Gerd Lange Coffee and Cocktail Tables

"Waterfall" is a white, gold or blue lacquered polyurethane Baydur iconic coffee table, designed by Fredrikson Stallard and manufactured by Driade. White lacquered version only is available in quick ship. Indoor use only. DIMENSIONS: D. 23.6", W. 85", H. 13.3" Even a coffee table can become a piece of art if it can transcend typological limitations. Fredrikson Stallard deal with the issue by the strength of the material to be bent and shaped. The result is a completely new form, marked by an important and expressionistic depression in the centre of the top. PATRIK FREDRIKSON and IAN STALLARD began their collaboration in 1995 and have since become internationally recognized as leading exponents of British avant-garde design. They are well known for their ability to translate their creativity into simple yet emotionally engaging fine artwork and furniture. Their cutting edge, conceptually rigorous work has been regularly discussed and praised in the design press and is sought after by discerning collectors and furniture producers. Their work has been acquired by the San Francisco Museum of Modern Art, twice by the Victoria and Albert Museum in London, the French National Art Collection, and shown at the Design Museum in London, MoMA and the Museum of Art and Design in New York. Their clients include some of the leading names in contemporary design including Swarovski, Chanel, Veuve Clicquot, Comme des Garcons, Dunhill, Remy Martin, The London Design Festival, Bernhardt Design, David Gill Galleries, Contrasts Gallery, Tools Gallery, Mitterand & Cramer, The Savoy Hotel, Soho & Tribeca Grand, Tarkett and Iittala. Fredrikson Stallard has exhibited widely including in London, Milan, Paris, Madrid, New York, San Francisco, Shanghai, Basel and Miami. Their work is given extensive coverage by press and print, featuring in books and publications such as The International design Yearbook, The Furniture Machine by Gareth Williams, Collecting Design in a Contemporary Market, 21st Century design by Marcus Fairs, The New York Times, Art & Auction, The London Times...

Art Deco Vintage Wood Armchairs and Coffee Table by Josef Frank Vienna circa 1930. We present a stunning ensemble of two armchairs and one coffee table by Josef Frank, Vienna circa 1...

Beautiful made Lucite coffee table in an Octangle shaped .Nice thick Lucite comes with a Glass top . Design by David Lange France 1970s . Only one problem difficult to photograph. ...

High and low oval-shaped tables in tempered extra light glass, with faded and irregular decoration which takes on the color and veins of marble. The surprising image changing effect...

Richard Schultz outdoor coffee table for Knoll. This table has a white powder-coated cast and extruded aluminum frame with white enameled porcelain on steel tabletop. The table has a...

- Good original condition - Table: 65 x 65 x 65 cm.

A vintage mid-century modern low round table attributed to Nicos Zographos of the TA35 line circa 1960. Seamless design stainless steel frame with stiletto legs and a 3/4" thick glas...

A burled triangular top coffee table rising from three walnut legs tipped with brass caps. Designed by Edward Wormley for Dunbar, circa 1955.

Trinom white coffee table by Peter Maly for COR. circa 1970. Curved bentwood legs supporting a laminate top, accented with round chrome medallions. Dimensions: 11.5” H x 30.25”...

"Mingx" is a coffee table, designed by Konstantin Grcic and manufactured by Driade, with a structure in printed steel sheet and rod with polyester painted in orange, light gray, bron...

A super and unique Paul Evans brass and chrome patchwork cityscape square form coffee/ side table. model no PE 400by signed Paul Evans, circa 1975. Paul Evans Studio for Directional,...

"Tavolino 1932" is a classic coffee table, originally designed by Gio' Ponti in 1932 and manufactured by FontanaArte, made of two 0.59" th. discs of float glass and featuring a frame in polished nickel plated brass. Indoor use only. DIMENSIONS: Ø 24", H. 24" GIO' PONTI, right from the start, was active in the fields of architecture, painting, graphics and set design as an eclectic character. He graduated from Milan Polytechnic in 1920 and was art director for Richard Ginori from 1923-1930. In 1926, with editor Gianni Mazzocchi, he founded the magazine Domus, staying on as editor until his death. He was invited to take over the art direction of Luigi Fontana in 1931 and in 1932 he founded FontanaArte with Pietro Chiesa. He was one of the promoters of the Compasso d’Oro Award and a founder member of the ADI (Italian association for industrial design), as well as curating programmes for the Milan Triennale on many events and teaching at Milan Polytechnic. He designed numerous famous public and private buildings, including the houses in Via De Togni, the tower-house in Corso Venezia, offices for RAI and Ferrania, the Littoria tower in Parco Sempione, the Pirelli skyscraper in Milan, Taranto Cathedral, Villa Planchart in Caracas and Denver Museum of Modern Art. In the field of design he created timeless furniture, lighting and objects for FontanaArte, as well as the Superleggera chair and furniture for Cassina, Christofle cutlery and Richard Ginori china.