Henry Coombes Furniture

Layers of paper and paint make this artwork stand out on it's own. Unsigned.

Piero Dorazio mixed-media on paper "Senza Titolo" executed 2004.

John Urbain (1920 - 2009) was born in Brussels, Belgium and He moved with his parents to Detroit in 1922. Drafted into the U.S. Army in 1941, Urbain was an infantry corporal whose skill as an illustrator led him to create army training graphics and murals. Wounded during the war, he later depicted the pathos of war in his own artwork. Urbain studied art at Black Mountain College...

This multiple is sold together with the accompanying book 'Enrico Castellani Pittore' by Vincenzo Agnetti. Published by Achille Mauri, Milan, accompanying publication of the book 'E...

Anatomically correct bull sculpture constructed from bars of solid iron created by Mark Doyle.

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

This bold and stylish mixed-media painting will make a definite statement with is composition and coloration. Note: This piece has been professionally framed using archival materi...

Mid-Century Modern iron, brass and nail Brutalist wall sculpture by Ron Schmidt circa 1960's. Fan pinwheel pattern. Very nice condition. Dimensions: 3.5" d...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Unknown artist. Mixed-media. Abstract composition. Measures: 49 x 39 cm. The frame measures: 0.7 cm. In excellent condition.

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...