Willy Pogany Art

Antique panorama children’s book illustrated by Willy Pogany and retold by Edith L Elias. A total of 14 panels, one side with illustrations, and the other with text. Published by George G. Harrap & Company. This book is part of a children’s series by Willy Pogány of folding panoramas illustrations and text, inspired by American poet Henry Wadsworth Longfellow’s 1855 epic, The Song of Hiawatha. Lines from Longfellow run underneath Pogány’s illustrations, which follow the Ojibwe child Hiawatha from his early kinship with the wild animals, through his struggles with Nahma, King of Fishes, and his own estranged father, Mudjekeewis, up to his courtship of Laughing Water (Minnehaha). The prose text by Edith Elias, printed on the verso of the panorama, carries Hiawatha’s story farther, through the death of Minnehaha and the coming of “the Pale-Face Chief.” Pogány’s dynamic frames, with their striking use of negative space, show the influence not only of Golden Age illustrators like Walter Crane, but also the new generation of cartoonists like Winsor McCay...

WILLY POGANY (1882 - 1955) TAMAS THE POWER OF BAD, c. 1940. Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

Depicting a complex interplay of lithe nude figures in struggle, the upper male figure holding a large sword aloft, this rare print was made by the famed artist and illustrator, Will...

Medium: Gouache on Illustration Board Signature: Signed Middle Right Sight Size 20.50" x 27.00;" Framed 30.25" x 35.00" Framed and matted under glass in antique gold painted art deco...

William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese, Fairy Flowers, Forty-Four Turkish Fairy Tales, Tales of the Persian Genii, A Treasury of Verse for Little Children, Stories to Tell the Littlest Ones, Hungarian Fairy Book...

From the Estate of John McLaughlin. Signed center left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Original cover illustration for The American Weekly, published December 11, 1949. Depicting a scene from “Much Ado About Nothing,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. "I Won't Marry Her." William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists and illuminated books, and much of his career was devoted to book illustration. Among his many successes were The Rubaiyat, The Kasidah, The Children’s Book of Northern Myths, The Witch’s Kitchen, The Frenzied Prince, Sonnets from the Portuguese, Fairy Flowers, Forty-Four Turkish Fairy Tales, Tales of the Persian Genii, A Treasury of Verse for Little Children, Stories to Tell the Littlest Ones, Hungarian Fairy Book...

Original cover illustration for The American Weekly, published February 5, 1950. From Pogany’s “Beauties of Shakespeare” cover series for the magazine, this illustration depicts a scene from The Merry Wives of Windsor where Sir John Falstaff hides in a laundry basket. Signed lower left. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Original cover illustration for The American Weekly, published November 27, 1949. Depicting a scene from “The Winter's Tale,” this illustration is from Pogany’s “Beauties of Shakespe...

Original cover illustration for The American Weekly, published October 9, 1949. Depicting a scene from “Cymbeline,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. From the Estate of John McLaughlin. Medium: Mixed Media on Board Signature: Signed Lower Left William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Story illustration for "Queen Esther's Feast," published in the book Bible Stories to Read and Tell: 150 Stories from the Old Testament with References to the Old and New Testaments, selected and arranged by Frances Jenkins Olcott (Boston: Houghton Mifflin, 1916). Signed lower right. William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental...