Mary Lum Art

5184 spools of thread, aluminum ball chain and hanging apparatus, clear acrylic spheres, steel stand Devorah Sperber’s work exists at the intersection of art, science, and technol...

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...

5024 spools of thread, aluminum ball chain and hanging apparatus, clear acrylic sphere, steel stand, edition 1 of 1 Devorah Sperber’s work exists at the intersection of art, science...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

"Magnolia" is a sculpture by Pippin Frisbie-Calder from the 2022 exhibition Is This Too Much? A Maximalism Group Show. The piece is 30 inches high, 42 inches wide, and 55 inches in d...

Triple shot of Marilyn Monroe. Gold acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Would ship rolled from artists' studio. About the Artist: Russell...

Calico Cotton, Vintage Fade Poly/Cotton and Denim, 69.5 x 83 inches, 2022 (Hanging hardware included) Julian J. Jones quilts made from images taken from the artist’s gestural, abstract drawings are inspired by traditional African American quilting...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Robert Rauschenberg Red River (RR 2007.012), 2007 pigment transfer on polylaminate 61 x 73.5 in. The Runts are Rauschenberg’s final painting series, so name...

'Honeycomb' was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives off-grid. Each ceramic Honeycomb panel has been handmade, drawn, glazed and fired in the Cambrian Mountains of Wales. The frames are also handmade, and have been gessoed, painted and gilded with 23.5 carat gold - the purest gold you can use for gilding. It is possible to display your Honeycomb as individually framed panels, or en masse - the photograph, taken at The Treasure House...

Galen Gibson Cornell Tectonic 78” x 94” Found street-posters from New York City, Boston, Berlin; Monotype on paper; sliced and woven. 2023