Unique & Large Japanese Oribe-ware Chair by Suzuki Gorô

Tall and exceptionally made Kyo-ware porcelain jar (tsubo) with a naturalistically relief design of a coral-coloured net stretched around the body. On the shoulder hangs a beautifully draped red...

Magnificent Kutani-ware porcelain vase of broad bluster shape by the famous artist Tokuda Yasokichi III (Masahiko) (1933-2009). Its body decorated wit...

Fantastic, and very large Kutani-ware porcelain globular vase with horizontal ribs by the famous artist Tokuda Yasokichi III (Masahiko) (1933-2009). I...

Very large rotund-shaped porcelain vase with horizontal ribs and a covering underglaze design of overlapping swirls with a canvas pattern on a white ground. Heightened by gold lustre...

Outstanding and large porcelain biomorphic abstract sculpture covered in clear glaze and regularly distributed opulent cobalt blue polka dots of varying sizes, titled ‘Twisting Back, Multiplying’, hand-built by the highly praised Japanese ceramic artist Harumi Nakashima (1950). Signed at the bottom in a dot '1104 Haru'. Made in 2011. Documented on the website of the artist himself. Born in 1950 in Ena, Gifu Prefecture, Harumi Nakashima is known for his biomorphic porcelain sculptures decorated with opulent blue dots. He excels in clay creations far removed from both tradition and functionality. Taking great care to achieve a flawless surface and form, each piece is created over the course of six months. Nakashima's early reputation was cemented as one of the leading teachers at the Tajimi Pottery Design and Technical Center, having trained and influenced many of the promising young ceramicists of Japan since 1976. Nakashima has received leading prizes and tributes. With works collected by 20 public institutions the world over, including the Museum of Arts and Design in New York and the Faenza Ceramics Museum in Italy, he is one of Japan's most celebrated porcelain artist. Influenced by the blue sometsuke (under-glaze) motifs of traditional Japanese porcelain, Nakashima's motifs also use cobalt blue over-glaze. Yet unlike traditional methods, Nakashima's blue dots are painted over the body of a work after the main firing, and then fired into the white glaze of the porcelain with a second firing using the technique of "in-glazing", thereby leading to the sinking of the dots upon the white overglaze. Perhaps more surprising is the fact that his organic, sprawling and fluid porcelain bodies are entirely hand-built. As porcelain is extremely difficult to manipulate by free-hand, Nakashima intentionally uses this method to create not only tension, but an epic "battle with clay". He is currently based in the port city of Nagoya, and some of his more recent exhibitions are; 2021 Art Market San Francisco, Duane Reed Gallery...

Exquisite stoneware vase of ‘gu’-like shape by the honoured artist Minegishi Seikô (1952-2023) with an undulating calyx-shaped mouth and covered by his trademark celadon glaze of grey-greenish colour. This high quality ‘kan’nyû’-type craquelé glaze looks like many stacked crystalized flakes surrounded by a faint reddish line. Creating a beautiful depth. The upper and lower rims, and the lower lying parts of the low relief lobed neck accentuated by smoky grey lines. The smooth foot decorated with two subtle rows of dots in the same shade. The bottom with an unglazed cartouche sealed by the artist. Minegishi Seikô was born in 1952 in Misato City, Saitama Prefecture. He specialised in craquelure celadon glaze, which was infamously difficult to achieve. His thickly applied glazes ranged from the classical range of celadon colours from pale green to grey to beige and were characterised by kan’nyū, or deep crackling that served to emphasise his elegant shapes. Minegishi's early work was in kohiki vessels (an iron-rich body coated in thin white slip glazes) inspired by early Korean pun'chong wares, rather than celadon glazes. After seeing a Chinese celadon bowl...

A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...

A charming vintage Japanese oribe glazed chawan by Matsumoto Tetsuzan (b. 1955), Seto, Japan. The tea bowl, called a chawan, wonderfully potted with...

As part of our Japanese works of art collection we are delighted to offer this tapering square form Meiji Period 1868-1912, ceramic vase from the studios of the highly coveted Imperi...

A large ceramic lidded vessel with striking sculptural form by contemporary Japanese potter Shigemasa Higashida (1955-). Hand-built and with drasti...

A large bulbous blue Japanese cloisonné vase showing two white orchids with pink centres, (some pitting to rims).

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...