Samuel Palmer (b.1805) Art
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Artist: Samuel Palmer (b.1805)
"The Sepulchre" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"The Homeward Star" Eclogue 1 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
Sketch-book Page, Shoreham, Samuel Palmer, Late 19th Century
By Samuel Palmer (b.1805)
Located in London, GB
Graphite on paper, numerous pencil inscriptions
Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm)
Period style hand made gilt frame
Provenance
The collection of Ernest Pearce (1930-20...
Category
Late 19th Century Victorian Samuel Palmer (b.1805) Art
Materials
Paper, Graphite
A View Near Redhill, 19th Century Pen and Ink Drawing by Samuel Palmer
By Samuel Palmer (b.1805)
Located in London, GB
Pen and ink on paper, inscribed 'Redhill' and dated 'June 24th 1872' lower left
Image size: 4 x 8 inches (10 x 20 cm)
Mounted and Framed
Provenance
Given to Ernest Pearce by Carlos Peacock, from the collection of Miss Louisa Twining (1820-1911), a pupil of Samuel Palmer.
Carlos noted in his letter accompanying the work to Ernest Pearce that 'Going through my Palmer things for mounting the other day. I found this little sketch dating from the Redhill days. Thought you might like it by way of a Christmas gift'.
Literature
Carlos Peacock, Samuel Palmer , Shoreham and After, published by John Baker 1968, illustrated on page 67.
This delicate pen and ink drawing depicts a view at Redhill, a town in the borough of Reigate within the county of Surrey, England. While Palmer's reputation rests mainly on his Shoreham work some of his later work, such as his sketches from Redhill, have recently received more appreciation.
In 1872 Palmer was living in Redhill, at his last home, The Chantry at Cronks Hill. The Chantry is now Grade II listed due to the Palmer connection and Palmer Close, a cul-de-sac in Redhill (built in the 1960's), was also named in his honour.
This work is an illustration of rural paradise, a vision of the natural world where there is a cosmic harmony between man and his environment. Indeed, Alfred Palmer, the artist's son, wrote 'Had the artist depended for his material solely on the fields, and woods, and hills around him, and had he used that material in a sordid way, he might have given us faithful representations of those he selected, but there would have been inevitable repetition, and he would never have shown us as he has undoubtedly done, the very spirit and quintessence of the loveliest and most poetic pastoral scenery - scenery which we may imagine as that of ancient England...
Category
19th Century Samuel Palmer (b.1805) Art
Materials
Ink, Pen
Ancient Oak Trees in Lullingstone Park, Samuel Palmer Watercolour and Ink
By Samuel Palmer (b.1805)
Located in London, GB
Watercolour and pen and ink on paper, inscribed verso
Image size: 5 x 4 inches (13 x 10 cm)
Framed
This drawing most likely depicts a view in Lullingstone Park, near the village of ...
Category
Mid-19th Century English School Samuel Palmer (b.1805) Art
Materials
Ink, Watercolor, Pen
"Opening the Fold - Early Morning" Eclogue 8 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"Moeris and Galatea" Eclogue 9 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings to illustrate his translation of Virgil's Eclogues, but died in 1881 before finishing the project. Moeris and Galatea is one of four etchings...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
"The Cypress Grove" Eclogue 5 original etching
By Samuel Palmer (b.1805)
Located in Henderson, NV
Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Company. Samuel Palmer had planned a series of etchings to illustrate his translation of Virgil's Eclogues, but died in 1881 before finishing the project. The Cypress Grove is one of four etchings...
Category
1880s Realist Samuel Palmer (b.1805) Art
Materials
Etching
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
The Rising Moon' or 'An English Pastoral'
1857
Etching
26.8 x 36.5 cms (10.6 x 14.8 ins)
Category
1850s Samuel Palmer (b.1805) Art
Materials
Etching
Opening the Fold
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer
Opening the Fold
1880/1926
Etching
Image size: 16.4 x 23 cms (6 1/2 x 9 ins)
Category
19th Century Samuel Palmer (b.1805) Art
Materials
Etching
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Previously Available Items
The Rising Moon' or 'An English Pastoral'
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The Rising Moon' or 'An English Pastoral'
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26.8 x 36.5 cms (10.6 x 14.8 ins)
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Opening the Fold
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Located in London, GB
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'The Early Ploughman' or 'The Morning Spread upon the Mountains'
By Samuel Palmer (b.1805)
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'The Early Ploughman' or 'The Morning Spread upon the Mountains'
1861
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27 x 36 cms (10.6 x 14.2 ins)
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The Sleeping Shepherd
By Samuel Palmer (b.1805)
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The Herdsman's Cottage, or, Sunset
By Samuel Palmer (b.1805)
Located in Storrs, CT
The Herdsman's Cottage, or, Sunset. 1888. Etching. Lister 3.ii. Image 3 7/8 x 3; plate 4 7/8 x 4; sheet 9 x 6 3/4 inches. As published in, The Portfolio , 1872. Illustrated: Print Collector's Quarterly 3 (1913): 213. A rich impression printed on cream laid paper. Signed with the artist's 'S. P.' monogram in the plate along the lower left margin. Housed in an archival mat, suitable for framing. Housed in a 20 x 16-inch archival mat, suitable for framing.
The plate was not published until 1872, when Philip Gilbert Hamerton included it in The Portfolio. In 1875, Hamerton published it in his book, Examples of Modern Etching. In 1880, he published it for a third time in his seminal book, Etching and Etchers. The plate for this etching is known to have been destroyed by 1882.
The son of a bookseller, Samuel Palmer began painting at the age of thirteen. One year later he exhibited at the Royal Academy. In 1826 he moved to the remote village of Shoreham in Kent where he and such fellow artists as George Richmond and Edward Calvert...
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Late 19th Century Old Masters Samuel Palmer (b.1805) Art
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Samuel Palmer (b.1805) art for sale on 1stDibs.
Find a wide variety of authentic Samuel Palmer (b.1805) art available for sale on 1stDibs. You can also browse by medium to find art by Samuel Palmer (b.1805) in etching, ink, pen and more. Not every interior allows for large Samuel Palmer (b.1805) art, so small editions measuring 4 inches across are available. Customers who are interested in this artist might also find the work of Antoine-Louis Barye, Eileen Soper, and William Nicholson. Samuel Palmer (b.1805) art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $750 and tops out at $30,675, while the average work can sell for $1,000.