s English Regency Antique Emile Munier
Materials
Giltwood, Parchment Paper, Glass
Interior - XXI Century, contemporary oil painting, Light & shadow contrasts
By Ilona Sapka
Located in Warsaw, PL
ILONA SAPKA
studied at the School of Applied Arts, "Schola Posnaniensis" in Poznan. She received her diploma from the Faculty of Painting in the studio of stained glass led by prof. ...
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Early 2000s Realist Emile Munier
Materials
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Framed After Henri Matisse Cut Out Blue Lithograph Nu Bleu III
By Henri Matisse
Located in Barcelona, Barcelona
Color lithograph after the work by Henri Matisse, circa 1970.
Signed in the stone.
Edited by Edition des Nouvelles Images, France.
Framed.
Henri Matisse whether working as a ...
Category
1970s French Modern Vintage Emile Munier
Materials
Paper
No Reserve
H 23.82 in W 18.12 in D 0.99 in
Previously Available Items
A Fine Painting of a Girl Holding a Dog by Emile Munier
By Emile Munier
Located in New York, NY
Signed and dated 'E. MUNIER 1882' (lower left).
Title: Her best friend
Artist: Emile Munier (French, 1840-1895)
Date: Late 19th century
Medium: Oil on canvas
Dimension: (Image) 21 i...
Category
19th Century Antique Emile Munier
Materials
Paint
A Boy Holding a Branch of Berries
By Emile Munier
Located in Palm Desert, CA
Oil on canvas
Signed "E.Munier 1877" in upper left corner
Provenance:
Bought in 1996 at Roughton Galleries. B/I at Bonhams in 2009
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Mid-19th Century Victorian Emile Munier
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Emile Munier furniture for sale on 1stDibs.
Emile Munier furniture are available for sale on 1stDibs. These distinctive items are frequently made of wood and are designed with extraordinary care. There are many options to choose from in our collection of Emile Munier furniture, although brown editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider furniture by T&V Limoges, Lucien Delarue, and Perret-Gentil Menton. Prices for Emile Munier furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $12,000 and can go as high as $148,000, while a piece like these, on average, fetch $80,000.