Sibyl Edwards Furniture

An interesting Collections 85 Inc. creation made out of a mix of ceramic, plaster and paint. Signed and dated with the original documentation on the...

Vintage Ken Edwards Mexican ceramic quail bird form Tonala Pottery. Beautiful vintage Mexican hand made and hand painted TONALA Art Pottery. Deco...

A set of 8 decorative alabaster eggs. Beautiful variety of colors and natural veining to the stone. Each measures approximately 2.5" to 3" Long and 1.5"...

Ceramic Bottle by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random abstraction, matte blue with amber gloss microcrystalli...

Collection of four antique quality hand painted Staffordshire dogs. Four quality Staffordshire dogs seated in wonderful black, red, brown & white colours wearing collars and padlocks

Fascinating set of three ostrich egg specimens that have been painted or dyed. Beautifully crafted pieces perfect for a cabinet of curiosities or display ...

Ceramic bottle by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random abstraction, matte sage gray-blue with dark brown gloss...

Glazed ceramic sculpture by William Edwards 2016 Hand built earthenware sculpture, fired multiple times to achieve a textured surface of random abstraction, in hues of green with am...

Striped fold with inclusions I is a unique sculpture by the British artist Steven Edwards, created from colored parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Fantastic sculpture made of brass and chrome designed by Tommaso Barbi in the 70s. It consists of nine stackable pieces of different sizes as trays that together create an elegant eg...

An ostrich egg sculpture by Glyn Lockett with silver brass stem and the applied plaque with coral and seed pearls on buffalo Horn silvered base s...

Glazed ceramic cylindrical sculpture by William Edwards Hand built earthenware vessel, fired multiple times to achieve a textured surface of random...