Gino Hollander Furniture

Exciting Gino Hollander style abstract oil painting. This painting is not signed but we believe it to be by the artist.

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstr...

Sophie Dumont, with her work entitled "eclat printanier" offers us a captivating vision of a countryside reinterpreted through her unique artistic prism. Chhose your frame black or n...

This beautiful poster is for Roy Lichtenstein's exhibition at the iconic Solomon R. Guggenheim Museum in New York in 1993 and features Lichtenstein's 1961 artwork "The Kiss". Roy L...

Abstract countryside landscape with colorful patches. The construction takes precedence over the pattern, the many superimposed layers give an interesting material and it is accentua...

This wonderful poster promotes the David Hockney exhibition "Works From the Tate Collection, 1954-2017" held at the Bozar in Brussels, Belgium. The exhibition ran from October 8th 20...

Through the metamorphosis of pictorial matter, Sophie Dumont not only captures the physical reality of the landscape but also the intangible essence that brings it to life. Her arti...

Poster for an exhibition titled “Photographs from the Collection of the Israel Museum Jerusalem” held at the Witkin Gallery in New York City from November 28-December 8,1979. Main image is a 1926 Andre Kertesz photo of Chez Mondrian. The poster was signed [likely] at a benefit soiree at the apartment of Arnold and Augusta Newman (“Chez Newman”) by the following: photographer Arnold Newman and his wife Augusta; the journalist and historian J. Robert Moskin; writer and curator Martin Weyl; Will Sandberg, Dutch surrealist artist, typographer, graphic designer, curator, and director of the Stedjelijk Museum, Amsterdam; American artist George Segal and his wife Helen; Israeli sculptor Yehiel Shemi...

An original oil on canvas abstract composition by well-listed American artist Gino Hollander (California/Colorado/Spain; 1924 – 2015). Executed in white, ochre, browns and black, it ...

Dive into the captivating world of the Picasso Museum with this extraordinary vintage poster showcasing the legendary "Arlequin 1917" by Pablo Picasso. Transport yourself to the hear...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Original watercolor portrait executed with pen and ink on paper by Gino Hollander. Very fine example of his work in this medium.