Philip Hermogenes Calderon R.A. Art

Academic figurative oil painting of a muscular male athlete with a vintage green wrestling uniform "Wrestler in Singlet", Painted by Mark Beard as Bruce Sargeant (a pseudonym in homage to the figurative painting of John Singer Sargeant and fashion photography by Bruce Weber) Oil on canvas, signed upper left corner 30 x 20 inches, 34.5 x 24.5 inches in a black painted wood frame Excellent condition, the frame exhibits some wear consistent with age which is the artist's intention as the painting was made by his fictitious persona "Bruce Sargeant" who painted during the 1930's - 40's. Artwork description: This vertical, figurative portrait painting of a muscular male in a green wrestler singlet...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

Beautiful oil on canvas from the end of the 19th century figuring the portrait of a young woman. The painting is signed Y Pol on the bottom left . The artist in his performance perfe...

Academic style figurative oil painting of two muscular football players Painted by Mark Beard as Bruce Sargeant Oil on canvas, signed upper right 20 x 16 inches unframed, 26 x 22 in...

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

The setting is the French coast, on a tranquil summer's evening. Clouds are drawing in, the sky is turning dusky pink and purple, but there is still time left for play, for the children on the beach...

Circle of Jacques-Louis David Joseph and Potiphar 88x72 cm oil on canvas. The story tells of Joseph's duties in Egypt. Sold as a slave to Putiphar, chief of the king of Egypt's guar...

Emile Rene Menard (French, 1862-1930) L`enlevement de Dejanira (The rescue of Deianara) Oil on canvas Signed `E R Menard’ (lower left) and inscribed with t...

This large oil on canvas painting by Adam Springfield depicts the Battle of Ptolemais which took place in 1191. It is signed lower left and dated 1877. The verso of the painting contains the title of the painting. It has it's original period gold leaf frame and measures 44 x 63.75 inches. The siege of Ptolemais is unique in the history of the Crusades since the Frankish besiegers were themselves besieged, by Saladin's troops. It was not captured until July 1191 when the forces of the Third Crusade, led by King Richard I of England and King Philip II of France, came to King Guy's aid. Acre then served as the de facto capital of the remnant Kingdom of Jerusalem...

This rare mythological scene depicting the Greek author Homer on the island of Scyros. You will notice the Trojan War being fought in the background. Our painting, dating from 1864, is unsigned, but has a solid attribution to academic artist Henri-Léopold Lévy...

John William Godward 1861-1922 British A Pompeian Lady Signed and dated "J.W. Godward 1904" (lower right, partially covered by frame) Oil on canvas One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled A Pompeian Lady, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pel. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops...

This beautiful painting was created in 1877 by the well-known French painter, Gustave Clarence Rodolphe Boulanger. Boulanger often produced work which combined the classical and Orie...