A black kimono jacket by Pierre Balmain Haute Couture n. 111036 Circa 1975-1980

Yves Saint Laurent France circa 1990 Magnificent skirt suit by Yves Saint Laurent Rive Gauche.  100% Linen 3 pearly buttons on each sleeve and two at the waist to bend the jacket two pockets at the waist and two chest...

Circa 1940/1950 France Light blue and beige suede sleeveless waistcoat entirely hand-painted on a musical theme probably signed by René Gruau. Commissioned for a play in the late 19...

Second half of the 19th century Persia Iran Beautiful feminine bodice jacket with a cut evocative of the Persian ceremonial clothes that can be seen on painted miniatures of the Kadjar period. This piece is only for collecting because very small. Beautiful lampas of navy silk embroidered with a golden yellow and orange semis (probably earlier than the cut). Typical cut with large crevices on the sleeves and under the armpits. Basques to the form on the hips and around fully piped with ribbons, satin and blue braids. Lining in Indian flowered probably Russian. Four bell button...

2007 collection France Elegant printed silk muslin indoor bathrobe from the Ratti collection in 2007. As new, never worn, with its belt and original label dating from 2007. Beautifu...

Early Nineteenth century Japan A collectible Kimono coat for a Japanese dignitary, Edo period, in lampas lined with wool coat of arms dating from the early 19th century. Beautiful ...

Circa 1970 France Beautiful Art Deco velvet day coat in the style of Raoul Dufy, dating from the early 1970s. Fitted and flared at the bottom with a large pointed collar and a smal...

This wonderful square cut berry silk crepe Fortuny coat is gilt stencilled in a Bellini pattern. Fortuny's ethereal crepe and gauze garments are extremely...

Lilli Ann, Tisse a Paris, One Button Hidden Top Closure, Pink Satin Lining, Two Satin Lined Pockets, Mink Fur Collar, Heavy Weight, 3/4 Sleeve, Beautiful Coat Measurements Laying Fl...

Veronica Beard, Made in USA, Polyester/Viscose/Elastane, Green, Navy, Colorblock Plaid, Hook and Eye Closure on Jacket, Two Front Pockets (One with Flap), Zipper on Back, Size 10, Re...

Rare Schiaparelli Haute Couture Mandarin Black Quilted Faille Cape, 1951 Amazingly chic and modern quilted silk faille Haute Couture cape by Elsa Schiaparelli from the 1950's. M...

Schiaparelli Haute Couture Changeant Faille Jacket, 1938-39. "France gave me the inspiration: America gave me the approval" Elsa Schiapa...

"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...