Fredericia Coffee and Cocktail Tables

Very nice solid Oak coffee table . Good quality and well made table . Design by by Søren Holst for Fredericia Furniture 1970s . signed Please don't hesitate to reach out for al...

The Arch Table is a minimalist style coffee table consisting of three treated Marquina marble bases and a round shaped tempered glass top, all of them assembled in a logical and harm...

Trestle base white oak coffee table with a nice warm patina. Designed by Borge Mogensen. Professional, skilled furniture restoration is an integral part of what we do every day. Our...

Impressive metaphora coffee table in very good condition and with a great patina! This coffee table was designed by Lella & Massimo Vignelli in 1979. Four forms of the Euclidean geometry, the cube, the cylinder, the sphere and the pyramid, made of black marquina marble, represent the basis of the table. The marble forms support a thick clear glass top of 1,5 cm. The four elements are independent and can be positioned freely, without the table losing its own identity regardless the position of the elements it consists of. Lella Vignelli (born Elena Valle, August 13, 1934 – December 22, 2016) was an Italian architect, designer, and businesswoman. She collaborated closely throughout much of her life with her husband Massimo Vignelli, with whom she founded Vignelli Associates in 1971. She was known for the "spare, elegant style" of her architectural and Industrial Design work, as well as her management skills and entrepreneurial expertise. She is famously quoted as saying that, "If you do it right, it will last forever." Starting in the mid-1950s, Lella Vignelli's professional concentration was interior, furniture, and product design. She was also involved in the formation of the ADI (Associazione per il Disegno Industriale), an Italian professional design organization which was founded in 1956. Some of the Vignellis' notable designs from this period are their brand identity commissions for clients such as Knoll International, for which they led a comprehensive review of the company's visual presence starting in 1965; the graphic identity and logo of American Airlines, designed in 1967; as well the design of as a collection of melamine plastic stacking dinnerware for Articoli Plastici Elettrici in 1964 (later marketed in America by Heller). The Vignelli Stacking Dinnerware was still in production in 2023, nearly 60 years after it was first introduced. In 1971, the Vignellis established Vignelli Associates and opened offices in New York, Paris, and Milan. The firm's commissions included corporate identity programmes for Bloomingdale's department store in 1972, Lancia automobiles in 1978, and Ducati motorcycles in 1992, as well as the signage system for the Guggenheim Museum Bilbao in 1997. Lella continued to focus on the three-dimensional design work of the practice, and also served as Chief Executive. In 1978, the Vignellis founded Vignelli Designs, a separate company which focused on product and furniture design, and for which Lella served as president. Their furniture designs included the Handkerchief chair for Knoll (1985); the Serenissimo table...

Magnificent coffee table by Warren Platner Marquina marble Limited edition Knoll - Finition métal bronze Attribution mark under the top Bronze and marble 2020 Dimensions : ø ...

Beautiful slab of Nero Marquina, it’s almost all black with one corner covered in ivory veining. The original lacquer is in excellent condition. The table top is attached to the base making this kid...

Lived edge ash coffee table, integrated walnut and walnut turned legs. Accented by cherry inlay work. Beautiful piece created by Artist Michael Oates as a...

Børge Mogensen 1914-1972. Coffee table in solid oak. Features rectangular table top and triangular legs. Designed by Børge Mogensen in 1956 and produced by Frederica, Denmark, in...

Shaker table model 5267 for Danish Furniture makers in Fredericia, Denmark. Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved. Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs. Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used...

Børge Mogensen shaker table in solid oak. Executed by Fredericia Furniture.

A very rare teak coffee table designed by Børge Mogensen for Tage Kristensen. This table was one of the first pieces Mogensen designed with the use of ...

Børge Mogensen teak coffee table. Børge Mogensen (1914-1972) was a prominent Danish furniture designer who made significant contributions to the development of Mid-Century Modern des...