Gerald Geerlings Art

To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. His creations expand intuitively with the Italian grandeur ...

Bold abstract geometric landscape, an expressive black and white line drawing done in pastel, by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the artist's estate. Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...

You are viewing a modernist American watercolor painting by Robert Noel Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and te...

Salinger, J. D. The Catcher in the Rye. Boston: Little, Brown and Company, 1951. First edition, first issue. Octavo. In the original publisher’s black cloth boards, with gilt titles to the spine. In the original publisher’s first issue dust jacket. Presented with an archival clamshell case. This is a very collectible first edition, first issue printing of J. D. Salinger’s novel The Catcher in the Rye. The book was published by Little, Brown and Company in Boston, on July 16, 1951. This book is presented in its original black cloth boards and original first issue dust jacket with $3.00 price on the front flap and with the Lotte Jacobi photo credit on Salinger’s portrait on the rear panel. This first edition, first issue is without “Reprinted July 1951” on the copyright found in later issues. The Catcher in the Rye details two days in the life of 16 year old Holden Caulfield, after he is expelled from his school. Confused and disillusioned, Holden is both intrigued and repelled by the trappings and realities of adulthood. An immediate success upon its publication in 1951, and popular with young readers since, the book has sold over 65 million copies. Since the book’s publication, Holden Caulfield has entered the pantheon of American literary heroes. Very few works of art have had the cultural and literary impact of Salinger’s novel. “The Catcher in the Rye was a symptom of a need, after a ghastly war and during a ghastly pseudo-peace, for the young to raise a voice of protest against the failures of the adult world. The young used many voices--anger, contempt, self-pity--but the quietest, that of a decent perplexed American adolescent, proved the most telling" (Anthony Burgess, 99 Novels, pp. 53-54). CONDITION: Good condition overall. Octavo. In the original publisher’s black cloth boards with gilt titles to the spine. The boards show slight wear to the edges, minor creasing to the spine, and some light spotting to the edges. In the original publisher’s first issue dust jacket. Dust jacket has minor separation along the front flap panel fold, some toning, minimal soiling, and chipping with loss to "th" in "the" and touching the "E" in "CATCHER" on the spine. The dust jacket is not price-clipped. Interior pages are mostly healthy, save light toning. Book has a previous owner’s inscription “Harry Weber...

Presenting an extremely rare first edition hardback copy of The Seven Seas by Rudyard Kipling from 1897. This rare book is in fair to good condition for ...

This exceedingly rare hardcover first edition, first printing of E.B. White's timeless classic, "Charlotte's Web" is a literary classic and trophy for the book collector. The book ...

AUTHOR: MILNE, A. A. TITLE: Winnie The Pooh. PUBLISHER: London: Methuen & Co. Ltd., 1926. DESCRIPTION: FIRST EDITION FIRST PRINTING. 1 volume, illustrated by E. H. Shephard. Bound...

B.J.O. Nordfeldt, 'St. Paul's Church' (St. Pauls' Chapel), etching, edition not stated, c. 1915. Signed in pencil. A superb, richly-inked impression, with skillfully controlled plate tone, printed on off-white, antique, laid paper; the full sheet with margins (5/8 to 2 1/4 inches), in very good condition. Scarce. Matted to museum standards, unframed. An impression of this work is in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST A solo exhibition of Nordfeldt’s etchings and woodcuts was presented by the Smithsonian Institution in 1926. In 1920, Nordfeldt had a one-man show at the Chicago Arts Club. In 1926, he won the bronze medal at the sesquicentennial exposition in Philadelphia and the Logan Medal at the Art Institute of Chicago. In 1927, he won the first annual prize from the Brooklyn Society of Etchers, and the following year he won first prize from the Chicago Society of Etchers. In 1929, Nordfeldt had a one-man show at the Denver Art Museum. Nordfeldt's work is held in numerous museum collections including Amon Carter Museum of Western Art, Ft. Worth; Anschutz Collection, Denver; Art Institute of Chicago; Biblioteque d’Art et d’Archeologie, Paris; British Museum, London; Corcoran Gallery of Art, Washington, DC; Los Angeles County Museum; Metropolitan Museum of Art, New York City; Museum of Fine Arts, Santa Fe; National Museum of American Art, Smithsonian Institution, Washington, DC; National Gallery, Sydney, Australia; Phillips Collection, Washington, DC. ABOUT ST. PAUL'S CHAPEL St. Paul's Chapel, nicknamed "The Little Chapel That Stood", is an Episcopal chapel located at 209 Broadway, between Fulton Street and Vesey Street, in Lower Manhattan, New York City. Built in 1766, it is the oldest surviving church building in Manhattan, and one of the nation's finest examples of Late Georgian church architecture. It is a New York City Landmark and a National Historic Landmark. The Hearts of Oak, a militia unit organized early in the American Revolutionary War, and composed in part of King's College (later, Columbia University) students, would drill in the Chapel's yard before classes nearby. Alexander Hamilton was an officer of this unit. The chapel survived the Great New York City Fire of 1776 when a quarter of New York City (then confined to the lower tip of Manhattan), including Trinity Church, burned following the British capture of the city after the Battle of Long Island during the American Revolutionary War. George Washington, along with members of the United States Congress, worshipped at St. Paul's Chapel on his Inauguration Day, April 30, 1789. Washington also attended services at St. Paul's during the two years New York City was the country's capital. Above Washington's pew is an 18th-century oil painting of the Great Seal of the United States, adopted in 1782. The rear of St. Paul's Chapel faces Church Street, opposite the east side of the World Trade Center site. After the attacks on September 11, 2001, which led to the collapse of the twin towers of the World Trade Center, St. Paul's Chapel served as a place of rest and refuge for recovery workers at the WTC site. For eight months, hundreds of volunteers worked 12-hour shifts around the clock, serving meals, making beds, counseling and praying with firefighters, construction workers, police, and others. Massage therapists, chiropractors, podiatrists, and musicians also tended to their needs. The church survived without even a broken window. Church history declares it was spared by a miracle sycamore on the northwest corner of the property that was hit by debris. The tree's root has been preserved in a bronze memorial...

Fantastic and very rare Patrick Nagel serigraph printed in 1983 by Mirage Editions for Piedmont Graphics in Oakland California. This print is signed...

Kerr Eby 'Shipping' also 'Shipping, Connecticut', etching and sandpaper ground, 1932, edition 100, Giardina 171. Signed in pencil and titled 'Shipping' in the bottom left sheet edge. A superb, atmospheric impression, with skillfully controlled plate tone, on heavy, cream wove paper; the full sheet with wide margins (2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 3/8 x 17 1/4 inches (316 x 176 mm); sheet size 13 7/16 x 8 3/8 inches (341 x 213 mm). The scene depicted was on the Connecticut coast...

New York: Charles Scribner's Sons, 1934 8vo, 7 1/2 x 5 1/2 inches (190 x 132 mm); pp. vii + 408, printed in Old Style type on wove paper; pen and ink drawings (33 head-pieces and 35 ...

Georgetown, Colorado, vintage 1938 WPA era ink drawing/painting on paper of a church set in a rocky mountain landscape by Charles Bunnell (1897-1968). Black on a creamy white paper, signed and dated lower right, titled lower left. Presented in a custom frame with all archival materials, outer dimensions measure 16 ¼ x 14 ½ x 1¼ inches. Image size is 7 ¾ x 5 ¾ inches. Drawing is clean and in good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Charles Ragland Bunnell Expedited and international shipping is available - please contact us for a quote. About the Artist: Charles Bunnell developed a love for art as a child in Kansas City, Missouri. Around 1915, Bunnell moved with his family to Colorado Springs, Colorado. He served in World War I and later used his GI Training to study at the Broadmoor Art Academy (later renamed the Colorado Springs Fine Arts Center) during 1922 and 1923. In 1922, he married fellow student, Laura Palmer...