A Schiaparelli Printed Silk Blouse Dress Circa 2006-2012
About the Item
- Designer:
- Brand:
- Dimensions:Marked Size: Equivalent French Size 36/38 (EU)
- Style:2006/2012 (Of the Period)
- Place of Origin:
- Period:
- Condition:Wear consistent with age and use. Excellent condition and Color.
- Seller Location:Toulon, FR
- Reference Number:1stDibs: LU63339711542
House of Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house Maison Schiaparelli from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Maison Schiaparelli clothing and accessories on 1stDibs.
Elsa Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Elsa Schiaparelli hats, evening dresses and other clothing and accessories on 1stDibs.
- ShippingRetrieving quote...Ships From: Toulon, France
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- A Satin Embroidered Ball Gown by Harvey Berin Designed by Karen Stark Circa 1955By Karen Stark, Harvey BerinLocated in Toulon, FRCirca 1955 - 1960 United States of America Beautiful American ball gown in powder pink satin embroidered with sequins and rhinestones, by Harvey Berin, designed by Karen Stark dating from the 1950s. Whalebone bustier highlighted with pleated satin on the plunging bosom with large bare back neckline closed by zip. Wide cup skirt with pink tulle petticoat. Large sinuous stems loaded with flowers in sequin embroidery, iridescent pearls, daisies and rhinestone cabochons. Hand-stitched finish and bustier lining in faille à la couleur. Skirt lining in white tarlatan. To note three tiny rings...Category
1950s American Aesthetic Evening Dresses
- A Jean Patou Couture Mini Dress by Christian Lacroix Show 1986By Jean PatouLocated in Toulon, FRCollection Spring Summer 1986 France Haute Couture Mini-dress in embroidered beige silk for show from the designer house Jean Patou by Christian...Category
1980s French Mini Dresses
- A Gold and Green Lurex knitwear Party Dress - France Circa 1970Located in Toulon, FRCirca 1970 France Long party dress made of gold Lurex and green fluorescent Lurex knitwear and dating from the 1970s. Tight dress with boat neckline and ...Category
1970s French Cocktail Dresses
- A French Printed Chiffon Couture Dress Circa 1930/1940Located in Toulon, FRCirca 1930/1940 France An Anonymous Haute Couture shawl and dress in silk crepe printed voile with fruit in shades of pink, orange and brown dating fro...Category
1930s French Evening Dresses
- A French Chiné Silk Ball Gown Circa 1955Located in Toulon, FRCirca 1955 -1960 France Beautiful summer ball gown in taffeta mottled with large bunches of carnations (?) undulating, without claw and dating from the 1...Category
1950s French Evening Dresses
- A French Powder Pink Crepe Satin Ceremonial Dress Circa 1940Located in Toulon, FRCirca 1940 France A Collectible Long dress for evening or ceremony in Fibrane, a reversible matte and satin crepe in artificial fibre, in a subtle powder pink colour, dating from the 1940s. Long puffed sleeves with fine shoulder pleats, square neckline and cut-out effect at the waist. Yellow bakelite buckle...Category
1940s French Evening Dresses
- F/W 2002 Gucci by Tom Ford Beige Silk Satin Ribbon DressBy Tom Ford for Gucci, GucciLocated in West Hollywood, CAPresenting a gorgeous taupe satin silk Gucci dress, designed by Tom Ford. From the Fall/Winter 2002 collection, this beautiful mid-length dress features a v...Category
Early 2000s Italian Cocktail Dresses
- Fendi Taupe and Peach Cotton Knit Dress - 42By FendiLocated in West Palm Beach, FLThis Fendi cotton knit dress is light taupe with peach trim on the collar and neckline. The skirt has slight pleating and a taupe, peach, black, and ...Category
21st Century and Contemporary Italian Day Dresses
- Etro paisley print red blue black white halter neck backless draped maxi dressBy EtroLocated in Paris, FREtro paisley print floor length dress from the S/S 2014 runway collection Halter neck cut with a draped neckline Body con stretch fit Backless Colours consist of red, blue, green, b...Category
2010s Italian Maxi Dresses
- Jean Paul Gaultier watercolour print sleeveless off the shoulder midi dress MBy Jean Paul GaultierLocated in Paris, FRJean Paul Gaultier Maille vintage off the shoulder stretch viscose dress Graffiti print in an array of colours that include in varying shades ...Category
Early 2000s Italian Informal Dresses
- Moroccan Caftan, Silk Brocade Vintage KaftanLocated in North Hollywood, CAElegant Moroccan caftan silk gold damask gorgeous vintage hostess gown. Light green floral leaf design on silk Kaftan circa 1970s. Exotic oriental long maxi caftan dress with long sleeves in shimmering brocade beige and gold fabric. One of a kind evening Moroccan Middle Eastern gown. This long maxi dress kaftan is embellished entirely by hand. The front is embellished at the front with woven gold buttons and loops that run down the center to the hemline. The cuffs and border seams are accented with handmade applique gold trim. This exotic Arabic maxi dress caftan gown makes a very extravagant garment for formal attire to transitions effortlessly to casual wear. Handcrafted in Morocco and tailored for a relaxed fit with wide sleeves, It is made in the traditional form of a Moroccan caftan using metallic brocade fabric and trimmed in handcrafted “passementerie”. The body of the garment is loose fitting and flares to the bottom. The sleeves are somewhat bell shaped with an open cuff that closes up with metallic gold buttons. The fabric is a rich looking metallic thread blend brocade. This long maxi dress kaftan is embroidered and embellished entirely by hand with detailing around a traditional neckline, with embellished sleeves In Morocco, fashion preserves its traditional style inherited from great civilizations that found their way to Northwest Africa, such as the Ottomans and the Moors. Moroccan fashion has been recognized for its style and has garnered a reputation, winning awards in international fashion shows throughout Europe. Marrakech Bohemian style. Sizing: No size is indicated, but, being a loose fitting garment, this should fit a range of medium to large sizes - please rely on the following measurements for fit: Measurements: Bust 36”. Waist 36”. Hips 44”. Across shoulders 13”. Sleeve length 25.5”. Centre back length 60”. Handcrafted by Moroccan Artist designer, this is a one of a kind caftan, inspired by the tales of princess of the Arabian Nights. The Kaftan is a long and wide tunic, collarless, long-sleeved, worn by man and women in Africa and the Middle East. The Moroccan kaftans inspired European and global designers as Yves Saint Laurent, Valentino, Oscar de La Renta, Emilio Pucci, and many more who made the Moorish caftans famous in the 1960s and 1970s. Loose fit this caftan blends ease and timeless style with its relaxed fit and intricate embroidery, for a casual evening out or dress it up with jeweled sandals...Category
20th Century Moroccan Maxi Dresses
- Moroccan Vintage Kaftan Pink Damask Bohemian Caftan 1970Located in North Hollywood, CAGorgeous vintage designer Moroccan kaftan in pink damask floral fabric. This chic Bohemian maxi dress caftan is one of a kind designer evening Moroccan Middle Eastern gown. Vintage exotic 1970s pink and green maxi dress kaftan handmade in North Africa, Morocco. Unisex will fit Large to XL. Dress measurement flat: Shoulder 20" Sleeve 22.5" Chest 26" Hip 28" Total length 55". Handcrafted by Moroccan artist fashion designer, this is a one of a kind caftan, inspired by the tales of princess of the Arabian Nights. The Kaftan is a long and wide tunic, collarless, long-sleeved, worn by man and women in Africa and the Middle East. The Moroccan kaftans inspired European and global designers as Yves Saint Laurent, Valentino, and many more who made the Moorish caftans...Category
Late 20th Century Moroccan Kaftans
Recently Viewed
View AllRead More
You Saw It at the Met Ball. Here’s What Camp Fashion Is Really About
This year's Costume Institute exhibition is all about embracing the eccentric.
The Met’s Latest Blockbuster Tells a Powerful Story through 230 Jewels
A captivating show at the Manhattan museum explores how jewelry has ornamented the body through the millennia — and redefines it as high art.